Dark Wave: The Dark Edges of New Wave and Post-Punk Music

Dark Wave: The Dark Edges of New Wave and Post-Punk Music PDF Author: Debra Kosky
Publisher: Lulu.com
ISBN: 9781312988798
Category : Performing Arts
Languages : en
Pages : 316

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Book Description
Dark wave began in the late 1970s, coinciding with the popularity of new wave and post-punk. Building on those basic principles, dark wave added dark, introspective lyrics and an undertone of sorrow for some bands. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose members were called "wavers" or"dark wavers"

Dark Wave: The Dark Edges of New Wave and Post-Punk Music

Dark Wave: The Dark Edges of New Wave and Post-Punk Music PDF Author: Debra Kosky
Publisher: Lulu.com
ISBN: 9781312988798
Category : Performing Arts
Languages : en
Pages : 316

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Book Description
Dark wave began in the late 1970s, coinciding with the popularity of new wave and post-punk. Building on those basic principles, dark wave added dark, introspective lyrics and an undertone of sorrow for some bands. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose members were called "wavers" or"dark wavers"

Punk, Post Punk, New Wave

Punk, Post Punk, New Wave PDF Author: Michael Grecco
Publisher: Abrams
ISBN: 1647000661
Category : Music
Languages : en
Pages : 240

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Book Description
Iconic and never-before-seen images of punk and post-punk’s quintessential bands In the late 70s, punk rock music began to evolve into the post-punk and new wave movements that dominated until the early 90s. During this time, prolific photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York, and getting shots on- and backstage with bands such as The Cramps, Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others. Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. Punk, Post Punk, New Wave: Onstage, Backstage, In Your Face, 1978–1991 features stunning, never-before-seen photography from this iconic period in music. In addition to concert photography, he also shot album covers and promotional pieces that round out this impressively extensive photo collection. Featuring a foreword from Fred Schneider of the B-52’s, Punk, Post Punk, New Wave is a quintessential piece of music history for anyone looking for backstage access into the careers of punk and post punk’s most beloved bands.

No Wave

No Wave PDF Author: Thurston Moore
Publisher: Harry N. Abrams
ISBN: 9780810995437
Category : Music
Languages : en
Pages : 0

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Book Description
Music.

Are We Not New Wave?

Are We Not New Wave? PDF Author: Theodore Cateforis
Publisher: University of Michigan Press
ISBN: 047202759X
Category : Music
Languages : en
Pages : 305

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Book Description
“Are We Not New Wave? is destined to become the definitive study of new wave music.” —Mark Spicer, coeditor of Sounding Out Pop New wave emerged at the turn of the 1980s as a pop music movement cast in the image of punk rock’s sneering demeanor, yet rendered more accessible and sophisticated. Artists such as the Cars, Devo, the Talking Heads, and the Human League leapt into the Top 40 with a novel sound that broke with the staid rock clichés of the 1970s and pointed the way to a more modern pop style. In Are We Not New Wave? Theo Cateforis provides the first musical and cultural history of the new wave movement, charting its rise out of mid-1970s punk to its ubiquitous early 1980s MTV presence and downfall in the mid-1980s. The book also explores the meanings behind the music’s distinctive traits—its characteristic whiteness and nervousness; its playful irony, electronic melodies, and crossover experimentations. Cateforis traces new wave’s modern sensibilities back to the space-age consumer culture of the late 1950s/early 1960s. Three decades after its rise and fall, new wave’s influence looms large over the contemporary pop scene, recycled and celebrated not only in reunion tours, VH1 nostalgia specials, and “80s night” dance clubs but in the music of artists as diverse as Rihanna, Lady Gaga, Miley Cyrus, and the Killers.

Like Punk Never Happened

Like Punk Never Happened PDF Author: Dave Rimmer
Publisher: Faber & Faber
ISBN: 0571280277
Category : Music
Languages : en
Pages : 192

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Book Description
'A controversial and honest account of My Life On The Road With Rock Group, a potted history of pop from '79-'85, and a serious analysis of the whole mess... Dave Rimmer has one great weapon at his disposal. He was there.' David Quantick, NME 'As sharp a study of British pop as we'll get ... Rimmer's point is that if the new pop stars' success makes it seem 'like punk never happened', they emerged, in fact, as a direct result of punk attitudes... Rimmer tells this story in his raciest Smash Hits manner, with wit, insider info and scandal.' Simon Frith, City Limits 'Rimmer is among the most entertaining writers ever to pen a rock book.' Dave Marsh, Rock and Roll Confidential

Are We Not New Wave?

Are We Not New Wave? PDF Author: Theo Cateforis
Publisher: University of Michigan Press
ISBN: 0472034707
Category : Music
Languages : en
Pages : 305

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Book Description
In Are We Not New Wave? Theo Cateforis provides the first musical and cultural history of the new wave movement, charting its rise out of mid-1970s punk to its ubiquitous early 1980s MTV presence and downfall in the mid-1980s. The book also explores the meanings behind the music's distinctive traits-its characteristic whiteness and nervousness; its playful irony, electronic melodies, and crossover experimentations. Cateforis traces new wave's modern sensibilities back to the space-age consumer culture of the late 1950s/early 1960s. Theo Cateforis is Assistant Professor of Music History and Culture in the Department of Art and Music Histories at Syracuse University.

A Cure For Gravity

A Cure For Gravity PDF Author: Joe Jackson
Publisher: Da Capo Press
ISBN: 0306810018
Category : Biography & Autobiography
Languages : en
Pages : 298

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Book Description
"Part memoir, part discourse on the art of music. . . . This is an intelligent, thoughtful look into the mind of an artist."--New York Times Book Review Since the release of his first best-selling album Look Sharp in 1979, Joe Jackson has forged a singular career in music through his originality as a composer and his notoriously independent stance toward music-business fashion. He has also been a famously private person, whose lack of interest in his own celebrity has been interpreted by some as aloofness. That reputation is shattered by A Cure for Gravity, Jackson's enormously funny and revealing memoir of growing up musical, from a culturally impoverished childhood in a rough English port town to the Royal Academy of Music, through London's Punk and New Wave scenes, up to the brink of pop stardom. Jackson describes his life as a teenage Beethoven fanatic; his early piano gigs for audiences of glass-throwing skinheads; and his days on the road with long-forgotten club bands. Far from a standard-issue celebrity autobiography, A Cure for Gravity is a smart, passionate book about music, the creative process, and coming of age as an artist. Ralph J. Gleason Music Book Award Finalist

I Hate Old Music, Too

I Hate Old Music, Too PDF Author: Dave Thompson
Publisher: Rowman & Littlefield
ISBN: 1493073524
Category : Biography & Autobiography
Languages : en
Pages : 325

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Book Description
Edgy, witty, and opinionated critical analysis of “classic rock” in the 21st century, discussing everything from modern remixes of classic albums (why?) to concert ticket prices, Record Store Day, the vinyl revival, milking deceased artists, reunions, tribute acts, and more. When Dave Thompson’s I Hate New Music: The Classic Rock Manifesto in 2008, the book did not so much divide the world of rock reading as leave it in an uproar. It started arguments, it ended debates, and for the author of over 150 music books, it not only received the strongest reader response of any book he’d written, it also still crops up in author interviews today. Almost fifteen years later, however, much has changed, and the classics have lost some of their bite as well. In I Hate Old Music, Too, Thompson recasts the story of “classic rock” in the 21st century. Among the targets of his ire are lavish box sets that mostly just duplicate the albums you already own; comebacks and reunions featuring half or even fewer of the band members; the dark side of the “vinyl revival;” the continued cult of The Beatles; and much more.

Alternative Rock

Alternative Rock PDF Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 463

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Book Description


Hip Hop at Europe's Edge

Hip Hop at Europe's Edge PDF Author: Milosz Miszczynski
Publisher: Indiana University Press
ISBN: 0253023211
Category : Music
Languages : en
Pages : 324

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Book Description
Essays examining the impact of hip hop music on pop culture and youth identity in post-Soviet Central and Eastern Europe. Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the United States, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with “the West” in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world. “The volume represents a valuable and timely contribution to the study of popular culture in central and eastern Europe. Hip Hop at Europe’s Edge will not only appeal to readers interested in contemporary popular culture in central and eastern Europe, but also inspire future research on post-socialism’s unique local adaptations of global cultural trends.” —The Soviet and Post-Soviet Review “The authors of this edited volume do not romanticize and heroize the genre by automatically equating it with political opposition, a fate often suffered by rock before. Instead, the book has to be given much credit for presenting a very nuanced picture of hip hop’s entanglement—or non-entanglement, for that matter—with politics in this wide stretch of the world, past and present.” —The Russian Review