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Author: Jack Behrens
Publisher: Author House
ISBN: 1425969771
Category : Music
Languages : en
Pages : 207
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Book Description
Where did big bands and swing music go? They didn't leave. . . but many Americans actually believe they disappeared along with ballrooms, jukeboxes, bobby sox and zoot suits decades ago. Band leader Brooks Tegler, who has recreated the great music of World War II with his Army Air Corps Review Big Band, offers a good response. "In order for something to come back, it needs to have gone away. Big bands have wrongly been put in that category. They never went away." And that's the essence of the chapters of my book about America's big bands, ballrooms and dancing's past and present. And there's a good look at the future through the eyes of a number of young bandleaders from the east to west coast who carry on in the tradition of Guy Lombardo, Glenn Miller, Harry James, Woody Herman, Duke Ellington and a host of other music legends in their own distinctive way. The struggle to survive in the music business hasn't been without losses and a need for life support. It did when Miller, Benny Goodman, James and Ellington were in their heyday. It's a financially precarious business regardless of your talent. Inevitably, music and dancing evolved and matured. The reasons are numerous and linked to our heritage. But like marching bands on the 4th of July, imagine a country club new year's eve without live dance music and a big band. Think about the many community social events and high school and college proms let alone wedding receptions that still insist on having live bands to play the foxtrots and swing numbers people enjoy. My research shows that while there were approximately 800 big bands on the road during the swing era of the 1940s, today there are nearly 1,300 big bands, according to a Google search and a review of hundreds of territory bands. Consequently, neither the bands nor the music vanished. . . they scattered throughout the American countryside.
Author: Jack Behrens
Publisher: Author House
ISBN: 1425969771
Category : Music
Languages : en
Pages : 207
Get Book Here
Book Description
Where did big bands and swing music go? They didn't leave. . . but many Americans actually believe they disappeared along with ballrooms, jukeboxes, bobby sox and zoot suits decades ago. Band leader Brooks Tegler, who has recreated the great music of World War II with his Army Air Corps Review Big Band, offers a good response. "In order for something to come back, it needs to have gone away. Big bands have wrongly been put in that category. They never went away." And that's the essence of the chapters of my book about America's big bands, ballrooms and dancing's past and present. And there's a good look at the future through the eyes of a number of young bandleaders from the east to west coast who carry on in the tradition of Guy Lombardo, Glenn Miller, Harry James, Woody Herman, Duke Ellington and a host of other music legends in their own distinctive way. The struggle to survive in the music business hasn't been without losses and a need for life support. It did when Miller, Benny Goodman, James and Ellington were in their heyday. It's a financially precarious business regardless of your talent. Inevitably, music and dancing evolved and matured. The reasons are numerous and linked to our heritage. But like marching bands on the 4th of July, imagine a country club new year's eve without live dance music and a big band. Think about the many community social events and high school and college proms let alone wedding receptions that still insist on having live bands to play the foxtrots and swing numbers people enjoy. My research shows that while there were approximately 800 big bands on the road during the swing era of the 1940s, today there are nearly 1,300 big bands, according to a Google search and a review of hundreds of territory bands. Consequently, neither the bands nor the music vanished. . . they scattered throughout the American countryside.
Author: Jeffrey Magee
Publisher: Oxford University Press
ISBN: 0195358147
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
If Benny Goodman was the "King of Swing," then Fletcher Henderson was the power behind the throne. Now Jeffrey Magee offers a fascinating account of Henderson's musical career, throwing new light on the emergence of modern jazz and the world that created it. Drawing on an unprecedented combination of sources, including sound recordings and hundreds of scores that have been available only since Goodman's death, Magee illuminates Henderson's musical output, from his early work as a New York bandleader, to his pivotal role in building the Kingdom of Swing. He shows how Henderson, standing at the forefront of the New York jazz scene during the 1920s and '30s, assembled the era's best musicians, simultaneously preserving jazz's distinctiveness and performing popular dance music that reached a wide audience. Magee reveals how, in Henderson's largely segregated musical world, black and white musicians worked together to establish jazz, how Henderson's style rose out of collaborations with many key players, how these players deftly combined improvised and written music, and how their work negotiated artistic and commercial impulses. Whether placing Henderson's life in the context of the Harlem Renaissance or describing how the savvy use of network radio made the Henderson-Goodman style a national standard, Jeffrey Magee brings to life a monumental musician who helped to shape an era. "An invaluable survey of Henderson's life and music." --Don Heckman, Los Angeles Times "Magee has written an important book, illuminating an era too often reduced to its most familiar names. Goodman might have been the King of Swing, but Henderson here emerges as that kingdom's chief architect." --Boston Globe "Excellent.... Jazz fans have waited 30 years for a trained musicologist...to evaluate Henderson's strengths and weaknesses and attempt to place him in the history of American music." --Will Friedwald, New York Sun
Author: Leo Walker
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 324
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Book Description
Organized, lucid, and definitive, this book presents a complete coverage of the spectacular reign of the dance bands during Prohibition, wartime, and the postwar boom. The author's knowledge, gleaned from firsthand association with the music business and its prominent people, is matched only by his unbounded enthusiasm for the music he writes about. Here he recounts more than three decades of entertainment, tracing the growth of the bands from the early small combos to the days when many boasted thirty men including large string sections and seven or eight vocalists. The over 400 pictures include the first organized dance orchestras, the big bands of the twenties in which the popular leaders. This authoritative chronicle of one of the nation's most colorful eras is sure to evoke fond memories in those old enough to remember it, and instill yearnings for halcyon days in younger readers as well.
Author: Lewis A. Erenberg
Publisher: University of Chicago Press
ISBN: 0226215180
Category : Music
Languages : en
Pages : 345
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Book Description
During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. Swingin' the Dream explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since. "Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."—Jonathan Yardley, Washington Post Book World "An absorbing read for fans and an insightful view of the impact of an important homegrown art form."—Publishers Weekly "[A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."—Tony Russell, Times Literary Supplement
Author: George T. Simon
Publisher: Schirmer Trade Books
ISBN: 0857128124
Category : Music
Languages : en
Pages : 966
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Book Description
In this book you will find an astounding 400 biographies that highlight the history and personnel of the great bands. It is organized into four sections: “The Big Bands--Then” (the scene, the leaders, the public, the musicians, vocalists, arrangers and businessmen, recordings, radio, movies and the press); “Inside the Big Bands” (profiles of 72 top bands); “Inside More of the Big Bands” (hundreds of additional profiles arranged by categories (“The Arranging Leaders,” “The Horn-playing Leaders,” etc.); and “The Big Bands Now.” The Big Bands is one of the best books on the subject. It is both readable and an invaluable reference source for the study of jazz standards since many were written by big band leaders or musicians or were popularized through their performances and recordings. The index is comprehensive with names but lists no songs. George T. Simon was one of the original organizers and members of the Glenn Miller Orchestra for which he played the drums. He was also one of the first writers for Metronome Magazine where he remained from 1935 until 1955.
Author: Robert G. O'Meally
Publisher: Columbia University Press
ISBN: 9780231104494
Category : History
Languages : en
Pages : 692
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Book Description
Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.
Author: Sherrie Tucker
Publisher: Duke University Press
ISBN: 9780822328179
Category : History
Languages : en
Pages : 428
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Book Description
The story, based on extensive individual interviews, of the women’s swing bands that toured extensively during World War II and after -- a kind of “League of their Own” for jazz.
Author: Arthur Rollini
Publisher: A&C Black
ISBN: 9781871478402
Category : Social Science
Languages : en
Pages : 168
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Book Description
Arthur Rollini describes his career as a tenor saxophonist in the big US jazz orchestras. Here he tells an insider's story of the white swing orchestras.
Author: Patrice Madura Ward-Steinman
Publisher: Arcadia Publishing
ISBN: 9780738584263
Category : History
Languages : en
Pages : 132
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Book Description
Danceland! For hundreds of thousands of couples from all around the Calumet region of Northwest Indiana and Chicago's East Side, the name alone conjures up memories of dancing and romancing to thousands of live big bands. Opening night in October 1929 drew over 2,000 people to the beautiful ballroom with the famous maplewood dance floor. It continued to thrive with live music four nights a week and 12 months a year throughout the Big Band Era, despite the Great Depression and World War II, and into the rock 'n roll era, until it burned to the ground on Sunday morning, July 23, 1967. Almost everyone's marriage in the region began with a dance at Madura's Danceland. In the 38 years Danceland was open, it had only two owners and managers, Michael (Mike) Madura Sr. and Michael (Mick) J. Madura Jr., father and son. It remained a family business for all those years, with three generations of the Madura family having worked there in many capacities.
Author: Elijah Wald
Publisher: OUP USA
ISBN: 019975697X
Category : Music
Languages : en
Pages : 339
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Book Description
How the Beatles Destroyed Rock 'n' Roll is an alternative history of American music that, instead of recycling the familiar cliches of jazz and rock, looks at what people were playing, hearing and dancing to over the course of the 20th century, using a wealth of original research, curious quotations, and an irreverent fascination with the oft-despised commercial mainstream.
