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Author: Arlene Young
Publisher: Palgrave Macmillan
ISBN: 9780312223465
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
This book examines the interrelation of social class and its literary representation in Victorian Britain, focusing for the first time on the emergence of the lower middle class as a social and cultural phenomenon. It places the evolution of the lower middle class and its relation to other classes within the social structure of nineteenth-century England and within the historical context of changing perceptions of the idea of the gentlemen and the changing role of women, especially during the second half of the century. Arlene Young traces popular attitudes towards various representative class and cultural types through the examination of novels, comic sketches, and contemporary nineteenth-century social commentaries.
Author: Arlene Young
Publisher: Palgrave Macmillan
ISBN: 9780312223465
Category : Literary Criticism
Languages : en
Pages : 237
Get Book Here
Book Description
This book examines the interrelation of social class and its literary representation in Victorian Britain, focusing for the first time on the emergence of the lower middle class as a social and cultural phenomenon. It places the evolution of the lower middle class and its relation to other classes within the social structure of nineteenth-century England and within the historical context of changing perceptions of the idea of the gentlemen and the changing role of women, especially during the second half of the century. Arlene Young traces popular attitudes towards various representative class and cultural types through the examination of novels, comic sketches, and contemporary nineteenth-century social commentaries.
Author: A. Young
Publisher: Springer
ISBN: 0230377076
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
This book examines class and its representation in Victorian literature, focusing on the emergence of the lower middle class and middle-class responses to it. Arlene Young analyses portraits of white-collar workers, both men and women, who laboured under disparaging misperceptions of their values, abilities, and cultural significance, and shows how these misperceptions were both formulated and resisted. The analysis includes canonical texts like Dickens's Little Dorrit and Gissing's The Odd Women as well as less well-known works by Dinah Mulock Craik, Margaret Oliphant, Amy Levy, Grant Allen, H.G. Wells, Arnold Bennett, and May Sinclair.
Author: Patricia Ingham
Publisher: Routledge
ISBN: 1134891342
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
The Language of Gender and Class challenges widely-held assumptions about the study of the Victorian novel. Lucid, multilayered and cogently argued, this volume will provoke debate and encourage students and scholars to rethink their views on ninteenth-century literature. Examining six novels, Patricia Ingham demonstrates that none of the writers, male or female, easily accept stereotypes of gender and class. The classic figures of Angel and Whore are reassessed and modified. And the result, argues Ingham, is that the treatment of gender by the late nineteenth century is released from its task of containing neutralising class conflict. New accounts of feminity can begin to emerge. The novels which Ingham studies are: * Shirley by Charlotter Bronte * North and South by Elizabeth Gaskell * Felix Holt by George Eliot * Hard Times by Charles Dickens * The Unclassed by George Gissing * Jude the Obscure by Thomas Hardy
Author: Elizabeth Langland
Publisher: Ohio State University Press
ISBN: 9780814209059
Category : Language Arts & Disciplines
Languages : en
Pages : 204
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Book Description
Publisher's description: Telling Tales offers new and original readings of novels by Charlotte Brontë, Anne Brontë, Thomas Hardy, Margaret Oliphant, and Mary Elizabeth Braddon. It also presents new archival material on the lives and stories of working-class women in Victorian Britain. Finally, it sets forth innovative interpretations of the complex ways in which gender informs the abstract cultural narratives--like space, aesthetic value, and nationality--through which a populace comes to know and position itself. Focusing on the interrelations of form, gender, and culture in narratives of the Victorian period, Telling Tales explores the close interplay between gender as manifest in specific literary works and gender as manifest in Victorian culture. The latter does not reflect a shift away from form toward culture, but rather a steady concern of form-in-culture. Reading and analyzing Victorian novels provides an education for reading and interpreting the broader culture. The book's several chapters explore and pose answers to important questions about the impact of gender on narrative in Victorian culture: How do women writers respond to themes and narrative structures of precursor male writers? What are the very real differences that shape a newly emerging tradition of female authorship? How does gender enter into the determination of aesthetic value? How does gender enter into the national imaginary 3/4the idea of Englishness? In exploring these key concerns, Telling Tales establishes a broad terrain for future inquiries that take gender as an organizing term and principle for analysis of narratives in all periods.
Author: Deirdre David
Publisher: Cambridge University Press
ISBN: 1107005132
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
A new edition of this standard work, fully updated with four brand new chapters.
Author: Patricia Ingham
Publisher: Psychology Press
ISBN: 0415082226
Category : English fiction
Languages : en
Pages : 208
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Book Description
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jill Franks
Publisher: McFarland
ISBN: 1476687269
Category : History
Languages : en
Pages : 281
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Book Description
Enormous social changes during the Victorian era inspired some of the finest novels in the English language. In the final decades of the century, rigid application of gender rules and class hierarchies began to relax. Consciousness of the injustice of class- and gender-based discrimination was growing. Meanwhile, bias against nonwhite peoples was worsening. The British used scientific racism to justify their relentless expansion in Africa and Asia. Viewing Victorian literature through the lens of these social changes gives the modern reader a fresh way to interpret the novels and to appreciate their relevance to contemporary issues. Nineteenth-century novelists deployed realism, satire, and the bildungsroman to resist or support leading ideologies of their time, including the separate spheres doctrine and British supremacism. Each chapter is an elaboration of the author's university lectures about Victorian classics. The tone is scholarly yet conversational, directed to the undergraduate student as well as the general reader or Victoriaphile. The text presents concepts in interdisciplinary cultural studies, discusses the uses of genre for rhetorical and social purposes, and exposes paradoxes of the era. The coherent style, abundant examples, discussion questions, and literary glossary make this book a valuable supplement for readers of the Victorian novel.
Author: Bronwyn Rivers
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 264
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Book Description
By examining the way that novels influenced and were influenced by the domestic ideology of womanhood, this book demonstrates how Victorian novels contributed to the imaginative and ideological changes of that important aspect of female emancipation, women's work.
Author: Christian Gutleben
Publisher: Rodopi
ISBN: 9401207240
Category : Law
Languages : en
Pages : 407
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Book Description
Tracing representations of re-imagined Victorian families in literature, film and television, and social discourse, this collection, the second volume in Rodopi’s Neo-Victorian Series, analyses the historical trajectory of persistent but increasingly contested cultural myths that coalesce around the heterosexual couple and nuclear family as the supposed ‘normative’ foundation of communities and nations, past and present. It sheds new light on the significance of families as a source of fluctuating cultural capital, deployed in diverse arenas from political debates, social policy and identity politics to equal rights activism, and analyses how residual as well as emergent ideologies of family are mediated and critiqued by contemporary arts and popular culture. This volume will be of interest to researchers and students of neo-Victorian studies, as well as scholars in contemporary literature and film studies, cultural studies and the history of the family. Situating the nineteenth-century family both as a site of debilitating trauma and the means of ethical resistance against multivalent forms of oppression, neo-Victorian texts display a fascinating proliferation of alternative family models, albeit overshadowed by the apparent recalcitrance of familial ideologies to the same historical changes neo-Victorianism reflects and seeks to promote within the cultural imaginary.
Author: Dr Christine Bayles Kortsch
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475492
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
