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Author: Thomas Dilworth
Publisher: Random House
ISBN: 1473547571
Category : Biography & Autobiography
Languages : en
Pages : 675
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Book Description
The first full biography of a neglected genius and one of the great Modernists, lavishly illustrated in colour throughout ‘I would like to have done anything as good as David Jones has done’ Dylan Thomas As a poet, visual artist and essayist, David Jones is one of the great Modernists. The variety of his gifts reminds us of Blake – though he is a better poet and a greater all-round artist. Jones was an extraordinary engraver, painter and creator of painted inscriptions, but he also belongs in the first rank of twentieth-century poets. Though he was admired by some of the finest cultural figures of the twentieth century, David Jones is not known or celebrated in the way that Eliot, Beckett or Joyce have been. His work was occasionally as difficult as theirs, but it is just as rewarding – and more various. He is overlooked because his best writing is imbedded in two book-length prose-poems – In Parenthesis and The Anathemata, making it difficult to anthologise; the work is informed by his Catholic faith and so may feel unfashionable in this secular age; he was a shy, reclusive man, psychologically damaged by his time in the trenches, and loathed any kind of self-promotion. Mostly, though, he was a complete and original poet-artist – sui generis, impossible to pigeon-hole – and that has led to the neglect of David Jones: a true genius and the great lost Modernist.
Author: Thomas Dilworth
Publisher: Random House
ISBN: 1473547571
Category : Biography & Autobiography
Languages : en
Pages : 675
Get Book Here
Book Description
The first full biography of a neglected genius and one of the great Modernists, lavishly illustrated in colour throughout ‘I would like to have done anything as good as David Jones has done’ Dylan Thomas As a poet, visual artist and essayist, David Jones is one of the great Modernists. The variety of his gifts reminds us of Blake – though he is a better poet and a greater all-round artist. Jones was an extraordinary engraver, painter and creator of painted inscriptions, but he also belongs in the first rank of twentieth-century poets. Though he was admired by some of the finest cultural figures of the twentieth century, David Jones is not known or celebrated in the way that Eliot, Beckett or Joyce have been. His work was occasionally as difficult as theirs, but it is just as rewarding – and more various. He is overlooked because his best writing is imbedded in two book-length prose-poems – In Parenthesis and The Anathemata, making it difficult to anthologise; the work is informed by his Catholic faith and so may feel unfashionable in this secular age; he was a shy, reclusive man, psychologically damaged by his time in the trenches, and loathed any kind of self-promotion. Mostly, though, he was a complete and original poet-artist – sui generis, impossible to pigeon-hole – and that has led to the neglect of David Jones: a true genius and the great lost Modernist.
Author: David 1895-1974 Jones
Publisher: Hassell Street Press
ISBN: 9781013653452
Category :
Languages : en
Pages : 260
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: David Jones
Publisher: Faber & Faber
ISBN: 9780571259793
Category : Christianity and the arts
Languages : en
Pages : 0
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Book Description
David Jones's 'Anathemata' is a spiritual and historical poem which looks at the West and in particular Britain.
Author: Ariane Bankes
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221604
Category : Art
Languages : en
Pages : 0
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Book Description
This book offers a concise and highly readable account of the visual art of David Jones (1895-1974). It challenges the simplistic view of Jones as an outsider or an eccentric, exploring his work instead in relation to the wider cultural and intellectual climate of his times.
Author: Paul Robichaud
Publisher: CUA Press
ISBN: 0813214793
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Robichaud charts the growth of Jones's medievalism from his earliest Pre-Raphaelite influences, showing how his commitment to modernist aesthetics transformed his vision of the Middle Ages.
Author: Francesca Brooks
Publisher: Oxford University Press
ISBN: 0198860137
Category : England
Languages : en
Pages : 351
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Book Description
The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.
Author: David Jones
Publisher: Faber & Faber
ISBN: 0571309321
Category : Literary Collections
Languages : en
Pages : 273
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Book Description
Written between the late 1930s and the late 1950s, Epoch and Artist represents those essays that David Jones wished to see preserved in his lifetime.Beginning with his most personal reflections upon Welsh culture, the selection turns next to Jones's thoughts on the position of art and the artist in the twentieth-century, concluding with writings on the nature of epoch and European culture and history.
Author: David Michael Jones
Publisher:
ISBN:
Category :
Languages : en
Pages : 243
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Book Description
Author: Michael Glover
Publisher: Prestel Publishing
ISBN: 9783791383019
Category : Art criticism
Languages : en
Pages : 0
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Book Description
This fully illustrated book offers a highly enjoyable and intelligently-written tour through art history, with the renowned art critic and poet Michael Glover. Every Saturday for the best part of a decade, thousands of people have been turning to the pages of the British newspaper The Independent to read Michael Glover's thoughts about a particular piece of art. Pithy, astute, erudite, often humorous, and always engaging, these enormously popular essays are filled with compelling and entertaining observations as well as trenchant commentary about art, history, culture, and humanity. Collected for the first time in book form, this selection of 50 essays--a number of which have been exclusively written for this volume--is organized in an unexpected manner, allowing readers to see connections and juxtapositions between works. Their subjects cover an enormous span in terms of style, era, and geography--from Rembrandt's Bathsheba with King David's Letter and El Greco's The Vision of St. John to Ai Wei Wei's Iron Tree and Georgia O'Keeffe's Single Lily with Red. All the texts are accompanied by full-color illustrations of the work in focus. With its compact format, this book is the perfect companion to a day at the museum, but also lends itself to leisurely dipping in-and-out of, either at home or as part of a daily commute. A great gift for art lovers, this book will also introduce Michael Glover to a host of new readers eager to learn about art from a charming and knowledgeable teacher.
Author: Peter Wakelin
Publisher:
ISBN: 9781911408420
Category : Painters
Languages : en
Pages : 160
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Book Description
For six decades Charles Burton has been one of the major figures of art in Wales. Born in 1929, he grew up amid the poverty of the pre-war Rhondda. Even as a student he was a central figure in the influential Rhondda Group, his work was purchased for public collections and he won the Gold Medal of the National Eisteddfod. Carel Weight described him as "one of the most lively" of a Royal College generation that included Frank Auerbach, Peter Blake, Fred Cuming and Leon Kossof. He was a charismatic head of painting at Liverpool College of Art when it was a hub of pop culture in the 1960s. Since returning to Wales in 1970 he has continued to produce works of brilliant serenity.0This book presents for the first time the full breadth of Charles Burton's career, from the vigour of his earliest Valleys landscapes through paintings made in Egypt during National Service to his cool abstracts and expressive heads of the 1960s and the elegant perfection of his still lifes, interiors and landscapes of the last four decades.
