D.H.Lawrence and the psychology of rhythm PDF Download
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Author: Peter Balbert
Publisher:
ISBN: 9780686226345
Category :
Languages : en
Pages : 130
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Book Description
Author: Peter Balbert
Publisher:
ISBN: 9780686226345
Category :
Languages : en
Pages : 130
Get Book Here
Book Description
Author: Peter Balbert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110883635
Category : Literary Criticism
Languages : en
Pages : 132
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Book Description
No detailed description available for "D. H. Lawrence and the Psychology of Rhythm".
Author: Carol Sklenicka
Publisher: University of Missouri Press
ISBN: 9780826207784
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
"In the first major work that considers the importance of childhood representations in shaping the modern writer, Sklenicka unearths the "richness of possibility" D. H. Lawrence found in his depiction of children and the complexities of family life."--Publishers website.
Author: Carol E. Leon
Publisher: Peter Lang
ISBN: 9780820472546
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
The uncertainties and newness that surround us today prompt radical questions about ourselves and our relationship with the external world. How do and can we belong to the places and spaces of today? Movement and Belonging: Lines, Places, and Spaces of Travel describes current realities and suggests ways in which you can define yourself in an ever-changing world. Using the travel writings of V. S. Naipaul, Michael Ondaatje, Patrick White, and D. H. Lawrence, Movement and Belonging demonstrates that «authentic» travel - embracing changing boundaries and cultures - enables you to create sites of belonging where you can find your sense of self.
Author: Helen Rydstrand
Publisher: Bloomsbury Publishing USA
ISBN: 1501343432
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Contrary to the common view that cultural modernism is a broadly anti-mimetic movement, one which turned away from traditional artistic goals of representing the world, Rhythmic Modernism argues that rhythm and mimesis are central to modernist aesthetics. Through detailed close readings of non-fiction and short stories, Helen Rydstrand shows that textual rhythms comprised the substance of modernist mimesis. Rhythmic Modernism demonstrates how many modernist writers, such as D. H. Lawrence, Katherine Mansfield and Virginia Woolf, were profoundly invested in mimicking a substratum of existence that was conceived as rhythmic, each displaying a fascination with rhythm, both as a formal device and as a vital, protean concept that helped to make sense of the complex modern world.
Author: Marcus
Publisher: Oxford University Press
ISBN: 0192883887
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
Author: Aleksandra Nikčević Batrićević
Publisher: Cambridge Scholars Publishing
ISBN: 1443822434
Category : Social Science
Languages : en
Pages : 260
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Book Description
The research presented in this book is authored by scholars coming from as distant regions as South Africa, the United States of America, Great Britain, France, Italy, Belarus, the Balkans. Needless to say that one of the good things about this international cooperation is that owing to their different socio-cultural backgrounds, these scholars have contributed to producing an extremely varied picture of ways of approaching the challenge of a changing world. The papers on literature and culture collected in this book contribute a further element of rigour into the discussion of numerous and always varying and changing borders of convention in a literary text, literary genre, and literary theory, as well as in general culture and everyday paths of life. Starting with oral cultures, over the classic literary masters, modernist and postmodernist textual and theoretical phenomena, the twentieth century flouting of numerous social and gender convention, through painting, film, dance, contemporary music, as well as graffiti, We have sought to stress that what is most noticeable from the evidence of their studies is that scholars today concern these issues through a dynamic global process and beyond any preconceived design, or any strict set of theoretical prescriptions, which would otherwise lead them to ignore the ever-shifting borders in literature and culture, as well as in global socio-cultural reality in general. The variety and complexity of these essays offer fresh views to the problem posed in the title of the book. Therefore, we trust that they will stimulate intellectual confrontation and circulation of ideas within the field of literature and cultural studies.
Author: Maggie McKinley
Publisher: Literature in Context
ISBN: 1108477666
Category : Biography & Autobiography
Languages : en
Pages : 419
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Book Description
This volume offers new insight into the contextual background and literary-historical impact of Norman Mailer's body of work.
Author: Gerri Kimber
Publisher: Edinburgh University Press
ISBN: 1474417558
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
In line with the recent surge of critical interest in early psychology, the contributors read Mansfield's work alongside figures like William James and Henri Bergson, opening up new perspectives on affect in her work. While these essays trace strands within the intellectual milieu in which Mansfield came of age, others explore the intricate interplay between Mansfield's fiction and Freudian theory, seeing her work as emblematic of the uncanny doubling of modernist literature and psychoanalysis.
Author: Jack Stewart
Publisher: SIU Press
ISBN: 9780809321681
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
D. H. Lawrence, asserts Jack Stewart, expresses a painter's vision in words, supplementing visual images with verbal rhythms. With the help of twenty-three illustrations, Stewart shows how Lawrence's style relates to impressionism, expressionism, primitivism, and futurism. Stewart examines Lawrence's painterly vision in The White Peacock, Sons and Lovers, The Rainbow, Women in Love, Kangaroo, and The Plumed Serpent. Stewart's final three chapters deal with the influence exerted on Lawrence's fiction by the work of Van Gogh, Cezanne, Gauguin, and the Japanese artists Hokusai and Hiroshige. He concludes by synthesizing the themes that pervade this interarts study: vision and expression, art and ontology.
