The Presbyterian Hymnal Companion

The Presbyterian Hymnal Companion PDF Author: LindaJo H. McKim
Publisher: Westminster John Knox Press
ISBN: 9780664251802
Category : Religion
Languages : en
Pages : 436

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Book Description
This helpful resource provides extensive information about each hymn in The Presbyterian Hymnal (1990)--background detail about hymn origins, publication history, authors, translators, composers, and arrangers. Stories about some of the hymns are also included. An excellent handbook that supplies information useful for a variety of purposes.

The Presbyterian Hymnal Companion

The Presbyterian Hymnal Companion PDF Author: LindaJo H. McKim
Publisher: Westminster John Knox Press
ISBN: 9780664251802
Category : Religion
Languages : en
Pages : 436

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Book Description
This helpful resource provides extensive information about each hymn in The Presbyterian Hymnal (1990)--background detail about hymn origins, publication history, authors, translators, composers, and arrangers. Stories about some of the hymns are also included. An excellent handbook that supplies information useful for a variety of purposes.

Crusade Hymn Stories

Crusade Hymn Stories PDF Author: Cliff Barrows
Publisher:
ISBN:
Category : Evangelicalism
Languages : en
Pages : 168

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Book Description


Mapping Medieval Identities in Occitanian Crusade Song

Mapping Medieval Identities in Occitanian Crusade Song PDF Author: Rachel May Golden
Publisher: Oxford University Press, USA
ISBN: 0190948612
Category : Music
Languages : en
Pages : 303

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Book Description
"In his song, Lanqan li jorn, the early-twelfth-century troubadour Jaufre Rudel expresses a sense of wonder and uncertainty about the future, one that he maps onto his perception of geography as complex, interwoven, and often unknowable. The song proclaims Jaufre's intention to travel eastward to the Crusade front as a Christian pilgrim, and to unite there with his beloved Lady (generally understood as the Countess of Tripoli), the object of his amor de loing [love from afar]. Jaufre expresses both ambivalence and a sense of possibility as he prepares to depart outremar. In Jaufre's ideology, distance suggests the multivalent difficulties inherent in this effort--the challenges of geographical travels and unknown roads; the emotional separation between lovers and uncertain pathways; and the subjective distances between the ideals of French courtliness, Christian values, and his imagining of the land of Saracens. Because the pathways that lie before him--the ports and roads--are so many and so unfathomable, Jaufre cannot prophesy the outcome of this journey. As Jaufre contemplated the unknown East, he could not have predicted the impact of the Crusade efforts or the song-making traditions in which he participated. According to his vida, or biographical sketch (although these were often fictionalized), Jaufre would die in the East while on the Crusade venture; having often imagined the Countess of Tripoli, he would become ill on the journey, arriving in the Syrian county only just in time to be embraced his beloved and die in her arms. Jaufre was one of many creators of the Crusade period to contemplate a new world, one marked by Crusading, through song. In doing so, he employed geographical rhetoric in ways that engaged his belief systems about love, politics, religion, and space. In this book, I locate ideologies of early Crusade culture as expressed in the Occitanian song (in the south of modern-day France), particularly in Latin devotional song and troubadour lyric. Such songs engage their Crusading context through text and melody, through metaphors of travel, distance, and geography. I argue that these songs reflect Crusade perspectives, articulate regional beliefs and local identities, and demonstrate the rhetorical and expressive possibilities of music and poetry in combination. Today, in keeping with the concepts of mouvance and re-invention, as articulated by Paul Zumthor and Amelia Van Vleck among others, we understand troubadour song as a site of re-creation rather than fixity. Troubadour songs circulated abundantly in oral transmission, long before they were committed to writing; each performance of a given song was subject to change and reinvention, with performance acting not as repetition, but as an act of re-composition, improvisation, or variation, aided, but not dictated, by memory. Troubadour songs may exist in multiple variant copies across multiple manuscripts, or they may survive today without any written record of their melodies at all, perhaps once so well known that their notation was not needed. Zumthor thus explained, "the 'work' floats, offering not a fixed shape of firm boundaries but a constantly shifting nimbus . . . Although the production of an individual, it [a song] is characterized by the sense of potential incompleteness is caries within itself." As he looked forward uncertainly into his own travels and his future, Jaufre understood his songs as fluid, as templates for further composition, and as sites of communal, rather than individual, creation. Indeed, among the troubadours, Jaufre can be considered an "extremist" (in the words of Amelia Van Vleck) with regard to transmission and re-composition, as he was particularly explicit about inviting others to change and improve upon his song, placing the singer on par with the composer as a creative agent, and rejecting the idea of single or original author with respect to his work. For Jaufre, the audience too played a role in defining the song; the experience of reception essentially contributed to the process of re-creation. Thus Rupert Pickens wrote, regarding his edition of Jaufre's poems: "It soon became apparent . . . that not only can 'authentic' texts not be discovered, much less 'established' . . . but that, given the condition of the manuscripts and the esthetic principles involving textual integrity affirmed by Jaufre himself . . . the question of 'authenticity' . . . was largely irrelevant.""--

Crusades and Memory

Crusades and Memory PDF Author: Megan Cassidy-Welch
Publisher: Routledge
ISBN: 1317504410
Category : History
Languages : en
Pages : 173

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Book Description
Crusading was a religious movement involving papal authorization, the incentive of remission of sins, pious motivation on behalf of the individual, and the justification of holy war. Much recent historiography in this area has focused on resolving the questions of what a crusade was, and why people went on them. But crusading became a cultural and social phenomenon that changed across time and geographical space. In turn, crusading was shaped by the ways specific crusades and their participants were remembered in specific historical contexts. Moreover, crusade memory had profound effects on the cultivation of family lineage, kinship ties, national and regional identity, and religious orthodoxy. Integrating memory into crusades scholarship thus offers new ways of exploring the aftermath of war, the construction of cultural and social memory, the role of women and families in this process, and the crusading movement itself. This book explores memory as a methodological means of understanding the crusades. It engages with theories of communicative memory, social and cultural memory, war commemoration, and historical processes of remembering. Contributions explore the variety of cultural forms used in cultivating crusade memory. Material, visual, liturgical and textual objects are all reflective of crusade culture and the process of crafting its memory, and the analysis of such sources is of particular interest. This publication furthers new trends in crusade scholarship which understand the crusades as a broad religious movement that called upon and developed within a wider cultural framework than previously acknowledged. This book was originally published as a special issue of the Journal of Medieval History.

The White Ribbon Hymnal, Or, Echoes of the Crusade

The White Ribbon Hymnal, Or, Echoes of the Crusade PDF Author: Anna Adams Gordon
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 184

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Crusade Hymns

Crusade Hymns PDF Author: Keith Cole
Publisher:
ISBN: 9780908447183
Category : Hymns, English
Languages : en
Pages : 96

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101 More Hymn Stories

101 More Hymn Stories PDF Author: Kenneth W. Osbeck
Publisher: Kregel Publications
ISBN: 9780825434204
Category : Biography & Autobiography
Languages : en
Pages : 332

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Book Description
(Foreword by Cliff Barrows) More inspiring stories behind the hymns of past and contemporary favorites.

Crusader Hymns and Hymn Stories

Crusader Hymns and Hymn Stories PDF Author: William Franklin Graham
Publisher:
ISBN:
Category : Hymns
Languages : en
Pages : 448

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Remembering the Crusades in Medieval Texts and Songs

Remembering the Crusades in Medieval Texts and Songs PDF Author: Thomas W. Smith
Publisher: University of Wales Press
ISBN: 1786835053
Category : History
Languages : en
Pages : 134

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Book Description
Exploring Latin texts, as well as Old French, Castilian and Occitan songs and lyrics, Remembering the Crusades in Medieval Texts and Songs takes inspiration from the new ways scholars are looking to trace the dissemination and influence of the memories and narratives surrounding the crusading past in medieval Europe. It contributes to these new directions in crusade studies by offering a more nuanced understanding of the diverse ways in which medieval authors presented events, people and places central to the crusading movement. This volume investigates how the transmission of stories related to suffering, heroism, the miraculous and ideals of masculinity helped to shape ideas of crusading presented in narratives produced in both the Latin East and the West, as well as the importance of Jerusalem in the lyric cultures of southern France, and how the narrative arc of the First Crusade developed from the earliest written and oral responses to the venture.

Crusade Hymns

Crusade Hymns PDF Author:
Publisher:
ISBN:
Category : Hymns, Chinese
Languages : en
Pages : 0

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Book Description