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Author: George Jerjian
Publisher: Xlibris Corporation
ISBN: 1499080255
Category : Photography
Languages : en
Pages : 142
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Book Description
Dr. George Djerdjian (1870-1947), grandfather of the writer, took 240 photographs of his hometown of Arabkir and his college town of Erzeroum between 1900 and 1907, of which only about 100 survive. These photographs capture the way of life of a people that within a decade would become extinct in Anatolia, their homeland for over 3,000 years. The photographs are varied and have been arranged under separate headings such as water, land, people, churches, schools, economic life, social life, and political life. For over a century, these photographs were stored in a grey steel box, which migrated from Arabkir to Alexandria, Egypt, where it stayed for almost 50 years. Then it moved with descendants to Khartoum, Sudan, where it stayed for 20 years, then onto London, England for 30 years, and then to Washington DC for about 10 years. Now this collection of photographs has finally been exposed to daylight after a century of darkness.
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Category : Nineteenth century
Languages : en
Pages : 1068
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Category :
Languages : en
Pages : 540
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Book Description
Author: Robert H. Webb
Publisher: University of Arizona Press
ISBN: 0816547491
Category : History
Languages : en
Pages : 311
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Book Description
Photographs made in Grand Canyon a century ago may provide us today with a sense of history; photographs made a century later from the same vantage points give us a more precise picture of change in this seemingly timeless place. Between 1889 and 1890, Robert Brewster Stanton made photographs every 1-2 miles through the river corridor for the purpose of planning a water-level railroad route and produced the largest collection of photographs of the Colorado River at one point in time. Robert Webb, a USGS hydrologist conducting research on debris flows in the Canyon, obtained the photographs and from 1989 to 1995 replicated all 445 of the views captured by Stanton, matching as closely as possible the original camera positions and lighting conditions. Grand Canyon, a Century of Change assembles the most dramatic of these paired photographs to demonstrate both the persistence of nature and the presence of humanity. Unexpected longevity of some plant species, effects of animal grazing, and expansion of cacti are all captured by the replicate photographs. More telling is evidence of the impact of Glen Canyon Dam: increased riparian vegetation, new marshes, aggraded debris fans, and eroded sand bars. In the accompanying text, Webb provides a thorough analysis of what each pair of photographs shows and places the project in its historical context. Complementing his narrative are six sidebar articles by authorities on Canyon natural history that further attest to a century of change. The level of detail obtained from the photographs represents one of the most extensive long-term monitoring efforts ever conducted in a national park; it is the most detailed documentation effort ever performed using repeat photography. Much more than simply a picture book, Grand Canyon, a Century of Change is an environmental history of the river corridor, a fascinating book that clearly shows the impact of human influence on Grand Canyon and warns us that its future is very much in our hands.
Author: George Jerjian
Publisher: Xlibris Corporation
ISBN: 1499080255
Category : Photography
Languages : en
Pages : 142
Get Book Here
Book Description
Dr. George Djerdjian (1870-1947), grandfather of the writer, took 240 photographs of his hometown of Arabkir and his college town of Erzeroum between 1900 and 1907, of which only about 100 survive. These photographs capture the way of life of a people that within a decade would become extinct in Anatolia, their homeland for over 3,000 years. The photographs are varied and have been arranged under separate headings such as water, land, people, churches, schools, economic life, social life, and political life. For over a century, these photographs were stored in a grey steel box, which migrated from Arabkir to Alexandria, Egypt, where it stayed for almost 50 years. Then it moved with descendants to Khartoum, Sudan, where it stayed for 20 years, then onto London, England for 30 years, and then to Washington DC for about 10 years. Now this collection of photographs has finally been exposed to daylight after a century of darkness.
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Category :
Languages : en
Pages : 988
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Book Description
Author: Fred Lewis Pattee
Publisher:
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Category : American literature
Languages : en
Pages : 1002
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Book Description
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Category :
Languages : en
Pages : 966
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Book Description
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Languages : en
Pages : 914
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Book Description
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Category : Atlases
Languages : en
Pages : 912
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Book Description
Author: David Low
Publisher: Bloomsbury Publishing
ISBN: 075560041X
Category : Photography
Languages : en
Pages : 272
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Book Description
The Armenian contribution to Ottoman photography in the last decades of the empire has been well-documented. Studios founded and run by Armenian Ottomans in Istanbul contributed to the exciting cultural flourishing of Ottoman 'modernity', before its dissolution after World War I. Less known however are the pioneering studios from the east in the empire's Armenian heartlands, whose photographic output reflected and became a major form of documenting the momentous events and changes of the period, from war and revolution to persecution, migration and ultimately, genocide. This book examines photographic activity in three Armenian cities on the Armenian plateau: Erzurum, Kharpert and Van. It explores how indigenous photography was rooted in the seismic social, political and cultural shifts that shaped Armenian lives during the Ottoman Empire's last four decades. Arguing that photographic practice was marked by the era's central movements, it shows how photography was bound-up in Armenian educational endeavours, mass migration and revolutionary activity. Photography responded to and became the instrument of these phenomena, so much so that it can be shown that they were responsible for the very spread of the medium through the Armenian communities of the Ottoman East and the rapid increase in photographic studios. Contributing to growing interest in Ottoman and Middle Eastern photographic history, the book also offers a valuable perspective on the history of Armenians in the Ottoman Empire.
