Author: Charles Byron Asche
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 184
Book Description
Cuban folklore traditions and twentieth-century idioms in the piano works of Amadeo Roldán and Alejandro García Caturla
Author: Charles Byron Asche
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 184
Book Description
Cuban Folklore Traditions and Twentieth Century Idioms in the Piano Music of Amadeo Roldan and Alejandro Garcia Caturla
Author: Charles Byron Asche
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 92
Book Description
Cuban Folklore Traditions and Twentieth-century Idioms in the Piano Works of Amadeo Roldán and Alejandro García Caturla
Author: Charles Byron Asche
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 116
Book Description
Alejandro García Caturla
Author: Charles W. White
Publisher: Scarecrow Press
ISBN: 9780810843813
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
CD included
Publisher: Scarecrow Press
ISBN: 9780810843813
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
CD included
Nationalizing Blackness
Author: Robin Dale Moore
Publisher: University of Pittsburgh Pre
ISBN: 9780822971856
Category : Music
Languages : en
Pages : 342
Book Description
The 1920s saw the birth of the tango, the "jazz craze," bohemian Paris, the Harlem Renaissance, and the primitivists. It was a time of fundamental change in the music of nearly all Western countries, including Cuba. Significant concessions to blue-collar and non-Western aesthetics began on a massive scale, making artistic expression more democratic.In Cuba, from about 1927 through the late thirties, an Afrocubanophile frenzy seized the public. Strong nationalist sentiments arose at this time, and the country embraced afrocubanismo as a means of expressing such feelings. Black street culture became associated with cubanidad (Cubanness) and a movement to merge once distinct systems of language, religion, and artistic expression into a collective of national identity.Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture. Moore examines the public debate over "degenerate Africanisms" associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo. He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
Publisher: University of Pittsburgh Pre
ISBN: 9780822971856
Category : Music
Languages : en
Pages : 342
Book Description
The 1920s saw the birth of the tango, the "jazz craze," bohemian Paris, the Harlem Renaissance, and the primitivists. It was a time of fundamental change in the music of nearly all Western countries, including Cuba. Significant concessions to blue-collar and non-Western aesthetics began on a massive scale, making artistic expression more democratic.In Cuba, from about 1927 through the late thirties, an Afrocubanophile frenzy seized the public. Strong nationalist sentiments arose at this time, and the country embraced afrocubanismo as a means of expressing such feelings. Black street culture became associated with cubanidad (Cubanness) and a movement to merge once distinct systems of language, religion, and artistic expression into a collective of national identity.Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture. Moore examines the public debate over "degenerate Africanisms" associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo. He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
Kongressbericht Wadgassen
Author: Damien Sagrillo
Publisher: LIT Verlag Münster
ISBN: 3643912781
Category :
Languages : en
Pages :
Book Description
Das vorliegende Buch ist der dritte Band der Reihe IGEB-Biographien. Es enthält die schriftlichen Fassungen von zwölf Vorträgen, die während der IGEB-Konferenz in Wadgassen/Deutschland 2018 gehalten wurden. Die Beiträge behandeln Persönlichkeiten und ihr Wirken in Zusammenhang mit Blasmusik. The present book is the third volume in the series Biographies IGEB. It consists of the written contributions of twelve papers presented during the IGEB conference in Wadgassen/Germany in 2018. The articles deal with personalities and their work in connection with wind music.
Publisher: LIT Verlag Münster
ISBN: 3643912781
Category :
Languages : en
Pages :
Book Description
Das vorliegende Buch ist der dritte Band der Reihe IGEB-Biographien. Es enthält die schriftlichen Fassungen von zwölf Vorträgen, die während der IGEB-Konferenz in Wadgassen/Deutschland 2018 gehalten wurden. Die Beiträge behandeln Persönlichkeiten und ihr Wirken in Zusammenhang mit Blasmusik. The present book is the third volume in the series Biographies IGEB. It consists of the written contributions of twelve papers presented during the IGEB conference in Wadgassen/Germany in 2018. The articles deal with personalities and their work in connection with wind music.
The Pianist's Reference Guide
Author: Maurice Hinson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
A Reference Guide to Latin America and the Caribbean
Author: University Microfilms International
Publisher:
ISBN:
Category : Caribbean Area
Languages : en
Pages : 460
Book Description
Publisher:
ISBN:
Category : Caribbean Area
Languages : en
Pages : 460
Book Description
Traditional World Music Influences in Contemporary Solo Piano Literature
Author: Elizabeth C. Axford
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 472
Book Description
"Everything But Bach, Beethoven and Brahms," comprises this multicultural repertoire guide for pianists, composers, music teachers and students, world music enthusiasts and scholars. It identifies pieces in the contemporary solo piano literature which show world music influences not traditionally associated with the standard repertoire of Western European art music. The resulting annotated bibliography therefore includes pieces which use or attempt to emulate non-Western scales, modes, folk tunes, rhythmic, percussive or harmonic devices and timbres. Axford highlights the music cultures of the Middle East and North Africa, Sub-Saharan Africa, India, the Far East, Indonesia, Oceania, ethnic North America, Latin America and Spain, and Eastern Europe, Russia, and Scandinavia. Separate bibliographies for each world music region show examples of contemporary solo piano pieces that demonstrate some of the traditional musical influences associated with the region.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 472
Book Description
"Everything But Bach, Beethoven and Brahms," comprises this multicultural repertoire guide for pianists, composers, music teachers and students, world music enthusiasts and scholars. It identifies pieces in the contemporary solo piano literature which show world music influences not traditionally associated with the standard repertoire of Western European art music. The resulting annotated bibliography therefore includes pieces which use or attempt to emulate non-Western scales, modes, folk tunes, rhythmic, percussive or harmonic devices and timbres. Axford highlights the music cultures of the Middle East and North Africa, Sub-Saharan Africa, India, the Far East, Indonesia, Oceania, ethnic North America, Latin America and Spain, and Eastern Europe, Russia, and Scandinavia. Separate bibliographies for each world music region show examples of contemporary solo piano pieces that demonstrate some of the traditional musical influences associated with the region.
The Modernist World
Author: Allana Lindgren
Publisher: Routledge
ISBN: 1317696166
Category : Literary Criticism
Languages : en
Pages : 650
Book Description
The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.
Publisher: Routledge
ISBN: 1317696166
Category : Literary Criticism
Languages : en
Pages : 650
Book Description
The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.