Davison's Minneapolis City Directory for PDF Download
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Author:
Publisher:
ISBN:
Category : Minneapolis (Minn.)
Languages : en
Pages : 1164
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Book Description
Author:
Publisher:
ISBN:
Category : Minneapolis (Minn.)
Languages : en
Pages : 1164
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Minneapolis (Minn.)
Languages : en
Pages : 2340
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Book Description
Author:
Publisher:
ISBN:
Category : Minneapolis (Minn.)
Languages : en
Pages : 488
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Book Description
Author: A. V. Williams
Publisher:
ISBN:
Category : Cities and towns
Languages : en
Pages : 160
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Book Description
Compilation of directory publications by major city, worldwide, before 1913.
Author:
Publisher: Primary Source Microfilm
ISBN:
Category : Reference
Languages : en
Pages : 504
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Book Description
The guide provides Research Publications' fiche and reel numbers, with their contents, for City directories of the United States in microform; segment 1 (pre 1860), segment 2 (1861-1881) and segment 3 (1882-1901).
Author: Annmarie Adams
Publisher: Univ. of Tennessee Press
ISBN: 9780870499838
Category : Architecture
Languages : en
Pages : 348
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Book Description
"Drawn from two conferences of the Vernacular Architecture Forum--one held in Charleston in 1994, and the other in Ottawa in 1995"--Back cover.
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category :
Languages : en
Pages : 842
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Book Description
Author: Mark Berresford
Publisher: Univ. Press of Mississippi
ISBN: 1496800850
Category : Music
Languages : en
Pages : 361
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Book Description
Association of Recorded Sound Collections Awards for Excellence Best Research in Recorded Jazz Music–Best History (tie) (2011) Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African American musicians involved in the transition of ragtime into jazz in the early twentieth century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a seven-decade career. His talent transformed every genre of black music before the advent of rock and roll—“pickaninny” bands, minstrelsy, circus sideshows, vaudeville (both black and white), night clubs, and cabarets. Sweatman was the first African American musician to be offered a long-term recording contract, and he dazzled listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called “first jazz records.” Sweatman toured the vaudeville circuit for over twenty years and presented African American music to white music lovers without resorting to the hitherto obligatory “plantation” costumes and blackface makeup. His bands were a fertile breeding ground of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and recording production. His high profile and sterling reputation in both the black and white entertainment communities made him a natural choice for administering the estate of Scott Joplin and other notable black performers and composers. That's Got 'Em! is the first full-length biography of this pivotal figure in black popular culture, providing a compelling account of his life and times.
Author:
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ISBN:
Category : American literature
Languages : en
Pages : 932
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Book Description
Author: Daniel Wolff
Publisher: Univ of South Carolina Press
ISBN: 1643363646
Category : History
Languages : en
Pages : 250
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Book Description
An odyssey from pre–Civil War Charleston to post–World War II Minneapolis through Jewish immigrants' eyes The histories of US immigrants do not always begin and end in Ellis Island and northeastern cities. Many arrived earlier and some migrated south and west, fanning out into their vast new country. They sought a renewed life, fresh prospects, and a safe harbor, despite a nation that was not always welcoming and not always tolerant. How to Become an American begins with an abandoned diary—and from there author Daniel Wolff examines the sweeping history of immigration into the United States through the experiences of one unnamed, seemingly unremarkable Jewish family, and, in the process, makes their lives remarkable. It is a deeply human odyssey that journeys from pre–Civil War Charleston, South Carolina, to post–World War II Minneapolis, Minnesota. In some ways, the family's journey parallels that of the nation, as it struggled to define itself through the Industrial Age. A persistent strain of loneliness permeates this story, and Wolff holds up this theme for contemplation. In a country that prides itself on being "a nation of immigrants," where "all men are created equal," why do we end up feeling alone in the land we love?
