Author: Ben Jonson
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 366
Book Description
Cynthia's Revels
Author: Ben Jonson
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 366
Book Description
Cynthia's Revels
Author: Ben Jonson
Publisher: CreateSpace
ISBN: 9781515119753
Category :
Languages : en
Pages : 184
Book Description
Cynthia's Revels, or The Fountain of Self-Love is a late Elizabethan stage play, a satire written by Ben Jonson. The play was one element in the so-called Poetomachia or War of the Theatres between Jonson and rival playwrights John Marston and Thomas Dekker. The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well. In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Publisher: CreateSpace
ISBN: 9781515119753
Category :
Languages : en
Pages : 184
Book Description
Cynthia's Revels, or The Fountain of Self-Love is a late Elizabethan stage play, a satire written by Ben Jonson. The play was one element in the so-called Poetomachia or War of the Theatres between Jonson and rival playwrights John Marston and Thomas Dekker. The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well. In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Cynthia ́s Revels
Author: Ben Jonson
Publisher: BoD – Books on Demand
ISBN: 3732694283
Category : Fiction
Languages : en
Pages : 254
Book Description
Reproduction of the original: Cynthia ́s Revels by Ben Jonson
Publisher: BoD – Books on Demand
ISBN: 3732694283
Category : Fiction
Languages : en
Pages : 254
Book Description
Reproduction of the original: Cynthia ́s Revels by Ben Jonson
Cynthia's Revels
Author: Ben Jonson
Publisher:
ISBN: 9781979089357
Category :
Languages : en
Pages : 130
Book Description
Cynthia's Revels, or The Fountain of Self-Love is a late Elizabethan stage play, a satire written by Ben Jonson. The play was one element in the so-called Poetomachia or War of the Theatres between Jonson and rival playwrights John Marston and Thomas Dekker.
Publisher:
ISBN: 9781979089357
Category :
Languages : en
Pages : 130
Book Description
Cynthia's Revels, or The Fountain of Self-Love is a late Elizabethan stage play, a satire written by Ben Jonson. The play was one element in the so-called Poetomachia or War of the Theatres between Jonson and rival playwrights John Marston and Thomas Dekker.
Cynthia's Revels
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 619
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 619
Book Description
Complete Critical Edition: 4. Cynthia's Revels; Poetaster; Sejanus; Eastward Ho
Author: Ben Jonson
Publisher: Oxford University Press
ISBN: 9780198113553
Category : Drama
Languages : en
Pages : 640
Book Description
A scholarly edition of works by Ben Jonson. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Publisher: Oxford University Press
ISBN: 9780198113553
Category : Drama
Languages : en
Pages : 640
Book Description
A scholarly edition of works by Ben Jonson. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Cynthia's Revels; Or, the Fountain of Self-Love
Author: Ben Jonson
Publisher: CreateSpace
ISBN: 9781492711391
Category :
Languages : en
Pages : 238
Book Description
Cynthia's Revels; Or, The Fountain of Self-Love by Ben Jonson
Publisher: CreateSpace
ISBN: 9781492711391
Category :
Languages : en
Pages : 238
Book Description
Cynthia's Revels; Or, The Fountain of Self-Love by Ben Jonson
Cynthia's Revels Or, The Fountain Of Self-Love Vol. One
Author: Ben Jonson
Publisher: Double 9 Books
ISBN: 9789361158971
Category : Drama
Languages : en
Pages : 0
Book Description
"Cynthia's Revels: Or, The Fountain of Self-Love" is a satirical play written by means of Ben Jonson. Set in the courtroom of Queen Elizabeth I, the play explores the themes of self-love, conceitedness, and social pretensions. The story revolves around the character of Cynthia, a symbol of the moon and the queen herself. Cynthia is portrayed as a smart and virtuous ruler who observes the follies and vices of the courtiers. The play satirizes the courtly behavior and exposes the hypocrisy and self-centeredness of the characters. The identify "Cynthia's Revels" refers to the extravagant and extravagant events and entertainments prepared via the courtiers to thrill the queen. These revels serve as a backdrop for the exploration of the characters' flaws and the results of their self-love. Through witty speak, sharp observations, and comedic situations, Jonson criticizes the immoderate self-love and narcissism commonplace in society. The play offers a moral lesson approximately the risks of vanity and the importance of self-awareness and humility. Overall, "Cynthia's Revels: Or, The Fountain of Self-Love" is a humorous and notion-frightening work that exposes the issues of human nature and offers a satirical remark on the society of Jonson's time.
Publisher: Double 9 Books
ISBN: 9789361158971
Category : Drama
Languages : en
Pages : 0
Book Description
"Cynthia's Revels: Or, The Fountain of Self-Love" is a satirical play written by means of Ben Jonson. Set in the courtroom of Queen Elizabeth I, the play explores the themes of self-love, conceitedness, and social pretensions. The story revolves around the character of Cynthia, a symbol of the moon and the queen herself. Cynthia is portrayed as a smart and virtuous ruler who observes the follies and vices of the courtiers. The play satirizes the courtly behavior and exposes the hypocrisy and self-centeredness of the characters. The identify "Cynthia's Revels" refers to the extravagant and extravagant events and entertainments prepared via the courtiers to thrill the queen. These revels serve as a backdrop for the exploration of the characters' flaws and the results of their self-love. Through witty speak, sharp observations, and comedic situations, Jonson criticizes the immoderate self-love and narcissism commonplace in society. The play offers a moral lesson approximately the risks of vanity and the importance of self-awareness and humility. Overall, "Cynthia's Revels: Or, The Fountain of Self-Love" is a humorous and notion-frightening work that exposes the issues of human nature and offers a satirical remark on the society of Jonson's time.
Digital Humanities and the Lost Drama of Early Modern England
Author: Matthew Steggle
Publisher: Routledge
ISBN: 1317150791
Category : Performing Arts
Languages : en
Pages : 213
Book Description
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
Publisher: Routledge
ISBN: 1317150791
Category : Performing Arts
Languages : en
Pages : 213
Book Description
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
The Growth and Structure of Elizabethan Comedy
Author: Muriel Clara Bradbrook
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 260
Book Description