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Author: Sunny Hawkins
Publisher: Bloomsbury Publishing USA
ISBN: 150135843X
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. Author Sunny Hawkins argues that films which promote a “monstrous philosophy” of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a “line of flight” from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film – editing, sound and visual effects, lighting and colour, camera movement – work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, “living things constantly becoming.”
Author: Sunny Hawkins
Publisher: Bloomsbury Publishing USA
ISBN: 150135843X
Category : Performing Arts
Languages : en
Pages : 203
Get Book Here
Book Description
Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. Author Sunny Hawkins argues that films which promote a “monstrous philosophy” of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a “line of flight” from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film – editing, sound and visual effects, lighting and colour, camera movement – work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, “living things constantly becoming.”
Author: Sunny Hawkins
Publisher:
ISBN: 9781501358425
Category : Electronic books
Languages : en
Pages : 193
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Book Description
"Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, "molar" beings from those which prompt fluid, nonbinary, "molecular" becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga ; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant . Author Sunny Hawkins argues that films which promote a "monstrous philosophy" of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a ?line of flight? from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film - editing, sound and visual effects, lighting and colour, camera movement ? work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, "living things constantly becoming.""--
Author: Miranda Corcoran
Publisher: University of Wales Press
ISBN: 1786838931
Category :
Languages : en
Pages : 262
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Book Description
Author: Eugene B. Young
Publisher: Bloomsbury Publishing
ISBN: 1350176109
Category : Art
Languages : en
Pages : 344
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Book Description
Bringing together Deleuze, Blanchot, and Foucault, this book provides a detailed and original exploration of the ideas that influenced Deleuze's thought leading up to and throughout his cinema volumes and, as a result, proposes a new definition of art. Examining Blanchot's suggestion that art and dream are “outside” of power, as imagination has neither reality nor truth, and Foucault's theory that power forms knowledge by valuing life, Eugene Brent Young relates these to both Deleuze's philosophy of time and his work with Guattari on art. In doing so, he uses case studies from literature and popular film, including Kafka's Castle, Villeneuve's Arrival, and Kubrick's Eyes Wide Shut. Providing important new insights for those working in literary and cinematic studies, this book advances a new definition of art as that which reverses the realities and truths of power to express obscure ideas and values beyond both our exterior and interior worlds.
Author: Catherine Driscoll
Publisher: University Press of Florida
ISBN: 0813043204
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
For many scholars, cultural studies is viewed as a product of postmodern criticism and as the antithesis of modernism. In this brilliant work, Catherine Driscoll argues persuasively that we must view what we call cultural studies as a direct continuation of the innovations and concerns of modernism and the modernists. In making her case, Driscoll provides a fresh take on arguments--some seemingly unresolvable--that pivot on modernism's desire for novelty. Defining modernity as a critical attitude rather than a time period, she describes the many things these ostensibly different fields of inquiry have in common and reveals why cultural studies must be viewed as a fundamentally modernist project. Casting a wide net across the shared interests of modernism and cultural studies, including cinema, fiction, fashion, art, and popular music, Driscoll explores such themes as love and work, adolescence and everyday life, the significance of the everyday, the popular as a field of power, and the importance of representation to identity and experience in modernity.
Author: Rosi Braidotti
Publisher: John Wiley & Sons
ISBN: 0745665748
Category : Social Science
Languages : en
Pages : 747
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Book Description
The discussions about the ethical, political and human implications of the postmodernist condition have been raging for longer than most of us care to remember. They have been especially fierce within feminism. After a brief flirtation with postmodern thinking in the 1980s, mainstream feminist circles seem to have turned their back on the staple notions of poststructuralist philosophy. Metamorphoses takes stock of the situation and attempts to reset priorities within the poststructuralist feminist agenda. Cross-referring in a creative way to Deleuze's and Irigaray's respective philosophies of difference, the book addresses key notions such as embodiment, immanence, sexual difference, nomadism and the materiality of the subject. Metamorphoses also focuses on the implications of these theories for cultural criticism and a redefinition of politics. It provides a vivid overview of contemporary culture, with special emphasis on technology, the monstrous imaginary and the recurrent obsession with 'the flesh' in the age of techno-bodies. This highly original contribution to current debates is written for those who find changes and transformations challenging and necessary. It will be of great interest to students and scholars of philosophy, feminist theory, gender studies, sociology, social theory and cultural studies.
Author: Zuzana Kovar
Publisher: Bloomsbury Publishing
ISBN: 1786732874
Category : Architecture
Languages : en
Pages : 274
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Book Description
This book marks a turning point in architectural theory by using philosophy to examine the field anew.Breaking from the traditional dualism within architecture - which presents the body as subject and space as object - it examines how such rigid boundaries can be softened. Zuzana Kovar thus engages with complementary and complex ideas from architecture, philosophy, feminist theory and other subjects, demonstrating how both bodies and bodily functions relate deeply to architecture. Extending philosopher Julia Kristeva's notion of abjection - the confrontation of one's own corporeality as something is excreted - Kovar finds parallels in the concept of the 'scaffold.' Much like living bodies and their products can impact on the buildings that house them - old skin cells create dust, menstrual blood stains, our breath heats and cools surfaces - scaffolding is similarly ephemeral and yet not entirely separable from the architecture it supports. Kovar shifts the conversation about abjection towards a more nuanced idea of architecture - where living organisms, building matter, space, decay and waste are all considered as part of a continual process - drawing on the key informing works of thinkers like Gilles Deleuze and Felix Guattari to do this. Including a number of experimental projects conducted in the spaces inhabited by the author herself to illuminate the theory at its core, the book forms a distinguished and pioneering study designed for practitioners and scholars of architecture, philosophy and visual culture alike.
Author: Anna Powell
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Yet cinematic devices such as mise en scene, editing and sound, are central to the viewer's visceral fear and arousal.
Author: Claire Colebrook
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Ever since Deleuze and Guattari provocatively declared that all 'becoming' must go by way of a 'becoming-woman' their work has been the subject of intense feminist interrogation. This volume highlights the key points of this ongoing inquiry, focusing particularly on the implications of Deleuze's work for a specifically feminist philosophy. Deleuze and Feminist Theory brings together the work of some of Deleuze's finest commentators and today's most important feminist thinkers. For Deleuze, reading a philosopher or thinker ought never to be a question of blind allegiance or assessing the correctness of methods. Engagement with a thinker is most productive when considered in terms of what a body of thought can do, how concepts create events and how thinking can mobilise desire. It is in this spirit that the essays in this book engage with the work of Deleuze, and Deleuze and Guattari. Deleuze is neither wholeheartedly embraced as an answer to feminist questions, nor rejected as yet one more masculinist error in the history of reason. Rather, Deleuze presents feminism with a challenge and a question: how to think? The work gathered here responds to this challenge with a series of further questions opened by the Deleuzean project. How might desire be thought positively? What can a body do? How might women become? And how might feminism be thought as an event? Including new work by Elizabeth Grosz, Rosi Braidotti and Dorothea Olkowski and essays on film, the colonial imaginary, desire and embodiment, Deleuze and Feminist Theory offers asustained consideration of the impact of Deleuze on feminist thought.Key Features*Provides an introduction to Deleuze for those working in feminist theory and philosophy*Includes new work by major feminist theorists*Provides a broad approach to several areas of Deleuze's work, including film, politics, literature and feminism*Relates Deleuze's work to its historical and philosophical context
Author: Rosi Braidotti
Publisher: Columbia University Press
ISBN: 0231151918
Category : Philosophy
Languages : en
Pages : 417
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Book Description
Intro -- [CONTENTS] -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1 METAMORPHOSES -- 1. TRANSPOSING DIFFERENCES -- 2. META(L)MORPHOSES -- 3. ANIMALS AND OTHER ANOMALIES -- 4. THE COSMIC BUZZ OF INSECTS -- 2 FEMINIST TRANSPOSITIONS -- 5. MATTER-REALIST FEMINISM -- 6. INTENSIVE GENRE AND THE DEMISE OF GENDER -- 7. POSTSECULAR PARADOXES -- 3 NOMADIC CITIZENSHIP -- 8. COMPLEXITY AGAINST METHODOLOGICAL NATIONALISM -- 9. NOMADIC EUROPEAN CITIZENSHIP -- 4 POWERS OF AFFIRMATION -- 10. POWERS OF AFFIRMATION -- 11. SUSTAINABLE ETHICS AND THE BODY IN PAIN -- 12. FORENSIC FUTURES -- 5 CONCLUSION -- 13. A SECULAR PRAYER -- NOTES -- BIBLIOGRAPHY -- INDEX
