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Author: Lawrence Gilman
Publisher: New York : G. Schirmer
ISBN:
Category : Opera
Languages : en
Pages : 106
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Book Description
Author: Lawrence Gilman
Publisher: New York : G. Schirmer
ISBN:
Category : Opera
Languages : en
Pages : 106
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Book Description
Author: Maurice Maeterlinck
Publisher: Editions l'Escalier
ISBN: 2355830576
Category : Teatro belga
Languages : fr
Pages : 104
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Book Description
Author: Gillian Opstad
Publisher: Boydell Press
ISBN:
Category : Music
Languages : en
Pages : 396
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Book Description
The colourful lives of the three divas who made Debussy's Mélisande their own.
Author: Roger Nichols
Publisher: Cambridge University Press
ISBN: 9780521314466
Category : Music
Languages : en
Pages : 224
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Book Description
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 110200894X
Category : Operas
Languages : en
Pages : 25
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Book Description
Author: Roger Nichols
Publisher: Cambridge University Press
ISBN: 9780521307147
Category : Music
Languages : en
Pages : 224
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Book Description
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 9780521654784
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
Author: Claude Debussy
Publisher: Oneworld Classics
ISBN: 9780714544137
Category : Operas
Languages : en
Pages : 0
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Book Description
English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. In this Guide to Pelleas, Maeterlinck's play is reprinted in full, so that the opera-lover can read the scenes that Debussy did not set to music. Hugh Macdonald's much praised English translation is published here for the first time, with an essay uncovering the musical roots of Pelleas and illustrating its importance to music of the twentieth century. Alain Raitt, author of several studies of Symbolist writers, evaluates Maeterlinck's status as a dramatist, and Roger Nichols analyzes the score. Proust's short pastiche of the opera and Arthur Symons' review of the first English performances challenge us to come to terms with this eternally intriguing masterpiece.
Author: Myunghwa Jang
Publisher: GRIN Verlag
ISBN: 3656150745
Category : Music
Languages : en
Pages : 29
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Book Description
Research Paper (undergraduate) from the year 2012 in the subject Musicology, The University of Malaya, language: English, abstract: In the world of music, Claude Debussy became the foremost composer of the new musical impressionism. His aim was to express "the inexpressible," in a manner that would ultimately reinvent music drama as "drama in music." Through his only completed opera, Pelléas et Mélisande, Debussy created a new technique designed to "convey the état d'âme of the characters and the maze of unconscious conflicts between them." Debussy chose to set the poetry of Materlinck's drama, Pelléas et Mélisande, possibly because of the importance of nature within the drama, a quality that appealed to both artists' impressionist in expressing the changing aspects of nature, especially of light. Debussy began composition on the work in August 1893, starting with the climactic love scene in the fourth act. Throughout the process of composition, Debussy worked to create a new original technique away from the prevailing contemporary German and Italian style, although he found it difficult to fight the influence of Wagner. The general subdued character of Debussy's score is evident due to its subtlety, restraint, and understatement, resulting from his radically revised approach to text-setting and employment of the orchestra. The use of aria and recitative in their conventional forms is abandoned. Debussy's vocal line carries the text in long, soft declamation that sets one syllable to one note.
Author: Claude Debussy
Publisher: Alma Books
ISBN: 0714544965
Category : Music
Languages : en
Pages : 99
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Book Description
In this guide to Pelleas and Melisande, Maeterlinck's original play is reprinted in full, so that the opera lover can read the scenes that Debussy did not set to music. Hugh Macdonald's much praised English translation is published here for the first time, with an essay uncovering the musical roots of Pelleas and Melisande and illustrating its importance to the music of the twentieth century. Alain Raitt, author of several studies of symbolist writers, evaluates Maeterlinck's status as a dramatist, and Roger Nichols analyses the score. Proust's short pastiche of the opera and Arthur Symons's review of the first English performances challenge us to come to terms with this eternally intriguing masterpiece.Contents: Something Borrowed, Something New, Hugh Macdonald; A Musical Synopsis, Roger Nichols; Maeterlinck and the Theatre, Alan Raitt; Profound or Pretentious?, Nicholas John; Pelleas et Melisande: text by Maurice Maeterlinck; Pelleas and Melisande: English Translation by Hugh Macdonald
