Author: Nick Stevenson
Publisher:
ISBN: 9789505186518
Category : Education
Languages : es
Pages : 345
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Este libro atractivo y accesible ofrece una visión de conjunto sobre los intentos que se han hecho en teoría social de averiguar el papel de los medios en la producción y reproducción de la cultura. Y al mismo tiempo, esclarece la relación entre la teoría social general y las teorías dedicadas a las comunicaciones, al medio y el mensaje, a la producción, comunicación y recepción mediáticas. El autor ofrece un examen claro y crítico de las teorías sociales sobre la comunicación masiva otorgando particular relieve a la obra de teóricos individuales. Así pone a dialogar, con todo cuidado metodológico, a Raymond Williams, Stuart Hall, Jürgen Habermas, Marshall McLuhan, Frederic Jameson, Jean Baudrillard, entre otros. El libro trata también importantes tradiciones en el análisis de los medios, como el feminismo, los estudios culturales y la investigación de la audiencia. Stevenson muestra las razones por las cuales esas teorías se pueden considerar decisivas para entender las sociedades y las culturas contemporáneas, y además invita a reconsiderar puntos de teoría tan variados como los conceptos de ideología, estructura y acción, y el papel de los medios en cuestiones que interesan a la ética y a la condición ciudadana.
Author: Omar Rincón
Publisher: Editorial GEDISA
ISBN: 8497845331
Category : Language Arts & Disciplines
Languages : es
Pages : 218
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Book Description
La lógica del entretenimiento es el gusto socialmente legitimado que otorga sentido a las estéticas mediáticas. Una estética que no sólo ofrece la información como espectáculo sino que también crea modos especiales de narrar para cada medio de comunicación. En Narrativas mediáticas, Omar Rincón analiza los modos y las estructuras del relato periodístico, de la publicidad, de la radio, el vídeo y la televisión. También afirma que vivimos en una realidad de signos sin sentido, de significantes vacíos, libremente dispuestos para ser llenados por nuevas significaciones, cuya mejor estrategia para reforzar el pensamiento único es la «narración mediática». ¿Cómo se traduce este cambio de paradigma? ¿Cuál es el mensaje de la publicidad, que ya no vende productos sino que pretende la fidelidad a una marca? ¿Y la radio, con su tradición oral? Sin un discurso apocalíptico sobre los medios de comunicación, Omar Rincón examina una instancia fundamental de la narrativa mediática: la función del relato y la necesidad de contar siempre la misma historia para que el significado, a fuerza de repetición, se imponga y llene los signos vacíos con una cultura que garantice la reproducción infinita del sistema. ÍNDICE Introducción 1. Culturas mediáticas 1. La interpelación mediática / 2. La estética: sentidos colectivos y experiencias subjetivas / 3. Estéticas de la actualidad / 4. Subjetividad mediática / Bibliografía 2. Estéticas del entretenimiento (espectáculo, levedad, new age, reality) 1. La lógica del entretenimiento / 2. La convocatoria espectacular / 3. Filosofía light / 4. Actitud new age / 5. Política reality / 6. Preguntas desde las estéticas mediáticas / Bibliografía 3. La narración mediática 1. ¿Qué es la narración? / 2. Narración y cultura mediática / 3. Modos de la narración / Bibliografía 4. Narrativas periodísticas 1. Pensar el periodismo / 2. ¿Qué es el periodismo? / 3. ¿Cómo narra el periodismo? / Bibliografía 5. Narrativas publicitarias 1. Pensar la publicidad / 2. ¿Qué es la publicidad? / 3. ¿Cómo narra la publicidad? / Bibliografía 6. Narrativas de la radio 1. ¿Qué es la radio? / 2. Funciones de la radio / 3. ¿Cómo narra la radio? / Bibliografía 7. Narrativas televisivas 1. Pensar la televisión / 2. ¿Qué es la televisión? / 3. ¿Cómo narra la televisión? / 4. Los modos de la teleactualidad / 5. Las nuevas telenarrativas / Bibliografía 8. Narrativas del vídeo 1. ¿Qué es el vídeo? / 2. La condición vídeo / 3. Formas vídeo / 4. ¿Cómo narra el vídeo? / 5. Videosubjetividad / Bibliografía Conclusiones: ¡Cuéntame, no me ilustres!
Author: nick Stevenson
Publisher:
ISBN:
Category :
Languages : es
Pages : 345
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Book Description
Author: Francisco de la Peña Martínez
Publisher:
ISBN: 9786079497903
Category :
Languages : es
Pages :
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Author: Leo Bogart
Publisher: Routledge
ISBN: 1351527622
Category : Social Science
Languages : en
Pages : 413
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Book Description
American mass media are the world's most diverse, rich, and free. Their dazzling resources, variety, and influence arouse envy in other countries. Their failures are commonly excused on the grounds that they are creatures of the market, that they give people what they want. 'Commercial Culture' focuses not on the glories of the media, but on what is wrong with them and why, and how they may be made better. This powerful critique of American mass communication highlights four trends that sound an urgent call for reform: the blurring of distinctions among traditional media and between individual and mass communication; the increasing concentration of media control in a disturbingly small number of powerful organizations; the shift from advertisers to consumers as the source of media revenues; and the growing confusion of information and entertainment, of the real and the imaginary. The future direction of the media, Leo Bogart contends, should not be left to market forces alone. He shows how the public's appetite for media differs from other demands the market is left to satisfy because of how profoundly the media shape the public's character and values. Bogart concludes that a world of new communications technology requires a coherent national media policy, respectful of the American tradition of free expression and subject to vigorous public scrutiny and debate. 'Commercial Culture' is a comprehensive analysis of the media as they evolve in a technological age. It will appeal to general readers interested in mass communications, as well as professionals and scholars studying American mass media.
Author: Nete Kristensen
Publisher: Routledge
ISBN: 1315308010
Category : Social Science
Languages : en
Pages : 202
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Book Description
This book addresses a topic in journalism studies that has gained increasing scholarly attention since the mid-2000s: the coverage and evaluation of arts and culture, or what we term ‘cultural journalism and cultural critique’. The book highlights three approaches to this emerging research field: (1) the constant challenge of demarcating what constitutes the ‘cultural’ in cultural journalism and cultural critique, and the interlinks of cultural journalism and cultural critique; (2) the dialectic of globalization’s cultural homogenization and the specificity of local/national cultures; and (3) the need to rethink, perhaps even redefine, cultural journalism and cultural critique in view of the digital media landscape. ‘Cultural journalism’ is used as an umbrella term for media reporting and debating on culture, including the arts, value politics, popular culture, the culture industries, and entertainment. Therefore some of the contributions this book apply a broad approach to ‘the cultural’ when theorizing and analyzing the production and content of cultural journalism, and the professional ideology, self-perception, and legitimacy struggles of cultural journalists and editors. Other contributions demarcate their field of study more narrowly, both topically and generically, by engaging with very specific sub-areas such as ‘film criticism’ or ‘television series.’ This book was originally published as a special issue of Journalism Practice.
Author: Lee Artz
Publisher: Routledge
ISBN: 1000515230
Category : Political Science
Languages : en
Pages : 245
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Book Description
This book shows how transnational media operate in the contemporary world and what their impact is on film, television, and the larger global culture. Where a company is based geographically no longer determines its outreach or output. As media consolidate and partner across national and cultural boundaries, global culture evolves. The new transnational media industry is universal in its operation, function, and social impact. It reflects a shared transnational culture of consumerism, authoritarianism, cultural diversity, and spectacle. From Wolf Warriors and Sanju to Valerian: City of 1000 Planets and Pokémon, new media combinations challenge old assumptions about cultural imperialism and reflect cross-boundary collaboration as well as boundary-breaking cultural interpretation. Intended for students of global studies and international communication at all levels, the book will appeal to a wide range of readers interested in the way transnational media work and how that shapes our culture.
Author: Ingrid Volkmer
Publisher: John Wiley & Sons
ISBN: 1119061121
Category : Social Science
Languages : en
Pages : 582
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Book Description
Bringing together the perspectives of more than 40 internationally acclaimed authors, The Handbook of Global Media Research explores competing methodologies in the dynamic field of transnational media and communications, providing valuable insight into research practice in a globalized media landscape. Provides a framework for the critical debate of comparative media research Posits transnational media research as reflective of advanced globalization processes, and explores its roles and responsibilities Articulates the key themes and competing methodological approaches in a dynamic and developing field Showcases the perspectives and ideas of 30 leading internationally acclaimed scholars Offers a platform for the discussion of crucial issues from a variety of theoretical, methodical and practical viewpoints
Author: Mark Allen Peterson
Publisher: Berghahn Books
ISBN: 9781571812780
Category : Social Science
Languages : en
Pages : 340
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Book Description
Anthropological interest in mass communication and media has exploded in the last two decades, engaging and challenging the work on the media in mass communications, cultural studies, sociology and other disciplines. This is the first book to offer a systematic overview of the themes, topics and methodologies in the emerging dialogue between anthropologists studying mass communication and media analysts turning to ethnography and cultural analysis. Drawing on dozens of semiotic, ethnographic and cross-cultural studies of mass media, it offers new insights into the analysis of media texts, offers models for the ethnographic study of media productio and consumption, and suggests approaches for understanding media in the modern world system. Placing the anthropological study of mass media into historical and interdisciplinary perspectives, this book examines how work in cultural studies, sociology, mass communication and other disciplines has helped shape the re-emerging interest in media by anthropologists. A former Washington D.C. journalist, Mark Allan Peterson is currently Assistant Professor of Anthropology at Miami University, Oxford, Ohio. He has published numerous articles on American, South Asian and Middle Eastern media, and has taught courses on anthropological approaches to media t at he American University in Cairo, the University of Hamburg, and Georgetown University.
Author: Lucia Santaella
Publisher: Editorial San Pablo
ISBN: 9587158717
Category :
Languages : en
Pages : 254
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Book Description
