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Author: Rebecca Munford
Publisher: Manchester University Press
ISBN: 1526103451
Category : Social Science
Languages : en
Pages : 266
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Book Description
Decadent daughters and monstrous mothers interrogates the vexed question of Angela Carter’s feminist politics through the dusty lens of European Gothic. It illuminates her ambivalent relation to some of her most contentious European literary forebears, reveals her rich knowledge of French literature and offers fresh insights into her literary practices afforded by newly available archival material. This book analyses Carter’s textual engagements with a dirty lineage of European Gothic that can be mapped from the Marquis de Sade’s obsession with desecration and defilement, through Baudelaire’s perverse decompositions of the muse and decadent imaginings of infernal femininity, to surrealism’s violent dreams of abjection. It argues that Carter’s most troublesome engagements with her European Gothic forefathers are unexpectedly those which are most vital to a consideration of her feminist politics. Decadent daughters and monstrous mothers will be of interest to researchers and students working on contemporary women’s writing, the Gothic and comparative literature.
Author: Rebecca Munford
Publisher: Manchester University Press
ISBN: 1526103451
Category : Social Science
Languages : en
Pages : 266
Get Book Here
Book Description
Decadent daughters and monstrous mothers interrogates the vexed question of Angela Carter’s feminist politics through the dusty lens of European Gothic. It illuminates her ambivalent relation to some of her most contentious European literary forebears, reveals her rich knowledge of French literature and offers fresh insights into her literary practices afforded by newly available archival material. This book analyses Carter’s textual engagements with a dirty lineage of European Gothic that can be mapped from the Marquis de Sade’s obsession with desecration and defilement, through Baudelaire’s perverse decompositions of the muse and decadent imaginings of infernal femininity, to surrealism’s violent dreams of abjection. It argues that Carter’s most troublesome engagements with her European Gothic forefathers are unexpectedly those which are most vital to a consideration of her feminist politics. Decadent daughters and monstrous mothers will be of interest to researchers and students working on contemporary women’s writing, the Gothic and comparative literature.
Author: Mary Eagleton
Publisher: Springer
ISBN: 1137294817
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This book maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays in this volume highlight the range and diversity of women's writing since 1970.
Author: Gerald Egan
Publisher: Springer Nature
ISBN: 3030268985
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion? “Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature – so often linked to ideas of transcendence – implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.” — Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,University of Kent, UK
Author: Ben Masters
Publisher: Oxford University Press
ISBN: 0198766149
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Marrying lyrical close reading with critical awareness, Novel Style argues for the ethical value of elaborate styles of writing and demonstrates that artistic excessiveness can provide dynamic responses to the moral complexities of our times.
Author: Avril Horner
Publisher: Edinburgh University Press
ISBN: 1474409512
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity.Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works
Author: R. Munford
Publisher: Springer
ISBN: 0230595871
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Focusing on questions of intertextuality, authorship and representation, this book offers a re-examination of one of the twentieth century's most important British writers. A provocative collection both offers new readings of Carter's opus, and contributes to contemporary critical debates concerning gender, postmodernism and intertextual theory.
![Horror Literature through History [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/GanOEAAAQBAJ?fife=w80-h100)
Author: Matt Cardin
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 1004
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Book Description
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.
Author: Jennifer Gustar
Publisher: Liverpool University Press
ISBN: 1782847073
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Angela Carter's provocations to laughter and her enchantment with ludic narrative strategies are two key aspects of her aesthetic practice, neither of which has been the focus of sustained study. Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play responds to this lacuna in Carter criticism. This international collection of eleven essays from acclaimed Carter scholars and emerging voices in the field of Carter studies seeks to reclaim play as a serious undertaking for feminist writing and scholarship and to foreground laughter as a potent affect. While Carter's work turned to comedy in the later years, from the first publication in 1966 until her last in 1992, her fiction, poetry and journalism engaged in sharp social and cultural critique; she habitually engaged this critique through ludic structures and wickedly funny narratives that challenged conventional norms and ways of thinking. Contributors explore the diverse ways in which Carter compelled a complex and often uneasy laughter by means of a controversial aesthetic that merges a persistently ludic sensibility with a biting intransigent wit. This volume draws on theories of play, surrealism, feminism, as well as studies of feminist humour and Carter's own journals and diaries to reveal the ways in which her work moves readers towards the unexpected. This volume will be of relevance both to scholars of Carter's work and of feminist humour more generally; as well, it will be of interest to students and general readers of Carter's fiction, journalism and poetry.
Author: Charlotte Crofts
Publisher: Bloomsbury Publishing
ISBN: 1350182745
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship. It gives new insights into Carter's pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of Angela Carter's work, her influences and influence. Drawing attention to the highly constructed artifice of Angela Carter's work, it brings to the fore her lesser-known collection of short stories, Fireworks: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. On the way, it also explores the impact of her experiences living in Japan, in the light of Edmund Gordon's 2016 biography and Natsumi Ikoma's translation of Sozo Araki's Japanese memoirs of Carter.
Author: Anna Watz
Publisher: Manchester University Press
ISBN: 1526132044
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Surrealist women’s writing: A critical exploration is the first sustained critical inquiry into the writing of women associated with surrealism. Featuring original essays by leading scholars of surrealism, the volume demonstrates the extent and the historical, linguistic, and culturally contextual breadth of this writing. It also highlights how the specifically surrealist poetics and politics of these writers’ work intersect with and contribute to contemporary debates on, for example, gender, sexuality, subjectivity, otherness, anthropocentrism, and the environment. Drawing on a variety of innovative theoretical approaches, the essays in the volume focus on the writing of numerous women surrealists, many of whom have hitherto mainly been known for their visual rather than their literary production. These include Claude Cahun, Leonora Carrington, Kay Sage, Colette Peignot, Suzanne Césaire, Unica Zürn, Ithell Colquhoun, Leonor Fini, Dorothea Tanning, and Rikki Ducornet.
