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Author: Marianne Shapiro
Publisher: U of Nebraska Press
ISBN: 9780803242111
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Written in 1303-05, when Dante was in political exile from his native Florence, De vulgari eloquentia addresses the problem of how to raise the Italian language to the status of Latin in the esteem of the literate public. It is the fullest and most important document concerning vernacular writing in the Middle Ages—indeed, the earliest work of literary criticism dealing with a vernacular language. Marianne Shapiro offers the most detailed discussion in English of De vulgari eloquentia, whose form and spirit reflect Dante's political unrest and alienation. Hers is the first work in any language to analyze and explain the meaning of the grammatical and rhetorical terminology that Dante used in his treatise. And because her translation—included here—is based on a thorough exegesis of that terminology, it will be recognized as definitive. Shapiro’s translation will be of special interest to medievalists and to serious readers of The Divine Comedy. In a later section, she considers the less precursors of Dante as a writer of the “Romance idiom” and their influence on him. Then she concentrates on the least studied aspects of the treatise in order to reveal its profound affiliations with late medieval grammatical investigations—it is possible to see in Dante “a grammarian beneath the poet.” Her conclusion summarizes the apparent textual contradictions and the significance. Thus, this book provides a thorough historical, philosophical, and rhetorical context for De vulgari eloquentia and a new English translation that is enriched by that scholarship.
Author: Marianne Shapiro
Publisher: U of Nebraska Press
ISBN: 9780803242111
Category : Literary Criticism
Languages : en
Pages : 304
Get Book Here
Book Description
Written in 1303-05, when Dante was in political exile from his native Florence, De vulgari eloquentia addresses the problem of how to raise the Italian language to the status of Latin in the esteem of the literate public. It is the fullest and most important document concerning vernacular writing in the Middle Ages—indeed, the earliest work of literary criticism dealing with a vernacular language. Marianne Shapiro offers the most detailed discussion in English of De vulgari eloquentia, whose form and spirit reflect Dante's political unrest and alienation. Hers is the first work in any language to analyze and explain the meaning of the grammatical and rhetorical terminology that Dante used in his treatise. And because her translation—included here—is based on a thorough exegesis of that terminology, it will be recognized as definitive. Shapiro’s translation will be of special interest to medievalists and to serious readers of The Divine Comedy. In a later section, she considers the less precursors of Dante as a writer of the “Romance idiom” and their influence on him. Then she concentrates on the least studied aspects of the treatise in order to reveal its profound affiliations with late medieval grammatical investigations—it is possible to see in Dante “a grammarian beneath the poet.” Her conclusion summarizes the apparent textual contradictions and the significance. Thus, this book provides a thorough historical, philosophical, and rhetorical context for De vulgari eloquentia and a new English translation that is enriched by that scholarship.
Author: Dante Alighieri
Publisher: Cambridge University Press
ISBN: 9780521409230
Category : Fiction
Languages : en
Pages : 140
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Book Description
De vulgari eloquentia, written by Dante in the early years of the fourteenth century, is the only known work of medieval literary theory to have been produced by a practising poet, and the first to assert the intrinsic superiority of living, vernacular languages over Latin. Its opening consideration of language as a sign-system includes foreshadowings of twentieth-century semiotics, and later sections contain the first serious effort at literary criticism based on close analytical reading since the classical era. Steven Botterill here offers an accurate Latin text and a readable English translation of the treatise, together with notes and introductory material, thus making available a work which is relevant not only to Dante's poetry and the history of Italian literature, but to our whole understanding of late medieval poetics, linguistics, and literary practice.
Author: Albert Russell Ascoli
Publisher: Cambridge University Press
ISBN: 1139470701
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Leading scholar Albert Russell Ascoli traces the metamorphosis of Dante Alighieri – minor Florentine aristocrat, political activist and exile, amateur philosopher and theologian, and daring experimental poet – into Dante, author of the Divine Comedy and perhaps the most self-consciously 'authoritative' cultural figure in the Western canon. The text offers a comprehensive introduction to Dante's evolving, transformative relationship to medieval ideas of authorship and authority from the early Vita Nuova through the unfinished treatises, The Banquet and On Vernacular Eloquence, to the works of his maturity, Monarchy and the Divine Comedy. Ascoli reveals how Dante anticipates modern notions of personalized, creative authorship and the phenomenon of 'Renaissance self-fashioning'. Unusually, the book examines Dante's career as a whole offering an important point of access not only to the Dantean oeuvre, but also to the history and theory of authorship in the larger Italian and European tradition.
Author: Gary P. Cestaro
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 328
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Book Description
This text takes a serious look at Dante's relation to Latin grammar and the new mother tongue - Italian vernacular - by exploring the cultural significance of the nursing mother in medieval discussions of language and selfhood.
Author: John Took
Publisher: Princeton University Press
ISBN: 069120893X
Category : Biography & Autobiography
Languages : en
Pages : 608
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Book Description
"For all that has been written about the author of the Divine Comedy, Dante Alighieri (1265-1321) remains the best guide to his own life and work. Dante's writings are therefore never far away in this authoritative and comprehensive intellectual biography, which offers a fresh account of the medieval Florentine poet's life and thought before and after his exile in 1302. Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity. Describing as it does a journey of the mind, the book confirms the nature of Dante's undertaking as an exploration of what he himself speaks of as "maturity in the flame of love." The result is an original synthesis of Dante's life and work." --Amazon.com.
Author: Angelo Mazzocco
Publisher: BRILL
ISBN: 9789004097025
Category : History
Languages : en
Pages : 302
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Book Description
Dante Alighieri's argument on the question of the language stimulated the debate among fifteenth century humanists. This book provides a novel and open-ended reading of Dante's literature on language as well as a systematic reconstruction of the whole body of humanistic literature on linguistic phenomena.
Author: Paget Jackson Toynbee
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Steven Botterill
Publisher: Cambridge University Press
ISBN: 0521434548
Category : Biography & Autobiography
Languages : en
Pages : 285
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Book Description
Reinterpretation of the significance of the figure of St Bernard in Dante's Commedia.
Author: Dante Alighieri
Publisher: Cambridge University Press
ISBN: 0521400643
Category : Fiction
Languages : la
Pages : 144
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Book Description
De vulgari eloquentia, written by Dante in the early years of the fourteenth century, is the only known work of medieval literary theory to have been produced by a practising poet, and the first to assert the intrinsic superiority of living, vernacular languages over Latin. Its opening consideration of language as a sign-system includes foreshadowings of twentieth-century semiotics, and later sections contain the first serious effort at literary criticism based on close analytical reading since the classical era. Steven Botterill here offers an accurate Latin text and a readable English translation of the treatise, together with notes and introductory material, thus making available a work which is relevant not only to Dante's poetry and the history of Italian literature, but to our whole understanding of late medieval poetics, linguistics, and literary practice.
Author: Peter Hughes
Publisher: Carcanet Press Ltd
ISBN: 1784103896
Category : Poetry
Languages : en
Pages : 78
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Book Description
The thirteenth-century Tuscan poet Guido Cavalcanti helped to create a new poetry that belonged to the city rather than the court, and through his use of Tuscan vernacular gave an extraordinary intensity and craft to his explorations of the social and psychological dimensions of love. Peter Hughes has taken Cavalcanti's groundbreaking poems and used them as springboards for his own creative versions. Following in the footsteps of Dante Gabriel Rossetti, who translated Cavalcanti for the nineteenth century, and Ezra Pound, who translated him for the twentieth, Peter Hughes invites us to consider Cavalcanti's lustrous Tuscan songs afresh. 'Peter Hughes's vulgar eloquence fuses earthy, contemporary imagery with Cavalcanti's "elevated" elusive themes, converting his verses to an utterly original contemporary language ... and affording exquisite, tactile pleasure.' Lou Rowan // 'What an erotic and libidinous bonanza ... These are the songs my ears are still ringing to, tinnitus the price of love.' Simon Smith // 'enough vim and versatility to launch a thousand poems, let alone fifty-two. Purists will object vigorously to this version; impurists will object vigorously to any other.' Rod Mengham // 'This coruscating and athletic détournement of the Italian is an audacious and seductive display that leaves us wanting more.' John James
