Critical Engagements 3.1 A Journal of Criticism and Theory PDF Download
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Author: Philip Tew
Publisher: Lulu.com
ISBN: 1445754851
Category :
Languages : en
Pages : 283
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Book Description
Author: Philip Tew
Publisher: Lulu.com
ISBN: 1445754851
Category :
Languages : en
Pages : 283
Get Book Here
Book Description
Author: Philip Tew
Publisher: Lulu.com
ISBN: 0953801721
Category :
Languages : en
Pages : 250
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Book Description
Author: Le Cheng
Publisher: Springer Nature
ISBN: 9811652252
Category : Social Science
Languages : en
Pages : 352
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Book Description
This book addresses questions about theories of heritage, its methodologies of research, and where its boundaries lie with tourism, urban development, post-disaster recovery, collective identities, memory, or conflict. This book is a collection of heritage studies from a critical perspective as a product of the 2018 ACHS (Association of Critical Heritage Studies) Conference in Hangzhou, the largest conference of its kind in Asia. The contributors cover a wide spectrum of issues in heritage studies, such as heritage management, accessibility to heritage, heritage conservation and heritage policy, and heritage representation. It also examines the various contexts within which heritage emerges and how heritage is constructed within that context. Analyses are based on not only representations of heritage but also on the performativity. Explorations touch upon community involvement, landscape history, children’s literature, endangered food, architecture, advertisement, allotment garden, and gender and visual art. As heritage has always been a locus of contested verities, the book offers a variegated approach to heritage studies. It provides students and scholars new perspectives on heritage study.
Author: Efraim Sicher
Publisher: U of Nebraska Press
ISBN: 0803245300
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
In the Western literary tradition, the "jew" has long been a figure of ethnic exclusion and social isolation--the wanderer, the scapegoat, the alien. But it is no longer clear where a perennial outsider belongs. This provocative study of contemporary British writing points to the figure of the "jew" as the litmus test of multicultural society. Efraim Sicher and Linda Weinhouse examine the "jew" as a cultural construction distinct from the "Jewishness" of literary characters in novels by, among others, Salman Rushdie, Anita Desai, Doris Lessing, Monica Ali, Caryl Philips, and Zadie Smith, as well as contemporary art and film. Here the image of the "jew" emerges in all its ambivalence, from postcolonial migrant and modern everyman to more traditional representations of the conspirator and malefactor. The multicultural discourses of ethnic and racial hybridity reflect dissolution of national and personal identities, yet the search for transnational, cultural forms conceals both the acceptance of marginal South Asian, Caribbean, and Jewish voices as well as the danger of resurgent antisemitic tropes. Innovative in its contextualization of the "jew" in the multiculturalism debate in contemporary Britain, Under Postcolonial Eyes: Figuring the "jew" in Contemporary British Writing analyzes the narrative of identities in a globalized culture and offers new interpretations of postmodern classics.
Author: M. Ryle
Publisher: Springer
ISBN: 1137349557
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
A collection of essays on the 1960s experimental writer B.S. Johnson, this book draws together new research on all aspects of his work, and, in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.
Author: Ben Walmsley
Publisher: Springer Nature
ISBN: 3030266532
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
This book explores the concept of audience engagement from a number of complementary perspectives, including cultural value, arts marketing, co-creation and digital engagement. It offers a critical review of the existing literature on audience research and engagement, and provides an overview of established and emerging methodologies deployed to undertake research with audiences. The book focusses on the performing arts, but draws from a rich diversity of academic fields to make the case for a radically interdisciplinary approach to audience research. The book’s underlying thesis is that at the heart of audience research there is a mutual exchange of value wherein audiences ideally play the role of strategic partners in the mission fulfilment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research.
Author: Jeannette Baxter
Publisher: Bloomsbury Publishing
ISBN: 144112473X
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Andrea Levy has emerged as one of the most significant and popular voices in contemporary black British writing both in the UK and abroad. Drawing on a familial history of emigration, her critically-acclaimed novels - including the multiple award-winning Small Island - attempt to bring a variety of voices to the representation of black experience in post-war Britain. This book is the first of its kind to be devoted to Levy's work. Combining historical, theoretical and textual perspectives, the volume hosts a wide range of current critical approaches to Levy's fiction. With chapters written by leading established and emerging scholars, the book explores issues of literary form, diasporic literature and cultural value, the BBC TV adaptation of Small Island, while also shedding fresh light on Levy's critically neglected early works. The book also includes a new interview with Levy herself, a timeline of her life, chapter summaries, as well as guides to further reading and online resources, making this an essential companion to the writings of one of the most exciting voices in contemporary fiction.
Author: Robert Burden
Publisher: BRILL
ISBN: 9004487018
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
In this study of D.H.Lawrence and critical theory, Robert Burden pays particular attention to the critical formations that underpin the reception history of the main novels, including the much maligned “leadership” novels, because strong readings have always contested the meaning and significance of Lawrence, and because there has been a persistent reluctance to approach his writing through post-structuralist theory. This study demonstrates in some detail that once Lawrence’s texts are the objects of the newer critical paradigms, their principles of coherence are understood differently; and that older notions of textual unity are displaced by aesthetic structures of degrees of generic and linguistic destabilization. This enables a radicalizing of Lawrence’s fiction by drawing out its deconstructive effects on his myth-making and essentialist notions of the self. The sexual identities represented in the fiction are read as experiments, or “thought adventures”, as Lawrence himself characterized his work. The different approaches to Lawrence’s writing in this study lead to a radical reassessment of his relationship to Modernism, especially in the light of the more elastic concept of Modernism in recent discussion, and one which traditional Lawrence scholars have ignored. What emerges is a more self-deconstructive Lawrence, with some surprising results.
Author: Rita Felski
Publisher: University of Chicago Press
ISBN: 022629403X
Category : Education
Languages : en
Pages : 237
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Book Description
Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding some important truth, that the critic's task is to unearth what is unsaid, naturalized, or repressed? These are the features of critique, a mode of thought that thoroughly dominates academic criticism. In this book, Rita Felski brilliantly exposes critique's more troubling qualities and proposes alternatives to it. Critique, she argues, is not just a method but also a sensibility--one best captured by Paul Ricoeur's phrase "the hermeneutics of suspicion." As the characteristic affect of critique, suspicion, Felski shows, helps us understand critique's seductions and limitations. The questions that Felski poses about critique have implications well beyond intramural debates among literary scholars. Literary studies, says Felski, is facing a legitimation crisis thanks to a sadly depleted language of value that leaves the field struggling to find reasons why students should care about Beowulf or Baudelaire. Why is literature worth bothering with? For Felski, the tendencies to make literary texts the object of suspicious reading or, conversely, impute to them qualities of critique, forecloses too many other possibilities. Felski offers an alternative model that she calls "postcritical reading." Rather than looking behind the text for its hidden causes, conditions, and motives, she suggests that literary scholars place themselves in front of a text, reflecting on what it calls forth and makes possible. Here Felski enlists the work of Bruno Latour to rethink reading as a co-production between actors, rather than an unraveling of manifest meaning, a form of making rather than unmaking. As a scholar with an abiding respect for theory who has long deployed elements of critique in her own work, Felski is able to provide an insider's account of critique's limits and alternatives that will resonate widely in the humanities.
Author: Kevin Haworth
Publisher: Univ. Press of Mississippi
ISBN: 1496821858
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Best known for her Eisner Award–winning graphic novels, Exit Wounds and The Property, Rutu Modan’s richly colored compositions invite readers into complex Israeli society, opening up a world too often defined only by news headlines. Her strong female protagonists stick out in a comics scene still too dominated by men, as she combines a mystery novelist’s plotting with a memoirist’s insights into psychology and trauma. The Comics of Rutu Modan: War, Love, and Secrets conducts a close reading of her work and examines her role in creating a comics arts scene in Israel. Drawing upon archival research, Kevin Haworth traces the history of Israeli comics from its beginning as 1930s cheap children’s stories, through the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues full force today. Based on new interviews with Modan (b. 1966) and other comics artists, Haworth indicates the key role of Actus Tragicus, the collective that changed Israeli comics forever and launched her career. Haworth shows how Modan’s work grew from experimental minicomics to critically acclaimed graphic novels, delving into the creative process behind Exit Wounds and The Property. He analyzes how the recurring themes of family secrets and absence weave through her stories and how she adapts the famous clear line illustration style to her morally complex tales. Though still relatively young, Modan has produced a remarkably varied oeuvre. Identifying influences from the United States and Europe, Haworth illustrates how Modan’s work is global in its appeal, even as it forms a core of the thriving Israeli cultural scene.
