De Arte Graphica (Paris, 1668) PDF Download
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Author: Charles-Alphonse Dufresnoy
Publisher: Librairie Droz
ISBN: 9782600009034
Category : Art
Languages : en
Pages : 566
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Book Description
Edition commentée de ce poème latin de 549 vers sur l'art de la peinture qui connut un succès considérable aux XVIIe et XVIIIe siècles.
Author: Charles-Alphonse Dufresnoy
Publisher: Librairie Droz
ISBN: 9782600009034
Category : Art
Languages : en
Pages : 566
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Book Description
Edition commentée de ce poème latin de 549 vers sur l'art de la peinture qui connut un succès considérable aux XVIIe et XVIIIe siècles.
Author: Charles-Alphonse Dufresnoy
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 430
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Book Description
Author: Charles-Alphonse Dufresnoy
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 86
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Book Description
Author: Charles-Alphonse Dufresnoy
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 504
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Book Description
Author: Craig A. Hanson
Publisher: University of Chicago Press
ISBN: 0226315878
Category : Art
Languages : en
Pages : 343
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Book Description
This study aims to overturn 20th-century criticism that cast the English virtuosi of the 17th and early 18th centuries as misguided dabblers, arguing that they were erudite individuals with solid grounding in the classics, deep appreciation for the arts and sincere curiosity about the natural world.
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004437894
Category : Literary Collections
Languages : en
Pages : 503
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Book Description
This volume explores early modern recreations of Ovid’s Metamorphoses, focusing on the creative ingenium of artists and writers who freely handled the original text so as to adapt it to different artistic media and genres.
Author: Louis Marin
Publisher: University of Chicago Press
ISBN: 0226505359
Category : Art
Languages : en
Pages : 224
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Book Description
The work of the eminent French cultural critic Louis Marin (1931-92) is becoming increasingly important to English-speaking scholars concerned with issues of representation. To Destroy Painting, first published in France in 1977, marks a milestone in Marin's thought about the aims of painting in Europe in the sixteenth and seventeenth centuries. A meditation on the work of Poussin and Caravaggio and on their milieux, the book explores a number of notions implied by theories of painting and offers insight into the aims and effects of visual representaion.
Author: Timothy Erwin
Publisher: Rowman & Littlefield
ISBN: 1611485703
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
A stylish critique of literary attitudes towards painting, TextualVision explores the simultaneous rhetorical formation and empirical fragmentation of visual reading in enlightenment Britain. Beginning with an engaging treatment of Pope's Rape of the Lock, Timothy Erwin takes the reader on a guided tour of the pointed allusion, apt illustration, or the subtle appeal to the mind's eye within a wide array of genres and texts, before bringing his linked case studies to a surprising close with the fiction of Jane Austen. At once carefully researched, theoretically informed and highly imaginative, Textual Vision situates textual vision at the cultural crossroads of ancient pictura-poesis doctrine and modernist aesthetics. It provides reliable interpretive poles for reading enlightenment imagery, offers vivid new readings of familiar works, and promises to invigorate the study of Restoration and eighteenth-century visual culture.
Author: Lawrence I. Lipking
Publisher: Princeton University Press
ISBN: 1400870070
Category : Art
Languages : en
Pages : 524
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Book Description
By the end of the eighteenth century, the arts had been surveyed by an unprecedented series of major works on literature, music, and painting of which the author or this book provides a rich and comprehensive analysis. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Seymour Slive
Publisher: Springer Science & Business Media
ISBN: 9401508380
Category : Art
Languages : en
Pages : 278
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Book Description
My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J.G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.
