Culture of the Ancient Pueblos of the Upper Gila River Region, New Mexico and Arizona PDF Download
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Author: Walter Hough
Publisher:
ISBN:
Category :
Languages : en
Pages : 139
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Author: Walter Hough
Publisher:
ISBN:
Category :
Languages : en
Pages : 139
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Author: Walter Hough
Publisher:
ISBN:
Category : History
Languages : en
Pages : 684
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Author: Walter Hough
Publisher:
ISBN:
Category :
Languages : en
Pages : 139
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Author: United States National Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 139
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Author: Walter Hough
Publisher: Legare Street Press
ISBN: 9781016575782
Category :
Languages : en
Pages : 0
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Walter Hough
Publisher: Rarebooksclub.com
ISBN: 9781230108995
Category :
Languages : en
Pages : 48
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ...River. Fio. 107.--Design From A Bowl From Blue. Figure 107. This design in solid black represents two birds in terrace form, the zigzag line representing the running element of the design. The broad area of the terrace contains modifications of the bird symbol. (From the interior of a bowl, Blue, Arizona, Cat. No. HBBBHHHBaBaHraB 245503, U.S.N.M.) Figure 108. This design, which is a section of that covering a whole vase, apparently is intended to show a succession of zigzags formed by alternate opposed series in solid black and gradine. (Spur Ranch, Luna, New Mexico, Cat. No. 231987, U.S.N.M.) Figure 109. A similar design is found on the rim of a vase (fig. 104), and in it the zigzag line is manifestly important. The triangular spaces show the simplest form of the bird symbol. (Spur Ranch, Luna, New Mexico, Cat. No. 232001, U.S.N.M.) Figure 110. Another design shows a pair of zigzag lines treated very much as the white line decorations on the red bowls from the Blue River. This is from the rim of a vase found at Fort Bayard, New Mexico, by Mrs. W. O. Owen, Cat. No. 178826, U.S.N.M. Figure 111. This is a design simplified for application to the handle of a dipper. It apparently represents a succession of opposing black and gradine bird symbols whose opposition forms a zigzag. The denticulation on the margin of the triangles is apparently a feather convention. (Tularosa River, New Mexico. Collected by H. Hales, Cat. No. 155158, U.S.N.M.) Figure 112, design from the handle of the dipper previously mentioned. So far as is known the design is unique and it is difficult to assign its meaning. It is evidently a clipped or abbreviated design suited to the narrow space it must occupy, and appears to be the bird-rain triangular symbol arranged...
Author: Grafton Elliot Smith
Publisher: Manchester University Press
ISBN:
Category :
Languages : en
Pages : 174
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Author: Helga Teiwes
Publisher: University of Arizona Press
ISBN: 0816536945
Category : Social Science
Languages : en
Pages : 228
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Book Description
"With the inborn wisdom that has guided them for so long through so many obstacles, Hopi men and women perpetuate their proven rituals, strongly encouraging those who attempt to neglect or disrespect their obligations to uphold them. One of these obligations is to respect the flora and fauna of our planet. The Hopi closeness to the Earth is represented in all the arts of all three mesas, whether in clay or natural fibers. What clay is to a potter's hands, natural fibers are to a basket weaver." —from the Introduction Rising dramatically from the desert floor, Arizona's windswept mesas have been home to the Hopis for hundreds of years. A people known for protecting their privacy, these Native Americans also have a long and less known tradition of weaving baskets and plaques. Generations of Hopi weavers have passed down knowledge of techniques and materials from the plant world around them, from mother to daughter, granddaughter, or niece. This book is filled with photographs and detailed descriptions of their beautiful baskets—the one art, above all others, that creates the strongest social bonds in Hopi life. In these pages, weavers open their lives to the outside world as a means of sharing an art form especially demanding of time and talent. The reader learns how plant materials are gathered in canyons and creek bottoms, close to home and far away. The long, painstaking process of preparation and dying is followed step by step. Then, using techniques of coiled, plaited, or wicker basketry, the weaving begins. Underlying the stories of baskets and their weavers is a rare glimpse of what is called "the Hopi Way," a life philosophy that has strengthened and sustained the Hopi people through centuries of change. Many other glimpses of the Hopi world are also shared by author and photographer Helga Teiwes, who was warmly invited into the homes of her collaborators. Their permission and the permission of the Cultural Preservation Office of the Hopi Tribe gave her access to people and information seldom available to outsiders. Teiwes was also granted access to some of the ceremonial observances where baskets are preeminent. Woven in brilliant reds, greens, and yellows as well as black and white, Hopi weavings, then, not only are an arresting art form but also are highly symbolic of what is most important in Hopi life. In the women's basket dance, for example, woven plaques commemorate and honor the Earth and the perpetuation of life. Other plaques play a role in the complicated web of Hopi social obligation and reciprocity. Living in a landscape of almost surreal form and color, Hopi weavers are carrying on one of the oldest arts traditions in the world. Their stories in Hopi Basket Weaving will appeal to collectors, artists and craftspeople, and anyone with an interest in Native American studies, especially Native American arts. For the traveler or general reader, the book is an invitation to enter a little-known world and to learn more about an art form steeped in meaning and stunning in its beauty.
Author: United States. Indian Arts and Crafts Board
Publisher: Washington : United States, Department of the Interior, Indian arts and crafts board
ISBN:
Category : Indian art
Languages : en
Pages : 280
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Author:
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 286
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