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Author: X. Zhong
Publisher: Springer
ISBN: 1137020784
Category : Political Science
Languages : en
Pages : 291
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Book Description
The first English collection of translated essays, by Chinese literary scholars, writers, and critics, this volume focuses on the legacy of socialist culture and post-socialist phenomena within the context of capitalist globalization. By rethinking socialism, literature, and culture in relation to the intellectual and cultural trends since the start of the reform and by debating the rise of the 'new left' culture, this book seeks to offer critical voices while evoking the themes of the socialist past to bear on the 21st-century Chinese intellectual and cultural scenes.
Author: X. Zhong
Publisher: Springer
ISBN: 1137020784
Category : Political Science
Languages : en
Pages : 291
Get Book Here
Book Description
The first English collection of translated essays, by Chinese literary scholars, writers, and critics, this volume focuses on the legacy of socialist culture and post-socialist phenomena within the context of capitalist globalization. By rethinking socialism, literature, and culture in relation to the intellectual and cultural trends since the start of the reform and by debating the rise of the 'new left' culture, this book seeks to offer critical voices while evoking the themes of the socialist past to bear on the 21st-century Chinese intellectual and cultural scenes.
Author: X. Zhong
Publisher: Springer
ISBN: 1137020784
Category : Political Science
Languages : en
Pages : 469
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Book Description
The first English collection of translated essays, by Chinese literary scholars, writers, and critics, this volume focuses on the legacy of socialist culture and post-socialist phenomena within the context of capitalist globalization. By rethinking socialism, literature, and culture in relation to the intellectual and cultural trends since the start of the reform and by debating the rise of the 'new left' culture, this book seeks to offer critical voices while evoking the themes of the socialist past to bear on the 21st-century Chinese intellectual and cultural scenes.
Author: Qian Gong
Publisher: Rowman & Littlefield
ISBN: 1786609266
Category : Social Science
Languages : en
Pages : 207
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Book Description
In the 1990s, China’s economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics in Post-Mao China looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender, locality and faith in contemporary China.
Author: Xiaoning LU
Publisher: BRILL
ISBN: 9004423524
Category : History
Languages : en
Pages : 212
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Book Description
What role did cinema play in the Chinese Communist Party’s political project of shaping ideal socialist citizens in the early People’s Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949–1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party’s political project.
Author: Xiang Cai
Publisher: Duke University Press
ISBN: 0822374617
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.
Author: Chenshu Zhou
Publisher: Univ of California Press
ISBN: 0520343395
Category : History
Languages : en
Pages : 281
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Book Description
At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
Author: Cosima Bruno
Publisher: Bloomsbury Publishing
ISBN: 1350215317
Category : Literary Criticism
Languages : en
Pages : 473
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Book Description
Offering the first systematic overview of modern and contemporary Chinese literature from a translation studies perspective, this handbook provides students, researchers and teachers with a context in which to read and appreciate the effects of linguistic and cultural transfer in Chinese literary works. Translation matters. It always has, of course, but more so when we want to reap the benefits of intercultural communication. In many universities Chinese literature in English translation is taught as if it had been written in English. As a result, students submit what they read to their own cultural expectations; they do not read in translation and do not attend to the protocols of knowing, engagements and contestations that bind literature and society to each other. The Bloomsbury Handbook of Modern Chinese Literature in Translation squarely addresses this pedagogical lack. Organised in a tripartite structure around considerations of textual, social, and large-scale spatial and historical circumstances, its thirty plus essays each deal with a theme of translation studies, as emerged from the translation of one or more Chinese literary works. In doing so, it offers new tools for reading and appreciating modern and contemporary Chinese literature in the global context of its translation, offering in-depth studies about eminent Chinese authors and their literary masterpieces in translation. The first of its kind, this book is essential reading for anyone studying or researching Chinese literature in translation.
Author: Wei Zhang
Publisher: Springer Nature
ISBN: 3030377784
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht’s plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies.
Author: Colleen Lye
Publisher: Cambridge University Press
ISBN: 1108808395
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
After Marx:Literature, Theory and Value demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument for the twenty-first century interconnectedness of widely different literary genres, and far-flung political struggles.
Author: Petrus Liu
Publisher: Duke University Press
ISBN: 1478024054
Category : Social Science
Languages : en
Pages : 129
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Book Description
In recent years, queer theory appears to have made a materialist turn away from questions of representation and performativity to those of dispossession, precarity, and the differential distribution of life chances. Despite this shift, queer theory finds itself constantly reabsorbed into the liberal project of diversity management. This theoretical and political weakness, Petrus Liu argues, stems from an incomplete understanding of capitalism’s contemporary transformations, of which China has been at the center. In The Specter of Materialism Liu challenges key premises of classic queer theory and Marxism, turning to an analysis of the Beijing Consensus—global capitalism’s latest mutation—to develop a new theory of the political economy of sexuality. Liu explores how relations of gender and sexuality get reconfigured to meet the needs of capital in new regimes of accumulation and dispossession, demonstrating that evolving US-Asian economic relations shape the emergence of new queer identities and academic theories. In so doing, he offers a new history of collective struggles that provides a transnational framework for understanding the nexus between queerness and material life.
