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Author: Steven Dillon
Publisher: University of Texas Press
ISBN: 9780292702240
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors working in a similar vein to establish how lyric films are composed through the use of visual imagery and actual poetry. He then traces Jarman's use of imagery (notably mirrors and the sea) in his films and discusses in detail the relationship between cinematic representations and sexual identity. This insightful reading of Jarman's work helps us better understand how films such as The Last of England and The Garden can be said to cohere and mean without being reduced to clear messages. Above all, Dillon's book reveals how truly beautiful and brilliant Jarman's movies are.
Author: Steven Dillon
Publisher: University of Texas Press
ISBN: 9780292702240
Category : Performing Arts
Languages : en
Pages : 292
Get Book
Book Description
Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors working in a similar vein to establish how lyric films are composed through the use of visual imagery and actual poetry. He then traces Jarman's use of imagery (notably mirrors and the sea) in his films and discusses in detail the relationship between cinematic representations and sexual identity. This insightful reading of Jarman's work helps us better understand how films such as The Last of England and The Garden can be said to cohere and mean without being reduced to clear messages. Above all, Dillon's book reveals how truly beautiful and brilliant Jarman's movies are.
Author: Jim Ellis
Publisher: U of Minnesota Press
ISBN: 0816653127
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Author: Michael Charlesworth
Publisher: Reaktion Books
ISBN: 1861899661
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
Derek Jarman (1942–94) is known as one of Europe’s greatest independent film-makers; his films call into question and reconsider the nature of filmmaking itself. But, as Michael Charlesworth shows in this new biography, Jarman was also a painter, writer, gardener, set designer, and an influential campaigner for gay rights and other social causes. Charlesworth discusses the entire diverse range of Jarman’s works in order to provide a thorough portrait from childhood to his untimely death. Charlesworth is the first scholar to properly integrate Jarman’s paintings and writings with his films, demonstrating the strong connections between his varied areas of artistic practice. He also draws invaluable insights from Jarmon’s extraordinary series of journals that offer a look into the nature of the society in which he lived, as well as his own creative process. And through the thoughts and memories of Jarman’s friends, Charlesworth reveals how Jarman was an important voice on behalf of many—one who espoused love and friendship, while fearlessly campaigning for the virtues and the value of art in an often hostile and unappreciative political and social atmosphere. Fresh in its conclusions and engaging in style, Derek Jarman is an accessible and thought-provoking analysis of Jarman’s phenomenal creativity and a perfect complement to Jarman’s works.
Author: Michael Charlesworth
Publisher: Bloomsbury Publishing
ISBN: 1350385751
Category : Philosophy
Languages : en
Pages : 314
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Book Description
Derek Jarman's place in the history of film is assured by virtue of his vibrant, defiant films that experiment with the very process of film-making and create new forms. His paintings, their excitements and their profundity, are less well known. Michael Charlesworth sheds light on the varied ramifications of Jarman's artistic practice from his years at Prospect Cottage, Dungeness, and provides the first book-length study of his interest in depth psychology. He draws on Jarman's paintings, especially his landscapes from the 1960s and 70s, his multiple series such as 'black' and 'broken glass', GBH, Queer and Evil Queen, and his last Ecstatic Landscapes (1991-3). He also showcases Jarman's excellence as a writer with respect to his memoir, Kicking the Pricks. In a novel approach to Jarman's cinema, selecting films such as Journey to Avebury (1973), Caravaggio (1986), The Garden (1990) and Blue (1993), Charlesworth emphasizes themes and artistry rather than narrative. Exploring the ways in which Jungian and post-Jungian psychology were absorbed into Jarman's varied works, Derek Jarman's Visionary Arts provides a fresh perspective on his painting, film and writing. It celebrates him as one of the major British artists of the late 20th century, engaging with current debates about queer sexualities, environmentalism and climate catastrophe.
Author: Alexandra Parsons
Publisher: Manchester University Press
ISBN: 1526144778
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Luminous presence: Derek Jarman's life-writing is the first book to analyse the prolific writing of queer icon Derek Jarman. Although he is well known for his avant-garde filmmaking, his garden, and his AIDS activism, he is also the author of over a dozen books, many of which are autobiographical. Much of Jarman's exploration of post-war queer identity and imaginative response to HIV/AIDS can be found in his books, such as the lyrical AIDS diaries Modern Nature and Smiling in Slow Motion. This book fully explores, for the first time, the remarkable range and depth of Jarman’s writing. Spanning his career, Alexandra Parsons argues that Jarman’s self-reflexive response to the HIV/AIDS crisis was critical in changing the cultural terms of queer representation from the 1980s onwards. Luminous presence is of great interest to students, scholars and readers of queer histories in literature, art and film.
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1108298699
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
Author: Ming-Yuen S. Ma
Publisher: Manchester University Press
ISBN: 1526142147
Category : Art
Languages : en
Pages : 302
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Book Description
There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundscape and more. The book argues that experimental media art produces radical and new audio-visual relationships challenging the visually dominated discourses in art, media and the human sciences. In addition to directly addressing what Jonathan Sterne calls ‘visual hegemony’, it also explores the lack of diversity within sound studies by focusing on practitioners from transnational and diverse backgrounds. As such, it contributes to a growing interdisciplinary scholarship, building new, more complex and reverberating frameworks to collectively sonify the study of culture.
Author: John David Rhodes
Publisher: U of Minnesota Press
ISBN: 1452932719
Category :
Languages : en
Pages : 408
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Book Description
Explores how moving images both produce and are predicated on place
Author: Tony Peake
Publisher: U of Minnesota Press
ISBN: 145292337X
Category : Motion picture producers and directors
Languages : en
Pages : 623
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Book Description
Author: Holly Rogers
Publisher: Oxford University Press
ISBN: 0190469919
Category : Music
Languages : en
Pages : 352
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Book Description
This book explores music/sound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives. Several themes run through the book, connecting with and significantly enlarging upon current critical discourse surrounding realism and audibility in the fiction film, the role of music in mainstream cinema, and the audiovisual strategies of experimental film. The contributors investigate repertoires and artists from Europe and the USA through the critical lenses of synchronicity and animated sound, interrelations of experimentation in image and sound, audiovisual synchresis and dissonance, experimental soundscape traditions, found-footage film, re-mediation of pre-existent music and sound, popular and queer sound cultures, and a diversity of radical technological, aesthetic, tropes in film media traversing the work of early pioneers such as Walther Ruttmann and Len Lye, through the mid-century innovations of Norman McLaren, Stan Brakhage, Lis Rhodes, Kenneth Anger, Andy Warhol, and studio collectives in Poland, to latter-day experimentalists John Smith and Bill Morrison, as well as the contemporary practices of Vjing.
