Dennis Oppenheim. Catalogo Della Mostra (Marghera, 1997). Ediz. Inglese

Dennis Oppenheim. Catalogo Della Mostra (Marghera, 1997). Ediz. Inglese PDF Author: Dennis Oppenheim
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324

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Book Description
A recurrent theme that characterizes the work of Dennis Oppenheim (Electric City, Washington, 1938), one of the most unusual and adventurous of contemporary American artists, is the encounter between art and nature. His first work using land, in Oakland, was produced in 1967. From the beginning of the Seventies, his work began to take a wide variety of forms, from performance art to installations, from video to the production, at the end of the decade, of the machine pieces, three-dimensional structures animated by mechanical devices. In 1986, the work of the artist took another turn: his works, enormous imaginary objects, mutant and distorted, are all pervaded by a new violent and playful irony. This book presents Oppenheim's sculptural upside-down church Device to root out evil. Produced for Venice, this glass and aluminum sculpture, 12 metres high, 6 metres long, and 4 metres deep, balances only on the tip of the bell-tower.

Dennis Oppenheim. Catalogo Della Mostra (Marghera, 1997). Ediz. Inglese

Dennis Oppenheim. Catalogo Della Mostra (Marghera, 1997). Ediz. Inglese PDF Author: Dennis Oppenheim
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324

Get Book

Book Description
A recurrent theme that characterizes the work of Dennis Oppenheim (Electric City, Washington, 1938), one of the most unusual and adventurous of contemporary American artists, is the encounter between art and nature. His first work using land, in Oakland, was produced in 1967. From the beginning of the Seventies, his work began to take a wide variety of forms, from performance art to installations, from video to the production, at the end of the decade, of the machine pieces, three-dimensional structures animated by mechanical devices. In 1986, the work of the artist took another turn: his works, enormous imaginary objects, mutant and distorted, are all pervaded by a new violent and playful irony. This book presents Oppenheim's sculptural upside-down church Device to root out evil. Produced for Venice, this glass and aluminum sculpture, 12 metres high, 6 metres long, and 4 metres deep, balances only on the tip of the bell-tower.

Dennis Oppenheim

Dennis Oppenheim PDF Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 309

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Dennis Oppenheim. Ediz. francese e inglese

Dennis Oppenheim. Ediz. francese e inglese PDF Author: Dennis Oppenheim
Publisher: Silvana Editoriale
ISBN: 9788836620449
Category : Art
Languages : en
Pages : 0

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Book Description
Catalog of an exhibition held at the Musee d'art moderne de Saint-Etienne Metropole, France, May 14-Aug. 21, 2011.

Dennis Oppenheim

Dennis Oppenheim PDF Author:
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ISBN:
Category :
Languages : en
Pages :

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Fotografia Futurista

Fotografia Futurista PDF Author: Giovanni Lista
Publisher:
ISBN: 9788879428576
Category : Futurism (Art)
Languages : en
Pages : 194

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FIRST PAPERS OF SURREALISM

FIRST PAPERS OF SURREALISM PDF Author: ANDRE. BRETON
Publisher:
ISBN: 9781033046876
Category :
Languages : en
Pages : 0

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Of Celebration of Morning

Of Celebration of Morning PDF Author: Dick Higgins
Publisher:
ISBN: 9780914162452
Category :
Languages : en
Pages : 96

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Ecce Homo

Ecce Homo PDF Author:
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ISBN:
Category :
Languages : en
Pages :

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Anna Livia Plurabelle

Anna Livia Plurabelle PDF Author: James Joyce
Publisher:
ISBN: 9780571333714
Category :
Languages : en
Pages : 64

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Book Description
As James Joyce was working on Finnegans Wake, he asked his friend T.S. Eliot to shepherd an early extract, simply known as 'Work in Progress' into print. This celebrated episode, Anna Livia Plurabelle, was the first part of Joyce's extraordinary text to be published in England, printed in pamphlet form in 1930. It became the best-known section of Finnegans Wake, and one of Joyce's favourites; revised and published independently more times than any other piece. This new edition in the Faber Modern Classics series includes a new foreword by Edna O'Brien. 'His writing is not about something; it is that something itself.' Samuel Beckett