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Author: Janelle A. Schwartz
Publisher: Cambridge Scholars Publishing
ISBN: 9781443829588
Category : Collectors and collecting
Languages : en
Pages : 0
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Book Description
This study asks its readers to enter into an investigation of the nature of collecting as an aesthetic exercise. Spanning the 16th-century through today, it gathers together the work of current scholars to re-envision the task of collectors and their collections in broad strokes.
Author: Janelle A. Schwartz
Publisher: Cambridge Scholars Publishing
ISBN: 9781443829588
Category : Collectors and collecting
Languages : en
Pages : 0
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Book Description
This study asks its readers to enter into an investigation of the nature of collecting as an aesthetic exercise. Spanning the 16th-century through today, it gathers together the work of current scholars to re-envision the task of collectors and their collections in broad strokes.
Author: Janelle A. Schwartz
Publisher: Cambridge Scholars Publishing
ISBN: 1527553388
Category : Art
Languages : en
Pages : 170
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Book Description
Curious Collectors, Collected Curiosities: An Interdisciplinary Study asks its readers to enter into an investigation of the nature of collecting as an aesthetic exercise. Spanning the sixteenth century through today, this book gathers together the work of current scholars to re-envision the task of collectors and their collections in broad strokes. Each chapter appropriates the idea of a cabinet of curiosity in order to expand its boundaries of meaning and to complicate our understanding of the acts of display and observation. These chapters also demonstrate that collecting is a universal trope which nevertheless depends on time and place for its particular expressions. Whether the collection is made up of literary texts and criticism, visual art, including mechanical reproductions, taxidermy and photography, historical travelogues, museum exhibitions, blockbuster films, or airline in-flight briefing cards, it conveys an urgent relevance to our consumer age, in which information is abundant and attention is a commodity.
Author: Julius von Schlosser
Publisher: Getty Research Institute
ISBN: 160606679X
Category : Art
Languages : en
Pages : 246
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Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
Author: Gordon Grice
Publisher: Workman Publishing Company
ISBN: 0761189378
Category : Juvenile Nonfiction
Languages : en
Pages : 199
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Book Description
Exactly the book for every young explorer who loves finding stuff in nature and bringing it home. Cabinet of Curiosities is a lavishly illustrated introduction to the wonders of natural history and the joys of being an amateur scientist and collector. Nature writer Gordon Grice, who started his first cabinet of curiosities at age six when he found a skunk’s skull, explains how scientists classify all living things through the Linnaeus system; how to tell real gold from fool’s gold; how to preserve butterflies, crab shells, feathers, a robin’s egg, spider specimens, and honeycombs; how to identify seashells; the difference between antlers and horns; how to read animal tracks. And then, what to do with your specimens, including how to build a cabinet of curiosities out of common household objects, like a desk organizer or a box for fishing tackle.
Author: James Delbourgo
Publisher: Belknap Press
ISBN: 9780674237483
Category : Biography & Autobiography
Languages : en
Pages : 544
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Book Description
Winner of the Leo Gershoy Award Winner of the Louis Gottschalk Prize A Times Book of the Week When the British Museum opened its doors in 1759, it was the first free national public museum in the world. Collecting the World tells the story of the eccentric collector whose thirst for universal knowledge brought it into being. A man of insatiable curiosity and wide-ranging interests, Hans Sloane assembled a collection of antiquities, oddities, and artifacts from around the British Empire to form the most famous cabinet of curiosities of its time. With few curbs on his passion, he established a network of agents to supply him with objects from China, India, the Caribbean, and beyond. Wampum beads, rare manuscripts, a shoe made of human skin: nothing was off limits. The first biography of Sloane based on his complete writings, Collecting the World portrays one of the Enlightenment's most original luminaries. "A magnificent scholarly coup and an enthralling read... It conveys the excitement of original research as well as the thrill of tracking exotic curiosities to their source." --Sunday Times "Delbourgo's engrossing new biography situates Sloane within the welter of intellectual and political crosscurrents that marked his times." --New York Times Book Review "A superb biography--humane, judicious and as passionately curious as Sloane himself." --Times Literary Supplement "A superb book, enjoyably written, beautifully illustrated, and based on deep knowledge of the sources." --The Telegraph
Author: Paul Gambino
Publisher: Hachette UK
ISBN: 139961522X
Category : Antiques & Collectibles
Languages : en
Pages : 338
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Book Description
A fascinating insight into the strange world of collectors of the macabre, Morbid Curiosities features 18 unique collections and an extensive interview with each collector, explaining how and why they collect, and showcasing the most remarkable pieces from each collection. The collections include skulls, mummified body parts, taxidermy, occult objects and various carnival, and side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time. Morbid Curiosities includes stunning, specially commissioned photography of both the individual objects and the context of how the collector exhibits their work, forming a unique showcase of the bizarre and the intriguing.
Author: Colleen Josephine Sheehy
Publisher: U of Minnesota Press
ISBN: 9781452908939
Category : Cabinets of curiosities
Languages : en
Pages : 156
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Book Description
Author: Barbara M. Benedict
Publisher: University of Chicago Press
ISBN: 9780226042640
Category : History
Languages : en
Pages : 338
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Book Description
In this striking social history, Barbara M. Benedict draws on the texts of the early modern period to discover the era's attitudes toward curiosity, a trait we learn was often depicted as an unsavory form of transgression or cultural ambition.
Author: Alice Cantrell
Publisher:
ISBN: 9781702388566
Category :
Languages : en
Pages : 102
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Book Description
An 8x10 sketchbook (for all ages!) for illustrating your own personal collection of curiosities! The pages of this perfect-bound (think coloring book) sketchbook are printed on a very nice 55 lb paper, but markers and paint WILL bleed through. Good old pencils and color pencils are the way to go! There is a brief history of curious collections and a "How to Use this Book" page, and then 98 pages of frames and containers with labels ready to be filled with your child's creativity. A Bit of History People have been collecting interesting objects and pieces of the natural world since the days of ancient Rome when the temples were used to house various treasures gathered from the far corners of the Roman Empire. In the 1400s, European explorers began to venture further beyond their borders as they entered what we now call the "Age of Exploration" (from the 1400s through the 1600s). On their travels, they collected samples from the new (to them) lands and when they returned, displayed them in "cabinets" (Which were small rooms, not the things with shelves and doors we think of now.) for all to view. These collections ranged from small ones that could be contained in a box or a cabinet to enormous collections that filled whole rooms (often called "wonder-rooms").
Author: Ken Arnold
Publisher: Routledge
ISBN: 1351953591
Category : History
Languages : en
Pages : 290
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Book Description
The last few years has, within museums, witnessed nothing short of a revolution. Worried that the very institution was itself in danger of becoming a dusty, forgotten, culturally irrelevant exhibit, vigorous efforts have been made to reshape the museum mission. Fearing that history was coming to be ignored by modern society, many institutions have instead marketed a de-intellectualised heritage, overly relying on computer technology to captivate a contemporary audience. The theme of this work is that we can do much to reassess the rationale that inspires contemporary collections through a study of seventeenth century museums. England's first museums were quite literally wonderful; founded that is on the disciplined application of the faculty of wonder. The type of wonder employed was not that post-Romantic idea of disbelief, but rather an active form of curiosity developed during the Renaissance, particularly by the individuals who set about gathering objects and founding museums to further their enquiries. The argument put forward in this book is that this museological practice of using objects actually to create, as well as disseminate knowledge makes just as much sense today as it did in the seventeenth century and, further, that the best way of reinvigorating contemporary museums, is to return to that form of wonder. By taking such a comparative approach, this book works both as a scholarly historical text, and as an historically informed analysis of the key issues facing today's museums. As such, it will prove essential reading both for historians of collecting and museums, and for anyone interested in the philosophies of modern museum management.
