Decorative Painting in England 1537-1837: Early Tudor to Sir John Thornhill PDF Download
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Author: Edward Croft-Murray
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Edward Croft-Murray
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Edward Croft-Murray
Publisher: London : Country Life Limited
ISBN:
Category : Decoration and ornament, English
Languages : en
Pages : 338
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Author: Edward Croft-Murray
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Ellis Kirkham Waterhouse
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
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Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Author: Edward Croft-Murray
Publisher:
ISBN: 9780600430872
Category : Mural painting and decoration
Languages : en
Pages : 0
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Author: Edward Croft-Murray
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Edward Croft-Murray
Publisher:
ISBN:
Category : Mural painting and decoration
Languages : en
Pages : 382
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Book Description
Author: Edward Croft-Murray
Publisher: Transatlantic Arts
ISBN:
Category : Art
Languages : en
Pages : 394
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Author: Edward Croft-Murray
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Brandon Henderson
Publisher: Universal-Publishers
ISBN: 1599426889
Category :
Languages : en
Pages : 190
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Book Description
The Dutch-born English Baroque portrait painter Sir Peter Lely (1618-1680) is chiefly known for his drowsy, sensual beauties and bewigged courtiers associated with the Restoration court of Charles II. He is often seen as merely successor or "imitator" of Sir Anthony Van Dyck (1599-1641), with a common resemblance in all his sitters and an inability to capture a true likeness, as well as an absence of any personal characterization or psychological interest. Alternately, this dissertation aims to reveal Lely's genius of superb draughtsmanship, fine color and lively composition, as well as to examine and reinstate the artist's impact and deep impress on British painting. Lely's early style owes much to his Dutch origin and training with the pioneers of Dutch classicism, and the distinctive qualities of his early work and the change in his traditions and techniques are examined. The development of Lely's portrait style is examined - from his arrival in England in the early 1640s through his years as leading aristocratic and society portraitist and Principal Painter to the King in the 1660s, to his mature work in the 1670s when his work is characterized by a restricted palette and cool restraint. And finally, Lely as collector is examined. He assembled one of the largest and most impressive private collections of art in seventeenth-century Europe, and his acquisitions and their influences, benefits and effects are considered. Upon Lely's death, his highly important collection was dispersed by auction in a series of four well-publicized sales in 1681, 1682, 1688 and 1694, respectively. These sales brought many important works to the London art market, and were some of the most important sales to date in England, as well as the most spectacular of the modern auction world. Although Lely initially emulated the style and techniques of Van Dyck, he juxtaposed his profound Dutch qualities of rich color, dramatic illumination and romantic landscapes, and ultimately imbued a sensuality, languor and luxurious negligence into the traditions and continuity of Van Dyck's grand Baroque style of English portraiture. Subsequently, together later with Sir Godfrey Kneller (1646-1723), Sir Peter Lely completely dominated British portraiture from the death of Van Dyck in 1641 until William Hogarth (1697-1764) challenged his style in the first half of the eighteenth century. Due to large file size, some images within this ebook do not appear in high resolution.
