Author: Arthur Jerome Eddy
Publisher:
ISBN: 9781293960622
Category :
Languages : en
Pages : 382
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Arthur Jerome Eddy
Publisher:
ISBN:
Category : Cubism
Languages : en
Pages : 370
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Author: Arthur Jerome Eddy
Publisher:
ISBN: 9781375642347
Category : Art
Languages : en
Pages : 382
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Author: Arthur Jerome Eddy
Publisher: Theclassics.Us
ISBN: 9781230285368
Category :
Languages : en
Pages : 78
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ... extremist in politics, the man who has no patience with palliative measures, who demands the whole loaf and nothing but the loaf, who kicks savagely away the fragments of bread tendered him by the moderate and respectable. A dangerous man he may be, but he is no trifler; and, if he succeeds in his purpose, as extremists sometimes do, the whipped world at his feet hails him as reformer and benefactor of humanity.* The Columbian Exposition gave American art a tremendous impetus forward, but of late it has been getting a little smug; the International Exhibition came and gave our complacency a severe jolt. The net result is that American art has received another impulse forward; it will do bigger and finer and saner things. It will not copy the eccentricities, the exaggerations, the morbid enthusiasms of the recent exhibition, because America as yet is not given to eccentricities and morbidness -- though it may be to a youthful habit of exaggeration. America is essentially sane and healthful -- say quite practical -- in its outlook, hence it will absorb all that is good in the extreme modern movement and reject what is bad. Neither our students nor our painters will be carried off their feet but they will be helped onward. They will be helped in their technic, and they will see things from new angles, they will be more independent, in short they will be better and bigger painters. They will not be Cubists, Orphists, or Futurists, but they will absorb all there is of good in Cubism, Orphism, Futurism -- and other "isms;" and bear in mind it is the ist who is always blazing a trail somewhere; he may lose himself in the dense undergrowth of his theories but he at least marks a path others have not trodden. . A, ..".
Author: Arthur Eddy
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Arthur Jerome Eddy
Publisher:
ISBN:
Category : Cubism
Languages : en
Pages : 245
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Author: Arthur Jerome Eddy
Publisher: Forgotten Books
ISBN: 9780332394282
Category : Art
Languages : en
Pages : 328
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Book Description
Excerpt from Cubists and Post-Impressionism About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Jerome Eddy
Publisher: Nabu Press
ISBN: 9781293915226
Category :
Languages : en
Pages : 386
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Cubists And Post-impressionism Arthur Jerome Eddy A.C. McClurg & Co., 1919 Cubism; Impressionism (Art); Post-impressionism (Art)
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
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Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Author: Arthur Jerome EDDY
Publisher:
ISBN:
Category :
Languages : en
Pages : 245
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Book Description
