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Author: François Pouillion
Publisher: BRILL
ISBN: 900428253X
Category : History
Languages : en
Pages : 303
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Book Description
The debate on Orientalism began some fifty years ago in the wake of decolonization. While initially considered a turning point, Edward Said’s Orientalism (1978) was in fact part of a larger academic endeavor – the political critique of “colonial science” – that had already significantly impacted the humanities and social sciences. In a recent attempt to broaden the debate, the papers collected in this volume, offered at various seminars and an international symposium held in Paris in 2010-2011, critically examine whether Orientalism, as knowledge and as creative expression, was in fact fundamentally subservient to Western domination. By raising new issues, the papers shift the focus from the center to the peripheries, thus analyzing the impact on local societies of a major intellectual and institutional movement that necessarily changed not only their world, but the ways in which they represented their world. World history, which assumes a plurality of perspectives, leads us to observe that the Saidian critique applies to powers other than Western European ones — three case studies are considered here: the Ottoman, Russian (and Soviet), and Chinese empires. Other essays in this volume proceed to analyze how post-independence states have made use of the tremendous accumulation of knowledge and representations inherited from previous colonial regimes for the sake of national identity, as well as how scholars change and adapt what was once a hegemonic discourse for their own purposes. What emerges is a new landscape in which to situate research on non-Western cultures and societies, and a road-map leading readers beyond the restrictive dichotomy of a confrontation between West and East. With contributions by: Elisabeth Allès; Léon Buskens; Stéphane A. Dudoignon; Baudouin Dupret; Edhem Eldem; Olivier Herrenschmidt; Nicholas S. Hopkins; Robert Irwin; Mouldi Lahmar; Sylvette Larzul; Jean-Gabriel Leturcq; Jessica Marglin; Claire Nicholas; Emmanuelle Perrin; Alain de Pommereau; François Pouillon; Zakaria Rhani; Emmanuel Szurek; Jean-Claude Vatin; Mercedes Volait
Author: François Pouillion
Publisher: BRILL
ISBN: 900428253X
Category : History
Languages : en
Pages : 303
Get Book
Book Description
The debate on Orientalism began some fifty years ago in the wake of decolonization. While initially considered a turning point, Edward Said’s Orientalism (1978) was in fact part of a larger academic endeavor – the political critique of “colonial science” – that had already significantly impacted the humanities and social sciences. In a recent attempt to broaden the debate, the papers collected in this volume, offered at various seminars and an international symposium held in Paris in 2010-2011, critically examine whether Orientalism, as knowledge and as creative expression, was in fact fundamentally subservient to Western domination. By raising new issues, the papers shift the focus from the center to the peripheries, thus analyzing the impact on local societies of a major intellectual and institutional movement that necessarily changed not only their world, but the ways in which they represented their world. World history, which assumes a plurality of perspectives, leads us to observe that the Saidian critique applies to powers other than Western European ones — three case studies are considered here: the Ottoman, Russian (and Soviet), and Chinese empires. Other essays in this volume proceed to analyze how post-independence states have made use of the tremendous accumulation of knowledge and representations inherited from previous colonial regimes for the sake of national identity, as well as how scholars change and adapt what was once a hegemonic discourse for their own purposes. What emerges is a new landscape in which to situate research on non-Western cultures and societies, and a road-map leading readers beyond the restrictive dichotomy of a confrontation between West and East. With contributions by: Elisabeth Allès; Léon Buskens; Stéphane A. Dudoignon; Baudouin Dupret; Edhem Eldem; Olivier Herrenschmidt; Nicholas S. Hopkins; Robert Irwin; Mouldi Lahmar; Sylvette Larzul; Jean-Gabriel Leturcq; Jessica Marglin; Claire Nicholas; Emmanuelle Perrin; Alain de Pommereau; François Pouillon; Zakaria Rhani; Emmanuel Szurek; Jean-Claude Vatin; Mercedes Volait
Author: Lee Broughton
Publisher: Rowman & Littlefield
ISBN: 1442272430
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
For decades, the Western film has been considered a dying breed of cinema, yet filmmakers from Quentin Tarantino to Ethan and Joel Coen find new ways to reinvigorate the genre. As Westerns continue to be produced for contemporary audiences, scholars have taken a renewed interest in the relevance of this enduring genre. In Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained, Lee Broughton has compiled a wide-ranging collection of essays that look at various forms of the genre, on both the large and small screen. Contributors to this volume consider themes and subgenres, celebrities and authors, recent idiosyncratic engagements with the genre, and the international Western. These essays also explore issues of race and gender in the various films discussed as well as within the film genre as a whole. Among the films and television programs discussed in this volume are The Assassination of Jesse James by the Coward, Robert Ford; Django Kill; Justified; Meek’s Cutoff; Tears of the Black Tiger; Appaloosa; The Frozen Limits; and Red Harvest.Featuring a diverse selection of chapters that represent current thinking on the Western. Critical Perspectives on the Western will appeal to fans of the genre, film students, and scholars alike.
Author: Steve Pavlik
Publisher: University of Arizona Press
ISBN: 0816535477
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
"A timely and much-needed analysis and critique of Hollywood's representation of Native Americans in mainstream films"--Provided by publisher.
Author: Richard Norton
Publisher: Penn State University Press
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.
Author: Matt Wanat
Publisher: University of New Mexico Press
ISBN: 0826359531
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
The indefatigable Clint Eastwood, the great old man of American film, is still controversial after all these years. Many of the critical essays in this collection focus on Eastwood’s 2014 American Sniper, a particularly controversial film and a devastating personal account of the horrors of war. Additional essays within the collection address his films that deserve more recognition than they have received to date. The chapters vary by topic and identify themes ranging from aging, race, and gender to uses of Western conventions and myth to the subtleties of quieter themes and stylistic choices in Eastwood’s body of cinematic work. As a collection, these essays show that none of these themes account for Eastwood’s entire vision, which is multifaceted and often contradictory, dramatizing complex issues in powerful, character-driven narratives.
Author: John C. McEnroe
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
"Critical Perspectives on Art History" introduces the complexity of issues and critical debates that characterize art history today: Presents themes including postmodernism, feminist theory, gender and racial stereotypes, "political correctness," multiculturalism, and censorship Provides a wide range of authors/critics, literary scholars, art historians, and journalists Contrasts different points of view and perspectives Encourages critical analysis and debate Reflects the dynamic force of art in our lives
Author: Jonathan Johansen
Publisher: The Rosen Publishing Group, Inc
ISBN: 9781404205383
Category : History
Languages : en
Pages : 324
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Book Description
Primary and secondary source documents discuss the Islamic view of Western culture, the Western perspective on Islam, the confrontation of the two cultures, jihad, and Islam in Europe.
Author: Washima Che Dan
Publisher: Cambridge Scholars Publishing
ISBN: 1443842931
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
The fifteen chapters in this volume explore both new and tested theoretical perspectives on literature and culture at large; this multiplicity of discourses is a reflection of the implicit discontent in conforming to the New World Order, and a contestation against hierarchical relationships between countries, which inform the social, cultural and political climates of weaker nations. With the political and economic hegemony of stronger nations, weaker nations run the risk of being dominated, or at the very least, having their own national identity and sovereignty steeped in ambivalence in the face of a globalised culture. This volume hopes to bring together critical views in relation to the construction of cultural studies in the Western framework, the application of literary theory in the readings of vernacular literature, contestation of the mainstream scientistic methodology of cultural evaluation, the role of English literature in Asian cultures, the application of postcolonial theory in literature, literary ethics in relation to Islamic literature, as well as the Islamic and Western conceptions of democracy. More than half of the articles in this collection centre on Islam as a guiding principle, or as a context through which critical perspectives are made on literature and culture in today’s globalised world order. This inadvertent foregrounding of Islam reflects a continuing dialogue on and with Islam and its significant impact on existing academic discourses founded upon Western-style scholarship.
Author: Daryl Adair
Publisher: Springer
ISBN: 1137289635
Category : Sports & Recreation
Languages : en
Pages : 384
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Book Description
This book provides a critical approach to sport-for-development, acknowledging the potential of this growing field but emphasising challenges, problems and limitations – particularly if programs are not adequately planned, delivered or monitored.
Author: Alfred Frankowski
Publisher: Rowman & Littlefield
ISBN: 1538150018
Category : Philosophy
Languages : en
Pages : 139
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Book Description
Genocide has become a part of the contemporary global expression of political violence. After all, every continent has had its genocide, but genocide in Africa and the African diaspora is distinctly different from those in Europe or the West. This text approaches genocide from within the context of Africa and the African diaspora to examine political and philosophical after-effects of global colonialism. As genocidal state violence has become prominent through colonialism, its appearance in Europe and the West have developed sharply against how it appears in colonized spaces within the African diaspora. This text argues that such a difference in orientation is needed to develop new concepts, critical approaches, and perspectives on the intersections between colonialism, political violence, and anti-black politics as a way of critically understanding global genocide and the presence of continual genocidal violence.
