Devotional Music in the Iberian World, 1450-1800

Devotional Music in the Iberian World, 1450-1800 PDF Author: Tess Knighton
Publisher: Routledge
ISBN: 1351569473
Category : Music
Languages : en
Pages : 490

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Book Description
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.

Devotional Music in the Iberian World, 1450-1800

Devotional Music in the Iberian World, 1450-1800 PDF Author: Tess Knighton
Publisher: Routledge
ISBN: 1351569473
Category : Music
Languages : en
Pages : 490

Get Book Here

Book Description
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.

 PDF Author:
Publisher: Biblioteca de Catalunya
ISBN:
Category :
Languages : en
Pages : 12

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Book Description


Catalog of Copyright Entries

Catalog of Copyright Entries PDF Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1732

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Book Description


Black Voices in Early Modern Spanish Literature, 1500-1750

Black Voices in Early Modern Spanish Literature, 1500-1750 PDF Author: Diana Berruezo-Sánchez
Publisher: Oxford University Press
ISBN: 0198914245
Category : Literary Criticism
Languages : en
Pages : 337

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Book Description
In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad range of texts and unearths new documents relating to black African poets, performers, and black confraternities. Her discoveries evince the broad yet largely disregarded literary and artistic impact of the African diaspora in early modern Spain, expanding the scope of linguistic practices beyond habla de negros and creating space for early modern black poets in the Spanish literary canon. These textual sources challenge established understandings of black Africans and black African history in early modern Spain. They show how black Africans exerted significant cultural agency by collectively contributing to and shaping the literary texts of the period, including those of the popular genre villancicos de negros, and by developing artistic traditions as musicians, dancers, and poets. As both creators and consumers of cultural forms, black African men and women navigated a restrictive, coercive slave society yet negotiated their own physical and cultural spaces.

The Sweet Penance of Music

The Sweet Penance of Music PDF Author: Alejandro Vera
Publisher: Oxford University Press
ISBN: 0190940220
Category : Music
Languages : en
Pages : 432

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Book Description
A monumental study of musical practices in 18th century Santiago de Chile, and the only English-language monograph about Chilean colonial music, A Sweet Penance of Music offers a comprehensive view of musicians within the city and their links with other Latin American urban centers in the wider colonial system. Author Alejandro Vera, recent winner of the International Casa de las Américas Musicology Prize for the Spanish edition of his monograph, provides a fascinating account of the quotidian cultural and social significance of music in varying physical spheres - from cathedrals, convents, and monasteries, to private houses and public spaces. He brings to life a city long neglected in the shadow of other colonial centers of economic power, asserting the importance of duality in the period and its music - particularly centering one nun harpist's conception of music as "sweet penance." Drawing from historical documents and musical scores of the period, A Sweet Penance of Music breaks new ground, laying the foundation for a revisionist approach to the study of music in the colonial Americas.

Painting and Devotion in Golden Age Iberia

Painting and Devotion in Golden Age Iberia PDF Author: Jean Andrews
Publisher: University of Wales Press
ISBN: 1786836041
Category : Art
Languages : en
Pages : 255

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Book Description
It is the first monograph in English on Luis de Morales since the 1960s, which is essential for those who do not read Spanish because most of the literature on Morales is in Spanish It provides an extended consideration of the relationship between Morales’ paintings and the devotional practices of his times, using devotional writing aimed at a lay readership and sermons It highlights the importance of Portuguese cultural influences on his work and notes the significance of his work in Portugal as an influence on Portuguese painters and style.

Renaissance and Baroque Characteristics in Four Choral Villancicos of Manuel de Sumaya

Renaissance and Baroque Characteristics in Four Choral Villancicos of Manuel de Sumaya PDF Author: Michael Noel Dean
Publisher:
ISBN:
Category : Sacred vocal music
Languages : en
Pages : 248

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Book Description


A Guide to the Latin American Art Song Repertoire

A Guide to the Latin American Art Song Repertoire PDF Author: Stela M. Brandão
Publisher: Indiana University Press
ISBN: 0253221382
Category : Music
Languages : en
Pages : 369

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Book Description
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.

A Singer's Guide to the Songs of Joaquin Rodrigo

A Singer's Guide to the Songs of Joaquin Rodrigo PDF Author: Suzanne Rhodes Draayer
Publisher: Scarecrow Press
ISBN: 9780810848276
Category : Music
Languages : en
Pages : 290

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Book Description
Presents word-for-word translation, idiomatic translations, and IPA transcriptions of all of Rodrigo's 87 songs. Gives background information on songs and information on range, length, and other relevant facts, and offers biographies of Rodrigo and his wife, and information gleaned from in-depth interviews with their only child. Includes a discography. The author is a soprano and a professor of music at Winona State University. Annotation copyrighted by Book News, Inc., Portland, OR

Music and Musicians in the Escorial Liturgy Under the Habsburgs, 1563-1700

Music and Musicians in the Escorial Liturgy Under the Habsburgs, 1563-1700 PDF Author: Michael John Noone
Publisher: University Rochester Press
ISBN: 9781878822710
Category : History
Languages : en
Pages : 430

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Book Description
This study explores the composition and performance of liturgical music in El Escorial, from its founding by Philip II in 1563 to the death of Charles II in 1700. Philip II promoted within his monastery-palace a musical foundation whose dual function as royal chapel and as monastery in the service of a Counter-Reformation monarch was unique. The study traces the ways in which music styles and practices responded to the changing functions of the institution. Perceived notions about Spanish royal musical patronage are challenged, musical manuscripts are scrutinized, biographical details of hundreds of musicians are uncovered, and musical practices are examined. Additionally, two important choral pieces are printed here for the first time.