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Author: Richard Wagner
Publisher: Calder Publications Limited
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 102
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Book Description
English and German. Bibliography: p. 96.
Author: Richard Wagner
Publisher: Calder Publications Limited
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 102
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Book Description
English and German. Bibliography: p. 96.
Author: Richard Wagner
Publisher:
ISBN: 9780881886658
Category :
Languages : en
Pages :
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Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 52
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Book Description
Author: Richard Wagner
Publisher: Oneworld Classics
ISBN: 9780714544366
Category : Operas
Languages : en
Pages : 0
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Book Description
English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. The opening evening of Wagner's four-part cycle, "The Ring of Nibelung," stands apart as more naive and picturesque than the others. But it immediately establishes the huge scale of the overall work, and the extraordinary musical language that will be displayed throughout. It is a miracle of musical history that Wagner's 1850 conception could be brought to completion, in an organic whole, some 25 years later. Stewart Spencer discusses the way in which Wagner fuses genuine mythology with his own invention and John Deathridge places The Rhinegold in the context of The Ring and its century.
Author: Richard Wagner
Publisher: Createspace Independent Publishing Platform
ISBN: 9781722015060
Category :
Languages : en
Pages : 48
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Book Description
Book Size: 8 1/2" x 11" * * * * * * From the introductory. THE most popular of all operas at the present time is "Lohengrin." Yet when Wagner had completed that opera, in the spring of 1848, he was unable to get it performed at the Royal Opera in Dresden, where he was conductor. This was one reason why he joined in the revolutionary movement and was, consequently, obliged to seek safety in flight. He went to Switzerland, where he wrote essays and books, but composed no operas, for nearly "six years. When, at last, the desire to compose came back to him, "RHEINGOLD" was the result. "RHEINGOLD" is the first of the four music dramas constituting the great tetralogy, "The Ring of the Nibelung," which is usually called a trilogy, because Wagner himself designated " RHEINGOLD" as a" Fore-evening," or prelude, to the other three dramas -- "Die Walküre," "Siegfried," and "Gotterdammerung." The name Prelude is not inappropriate, because "RHEINGOLD" is much shorter than the three operas which constitute the trilogy, lasting, as it does, only five half-hours, while the duration of the others is nearer five whole hours. Shortly after completing "Lohengrin," Wagner made a prose sketch of the story of the "Nibelung's Ring." Then he wrote a dramatic poem, "Siegfried's Death," in which he made use of part of that story. While preparing to set this to music, he became convinced that the subject was too big for one drama; that there was material enough for several connected operas; and that the opera he had had in mind would be more intelligible and impressive if it were preceded by several others dealing with the incidents that led up to Siegfried's death; consequently he recast the poem he had called "Siegfried's Death," and changed its name to "Gotterdammerung." Then he wrote "Siegfried," "Die Walkure," and "Rheingold." The poems of the "Ring" dramas were, therefore, written in the reverse order to their performance. The musical compositions, however, began with "Rheingold," and ended with "Gotterdammerung."
Author: Richard Wagner
Publisher: Palala Press
ISBN: 9781343113602
Category :
Languages : en
Pages : 54
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Richard Wagner
Publisher: Sagwan Press
ISBN: 9781298927125
Category :
Languages : en
Pages : 62
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Warren Darcy
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 296
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Book Description
Richard Wagner's opera Das Rheingold is a milestone in the composer's output and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. It also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form. Warren Darcy traces here the genesis of Das Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analysed. Using Wagner's manuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, including those of Curt von Westernhagen and Carl Dahlhaus.
Author: Richard Wagner
Publisher: Alma Books
ISBN: 0714545112
Category : Music
Languages : en
Pages : 99
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Book Description
Das Rheingold, the opening of Wagner's four-part The Ring of the Nibelung, stands out as more genteel and picturesque than the others. But it immediately establishes the huge scale of the overall work, and the extraordinary musical language that will be displayed throughout. It is a miracle of musical history that Wagner's 1850 conception could be brought to completion, in an organic whole, some twenty-five years later. Stewart Spencer discusses the way in which Wagner fuses genuine mythology with his own invention and John Deathridge places the opera in the context of The Ring and its century.Contents: The Beginning of 'The Ring', John Deathridge; 'The Rhinegold' - The Music, Roger North; Language and Sources of 'The Ring', Stewart Spencer; Das Rheingold: Poem by Richard Wagner; The Rhinegold: English translation by Andrew Porter
Author: Warren Darcy
Publisher: Oxford University Press on Demand
ISBN: 9780198166030
Category : Music
Languages : en
Pages : 259
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Book Description
"The most comprehensive study of the opera yet . . . Darcy uses his work on the sources to describe the compositional process of the opera, but also as a springboard for a thoroughliiihng analysis. This invaluable study necessarily grapples with minutiae and isn't for the faint-hearted".--BBC Music Magazine.
