Author: Max Weber
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 70
Book Description
Cubist Poems
Author: Max Weber
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 70
Book Description
Poems of the Two Worlds
Author: Frederick Morgan
Publisher: University of Illinois Press
ISBN: 9780252006043
Category : American poetry
Languages : en
Pages : 152
Book Description
Publisher: University of Illinois Press
ISBN: 9780252006043
Category : American poetry
Languages : en
Pages : 152
Book Description
A Companion to Modernist Poetry
Author: David E. Chinitz
Publisher: John Wiley & Sons
ISBN: 111860444X
Category : Literary Criticism
Languages : en
Pages : 626
Book Description
A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.
Publisher: John Wiley & Sons
ISBN: 111860444X
Category : Literary Criticism
Languages : en
Pages : 626
Book Description
A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.
Selected Poems
Author: Kenneth Rexroth
Publisher: New Directions Publishing
ISBN: 0811224015
Category : Poetry
Languages : en
Pages : 182
Book Description
The late Kenneth Rexroth (1905-1982) is surely one of the most readable of this century's great American poets. He is also one of the most sophisticated. Like William Carlos Williams, he honed his writing to a controlled and direct language. His intellectual complexity matches Wallace Stevens, his polymath erudition Ezra Pound. He is first among our nature poets. His love poems and erotic lyrics are unsurpassed. Rexroth's Selected Poems brings together in a single volume a representative sampling of sixty years' work. Here are substantial passages from his longer poems: The Homestead Called Damascus(1920-1925), begun while the poet was in his teens; the cubist Prolegomenon to a Theodicy (1925-1927); the philosophical masterpiece The Phoenix and the Tortoise (1940-1944) and The Dragon and the Unicorn (1944-1950); and the meditative The Heart's Garden, The Garden's Heart (1967). The shorter poems were originally gathered in In What Hour (1940), The Art of Wordly Wisdom (1949),The Signature of All Things (1950), In Defense of the Earth (1956), Natural Numbers(1964), New Poems (1974), and The Morning Star (1979).
Publisher: New Directions Publishing
ISBN: 0811224015
Category : Poetry
Languages : en
Pages : 182
Book Description
The late Kenneth Rexroth (1905-1982) is surely one of the most readable of this century's great American poets. He is also one of the most sophisticated. Like William Carlos Williams, he honed his writing to a controlled and direct language. His intellectual complexity matches Wallace Stevens, his polymath erudition Ezra Pound. He is first among our nature poets. His love poems and erotic lyrics are unsurpassed. Rexroth's Selected Poems brings together in a single volume a representative sampling of sixty years' work. Here are substantial passages from his longer poems: The Homestead Called Damascus(1920-1925), begun while the poet was in his teens; the cubist Prolegomenon to a Theodicy (1925-1927); the philosophical masterpiece The Phoenix and the Tortoise (1940-1944) and The Dragon and the Unicorn (1944-1950); and the meditative The Heart's Garden, The Garden's Heart (1967). The shorter poems were originally gathered in In What Hour (1940), The Art of Wordly Wisdom (1949),The Signature of All Things (1950), In Defense of the Earth (1956), Natural Numbers(1964), New Poems (1974), and The Morning Star (1979).
T. S. Eliot’s Ariel Poems
Author: Anna Budziak
Publisher: Routledge
ISBN: 1000432033
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
T. S. Eliot once stated that the supreme poet "in writing himself, writes his time". In saying that, he honoured Dante and Shakespeare, but this pithy remark fittingly characterises his own work, including The Ariel Poems, with which he promptly and pointedly responded to the problems of his times. Published with unwavering regularity, a poem a year, the Ariels were composed in the period when Eliot was mainly writing prose; and, like his prose, they reverberated with diverse contemporary issues ranging from the revision of the Book of Common Prayer to the translations of Heidegger to the questions of leadership and populism. In order to highlight the poems' historical specificity, this study seeks to outline the constellations of thought connecting Eliot’s poetry and prose. In addition, it attempts to expose the Ariels’ shared arc of meaning, an unobtrusive incarnational metaphor determining the perspective from which they propose an unorthodox understanding of the epoch— an underlying pattern of thought bringing them together into a conceptually discrete set. This is the first study that both universalizes and historicises the series, striving to disclose the regular without suppressing the random. Approaching the series as a system of orderly disorder, the notion very much at home with chaos theory, it suggests new intellectual contexts, offering interpretations that are either fresh, or significantly reangled.
Publisher: Routledge
ISBN: 1000432033
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
T. S. Eliot once stated that the supreme poet "in writing himself, writes his time". In saying that, he honoured Dante and Shakespeare, but this pithy remark fittingly characterises his own work, including The Ariel Poems, with which he promptly and pointedly responded to the problems of his times. Published with unwavering regularity, a poem a year, the Ariels were composed in the period when Eliot was mainly writing prose; and, like his prose, they reverberated with diverse contemporary issues ranging from the revision of the Book of Common Prayer to the translations of Heidegger to the questions of leadership and populism. In order to highlight the poems' historical specificity, this study seeks to outline the constellations of thought connecting Eliot’s poetry and prose. In addition, it attempts to expose the Ariels’ shared arc of meaning, an unobtrusive incarnational metaphor determining the perspective from which they propose an unorthodox understanding of the epoch— an underlying pattern of thought bringing them together into a conceptually discrete set. This is the first study that both universalizes and historicises the series, striving to disclose the regular without suppressing the random. Approaching the series as a system of orderly disorder, the notion very much at home with chaos theory, it suggests new intellectual contexts, offering interpretations that are either fresh, or significantly reangled.
Lorca's Drawings and Poems
Author: Cecelia J. Cavanaugh
Publisher: Bucknell University Press
ISBN: 9780838753026
Category : Art
Languages : en
Pages : 226
Book Description
Lorca's Drawings and Poems focuses on the act of reading Lorca's drawn or written texts and how the reading of one genre can inform the reading of another. Throughout the study, poetry and drawings from every period of Lorca's career are examined. Selected drawings are interpreted; next, poems contemporary to those drawings are analyzed in their light. In chapter 1, a common poetics is extracted from Lorca's comments about his drawings and writing and placed in the context of the literary and artistic movements of his day. The evolution of the literary criticism that examines Lorca's drawings is traced and reviewed. Lorca's texts are examined from varying perspectives in the chapters that follow. In chapter 2, drawings and poems from 1927 to 1928 are analyzed in light of Lorca's participations in artistic and literary movements during those years. Texts from each period of Lorca's work are read in chapter 3 in a study of Lorca's employment of space and his depiction of setting and subject in his drawings and poems. Such a chronological approach allows the reading of Lorca's texts to reveal the evolution of his aesthetics as well as to identify the imagery and techniques that remained consistent throughout his career.
Publisher: Bucknell University Press
ISBN: 9780838753026
Category : Art
Languages : en
Pages : 226
Book Description
Lorca's Drawings and Poems focuses on the act of reading Lorca's drawn or written texts and how the reading of one genre can inform the reading of another. Throughout the study, poetry and drawings from every period of Lorca's career are examined. Selected drawings are interpreted; next, poems contemporary to those drawings are analyzed in their light. In chapter 1, a common poetics is extracted from Lorca's comments about his drawings and writing and placed in the context of the literary and artistic movements of his day. The evolution of the literary criticism that examines Lorca's drawings is traced and reviewed. Lorca's texts are examined from varying perspectives in the chapters that follow. In chapter 2, drawings and poems from 1927 to 1928 are analyzed in light of Lorca's participations in artistic and literary movements during those years. Texts from each period of Lorca's work are read in chapter 3 in a study of Lorca's employment of space and his depiction of setting and subject in his drawings and poems. Such a chronological approach allows the reading of Lorca's texts to reveal the evolution of his aesthetics as well as to identify the imagery and techniques that remained consistent throughout his career.
The Cubist Poets in Paris
Author: LeRoy C. Breunig
Publisher: U of Nebraska Press
ISBN: 9780803212244
Category : Poetry
Languages : en
Pages : 366
Book Description
"One can only marvel at the instinct of Parisian painters to keep their art in the hands of poets."-Robert Motherwell. At the height of the Cubist movement in Paris, no fewer than fifteen significant poets kept company with the painters. "Every writer had his painter, " said Blaise Cendrars. "I myself had Delaunay and Liger, Max Jacob had Picasso, Reverdy Braque, and Apollinaire had everybody." The painters illustrated the poets' poems and painted their portraits; the poets wrote the painters' praise and defended them in journalistic wars. They loaned each other money, gave shelter to each other in times of need, inspired each other, and fortified each other's resolve through thick and thin. The Cubist Poets in Paris evokes the capital city of Cubism in all its flamboyant bustle. It includes groups of poems by Guillaume Apollinaire, Pierre Albert-Birot, Blaise Cendrars, Jean Cocteau, Sonia Delaunay, Paul Dermie, Pierre Drieu la Rochelle, Charlotte Gardelle, Vicente Huidobro, Max Jacob, Marie Laurencin, Hilhne Baronne d'Oettingen, Raymond Radiguet, Pierre Reverdy, and Andri Salmon. Each poem is presented in French and in English translation. Fifteen illustrations suggest the painters' close ties with the poets, including works by Juan Gris, Giorgio de Chirico, and Liopold Suvage. LeRoy C. Breunig has taught at Cornell University, Harvard, Columbia University, and at Barnard College, where he was Dean of Faculty and interim president. He has edited Guillaume Apollinaire's Chroniques d'art and Apollinaire on Art. His articles have appeared in Mercure de France, Comparative Literature, and Yale French Studies.
Publisher: U of Nebraska Press
ISBN: 9780803212244
Category : Poetry
Languages : en
Pages : 366
Book Description
"One can only marvel at the instinct of Parisian painters to keep their art in the hands of poets."-Robert Motherwell. At the height of the Cubist movement in Paris, no fewer than fifteen significant poets kept company with the painters. "Every writer had his painter, " said Blaise Cendrars. "I myself had Delaunay and Liger, Max Jacob had Picasso, Reverdy Braque, and Apollinaire had everybody." The painters illustrated the poets' poems and painted their portraits; the poets wrote the painters' praise and defended them in journalistic wars. They loaned each other money, gave shelter to each other in times of need, inspired each other, and fortified each other's resolve through thick and thin. The Cubist Poets in Paris evokes the capital city of Cubism in all its flamboyant bustle. It includes groups of poems by Guillaume Apollinaire, Pierre Albert-Birot, Blaise Cendrars, Jean Cocteau, Sonia Delaunay, Paul Dermie, Pierre Drieu la Rochelle, Charlotte Gardelle, Vicente Huidobro, Max Jacob, Marie Laurencin, Hilhne Baronne d'Oettingen, Raymond Radiguet, Pierre Reverdy, and Andri Salmon. Each poem is presented in French and in English translation. Fifteen illustrations suggest the painters' close ties with the poets, including works by Juan Gris, Giorgio de Chirico, and Liopold Suvage. LeRoy C. Breunig has taught at Cornell University, Harvard, Columbia University, and at Barnard College, where he was Dean of Faculty and interim president. He has edited Guillaume Apollinaire's Chroniques d'art and Apollinaire on Art. His articles have appeared in Mercure de France, Comparative Literature, and Yale French Studies.
The Revolution in the Visual Arts and the Poetry of William Carlos Williams
Author: Peter Halter
Publisher: Cambridge University Press
ISBN: 9780521431309
Category : Art
Languages : en
Pages : 292
Book Description
This book is a major step toward a fuller exploration of the connection between the visual arts and Williams' concept of the Modernist poem and of his achievement in transcending an art-for-art's-sake formalism to create poems that both reflect their own nature as a work of art and vividly evoke the world of which they are a part.
Publisher: Cambridge University Press
ISBN: 9780521431309
Category : Art
Languages : en
Pages : 292
Book Description
This book is a major step toward a fuller exploration of the connection between the visual arts and Williams' concept of the Modernist poem and of his achievement in transcending an art-for-art's-sake formalism to create poems that both reflect their own nature as a work of art and vividly evoke the world of which they are a part.
The Selected Poems of H. R. Hays
Author: Hoffman Reynolds Hays
Publisher: Xlibris Corporation
ISBN: 0738830763
Category : Poetry
Languages : en
Pages : 202
Book Description
Publisher: Xlibris Corporation
ISBN: 0738830763
Category : Poetry
Languages : en
Pages : 202
Book Description
The Structure of Modernist Poetry (Routledge Revivals)
Author: Theo Hermans
Publisher: Routledge
ISBN: 1317637879
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
First published in 1982, this book provides a descriptive and comparative study of some of the fundamental structural aspects of modernist poetic writing in English, French and German in the first decades of the twentieth century. The work concerns itself primarily with basic structural elements and techniques and the assumptions that underlie and determine the modernist mode of poetic writing. Particular attention is paid to the theories developed by authors and to the essential ‘principles of construction’ that shape the structure of their poetry. Considering the work of a number of modernist poets, Theo Hermans argues that the various widely divergent forms and manifestations of modernistic poetry writing can only be properly understood as part of one general trend.
Publisher: Routledge
ISBN: 1317637879
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
First published in 1982, this book provides a descriptive and comparative study of some of the fundamental structural aspects of modernist poetic writing in English, French and German in the first decades of the twentieth century. The work concerns itself primarily with basic structural elements and techniques and the assumptions that underlie and determine the modernist mode of poetic writing. Particular attention is paid to the theories developed by authors and to the essential ‘principles of construction’ that shape the structure of their poetry. Considering the work of a number of modernist poets, Theo Hermans argues that the various widely divergent forms and manifestations of modernistic poetry writing can only be properly understood as part of one general trend.