Author: CEREZO MORENO, Marta
Publisher: Editorial UNED
ISBN: 8436277724
Category : Literary Criticism
Languages : en
Pages : 373
Book Description
Critical Approaches to Shakespeare (1623-2000). Shakespeare for All Time addresses the keys to understanding the significance of the critical reception of Shakespeare from the seventeenth to the end of the twentieth century. It aims to show that the richness of these different modes of reading Shakespeare over time and their productive interactions have been fundamental in the constant resignification of Shakespeare as they have gradually conformed and fed our critical perception and interpretation of his works
CRITICAL APPROACHES TO SHAKESPEARE (1623-2000): SHAKESPEARE FOR ALL TIME
Author: CEREZO MORENO, Marta
Publisher: Editorial UNED
ISBN: 8436277724
Category : Literary Criticism
Languages : en
Pages : 373
Book Description
Critical Approaches to Shakespeare (1623-2000). Shakespeare for All Time addresses the keys to understanding the significance of the critical reception of Shakespeare from the seventeenth to the end of the twentieth century. It aims to show that the richness of these different modes of reading Shakespeare over time and their productive interactions have been fundamental in the constant resignification of Shakespeare as they have gradually conformed and fed our critical perception and interpretation of his works
Publisher: Editorial UNED
ISBN: 8436277724
Category : Literary Criticism
Languages : en
Pages : 373
Book Description
Critical Approaches to Shakespeare (1623-2000). Shakespeare for All Time addresses the keys to understanding the significance of the critical reception of Shakespeare from the seventeenth to the end of the twentieth century. It aims to show that the richness of these different modes of reading Shakespeare over time and their productive interactions have been fundamental in the constant resignification of Shakespeare as they have gradually conformed and fed our critical perception and interpretation of his works
Shakespeare and Literary Theory
Author: Jonathan Gil Harris
Publisher: OUP Oxford
ISBN: 0191614416
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Žižek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Hélène Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aimé Césaire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.
Publisher: OUP Oxford
ISBN: 0191614416
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Žižek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Hélène Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aimé Césaire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.
Critical Survey of Shakespeare's Plays
Author: Joseph Rosenblum
Publisher: Salem Press
ISBN: 9781619258648
Category : English drama
Languages : en
Pages : 0
Book Description
Examines all 39 of the most influential plays by Shakespeare, with an in-depth examination of each play's historical significance, literary technique, and contemporary alignment. The plays of William Shakespeare, from tragedies such as Hamlet to comedies such as A Midsummer Night's Dream, have endured since their first productions in the late 16th and early 17th centuries. A vital part of high school and college literature curricula today, these plays continue to educate and entertain, showing students - as well as the general populace - themes of humanity that have persevered throughout the ages, such as romantic love, greed, power, revenge, forgiveness, and many more. Written by leading experts in the field of Shakespearean studies, Critical Survey of Shakespeare's Plays closely examines all 39 of Shakespeare's plays, as well as Shakespeare's life, style, technique, and influences. This title begins with a biography of Shakespeare and an introduction to his plays as a whole, followed by close readings of individual plays. Each essay is devoted to a single work and provides an in-depth critical analysis of the play's historical significance, literary/dramatic techniques, and meaning to a contemporary audience. An abstract, explanation of context, and lists of keywords, works cited, and recommended books for further study also enhance each essay. The second half of the book focuses on various critical readings, analyzing Shakespeare's form, technique, and syntax, as well as main themes, motifs, and related topics. Also included are other resources useful to studying Shakespeare's plays, including a guide to free online sources and more literary criticism, a bibliography, a list of contributors, and a complete index. The essays in this single volume compile the essentials for any person interested in Shakespeare, whether a student approaching his works for the first time or a habitual theatergoer about to witness a new production of one of the plays. This title is a set of essays that record the history of Shakespeare the man, the dramatist, and the poet, and analyze each work attributed to his pen. With so much comprehensive analysis of Shakespeare's life and works, Critical Survey of Shakespeare's Plays is a must-have resource for high school and undergraduate literature departments, as well as public libraries who wish to support their literature collections.
Publisher: Salem Press
ISBN: 9781619258648
Category : English drama
Languages : en
Pages : 0
Book Description
Examines all 39 of the most influential plays by Shakespeare, with an in-depth examination of each play's historical significance, literary technique, and contemporary alignment. The plays of William Shakespeare, from tragedies such as Hamlet to comedies such as A Midsummer Night's Dream, have endured since their first productions in the late 16th and early 17th centuries. A vital part of high school and college literature curricula today, these plays continue to educate and entertain, showing students - as well as the general populace - themes of humanity that have persevered throughout the ages, such as romantic love, greed, power, revenge, forgiveness, and many more. Written by leading experts in the field of Shakespearean studies, Critical Survey of Shakespeare's Plays closely examines all 39 of Shakespeare's plays, as well as Shakespeare's life, style, technique, and influences. This title begins with a biography of Shakespeare and an introduction to his plays as a whole, followed by close readings of individual plays. Each essay is devoted to a single work and provides an in-depth critical analysis of the play's historical significance, literary/dramatic techniques, and meaning to a contemporary audience. An abstract, explanation of context, and lists of keywords, works cited, and recommended books for further study also enhance each essay. The second half of the book focuses on various critical readings, analyzing Shakespeare's form, technique, and syntax, as well as main themes, motifs, and related topics. Also included are other resources useful to studying Shakespeare's plays, including a guide to free online sources and more literary criticism, a bibliography, a list of contributors, and a complete index. The essays in this single volume compile the essentials for any person interested in Shakespeare, whether a student approaching his works for the first time or a habitual theatergoer about to witness a new production of one of the plays. This title is a set of essays that record the history of Shakespeare the man, the dramatist, and the poet, and analyze each work attributed to his pen. With so much comprehensive analysis of Shakespeare's life and works, Critical Survey of Shakespeare's Plays is a must-have resource for high school and undergraduate literature departments, as well as public libraries who wish to support their literature collections.
Macbeth
Author: Nick Moschovakis
Publisher: Routledge
ISBN: 1135870888
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
This volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeare’s most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant ‘minor’ characters and less commonly examined textual passages. Further chapters scrutinize Macbeth’s performance, adaptation and transformation across several media—stage, film, text, and hypertext—in cultural settings ranging from early nineteenth-century England to late twentieth-century China. The editor’s extensive introduction surveys critical, theatrical, and cinematic interpretations from the late seventeenth century to the beginning of the twenty-first, while advancing a synthetic argument to explain the shifting relationship between two conflicting strains in the tragedy’s reception. Written to a level that will be both accessible to advanced undergraduates and, at the same time, useful to post-graduates and specialists in the field, this book will greatly enhance any study of Macbeth. Contributors: Rebecca Lemon, Jonathan Baldo, Rebecca Ann Bach, Julie Barmazel, Abraham Stoll, Lois Feuer, Stephen Deng, Lisa Tomaszewski, Lynne Bruckner, Michael David Fox, James Wells, Laura Engel, Stephen Buhler, Bi-qi Beatrice Lei, Kim Fedderson and J. Michael Richardson, Bruno Lessard, Pamela Mason.
Publisher: Routledge
ISBN: 1135870888
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
This volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeare’s most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant ‘minor’ characters and less commonly examined textual passages. Further chapters scrutinize Macbeth’s performance, adaptation and transformation across several media—stage, film, text, and hypertext—in cultural settings ranging from early nineteenth-century England to late twentieth-century China. The editor’s extensive introduction surveys critical, theatrical, and cinematic interpretations from the late seventeenth century to the beginning of the twenty-first, while advancing a synthetic argument to explain the shifting relationship between two conflicting strains in the tragedy’s reception. Written to a level that will be both accessible to advanced undergraduates and, at the same time, useful to post-graduates and specialists in the field, this book will greatly enhance any study of Macbeth. Contributors: Rebecca Lemon, Jonathan Baldo, Rebecca Ann Bach, Julie Barmazel, Abraham Stoll, Lois Feuer, Stephen Deng, Lisa Tomaszewski, Lynne Bruckner, Michael David Fox, James Wells, Laura Engel, Stephen Buhler, Bi-qi Beatrice Lei, Kim Fedderson and J. Michael Richardson, Bruno Lessard, Pamela Mason.
Shakespeare, Contemporary Critical Approaches
Author: Harry Raphael Garvin
Publisher: Bucknell University Press
ISBN: 9780838723760
Category : Drama
Languages : en
Pages : 210
Book Description
The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study.
Publisher: Bucknell University Press
ISBN: 9780838723760
Category : Drama
Languages : en
Pages : 210
Book Description
The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study.
Richard II
Author: Jeremy Lopez
Publisher: Routledge
ISBN: 1136479767
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
Arguably the first play in a Shakespearean tetralogy, Richard II is a unique and compelling political drama whose themes still resonate today. It is one of the few Shakespeare plays written entirely in verse and its format presents unique theatrical challenges. Politically engaged and controversial, it raises crucial debates about the relationship between early modern art, audience response and state power. This collection provides a comprehensive and up-to-date survey of the critical and theatrical history of the play. The substantial introduction surveys the history of critical interpretations of Richard II since the eighteenth century. The eleven newly written critical essays by leading and emerging scholars in the field then adopt an eclectic range of critical approaches that encourage scholars and students to pursue new and imaginative directions with the text.
Publisher: Routledge
ISBN: 1136479767
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
Arguably the first play in a Shakespearean tetralogy, Richard II is a unique and compelling political drama whose themes still resonate today. It is one of the few Shakespeare plays written entirely in verse and its format presents unique theatrical challenges. Politically engaged and controversial, it raises crucial debates about the relationship between early modern art, audience response and state power. This collection provides a comprehensive and up-to-date survey of the critical and theatrical history of the play. The substantial introduction surveys the history of critical interpretations of Richard II since the eighteenth century. The eleven newly written critical essays by leading and emerging scholars in the field then adopt an eclectic range of critical approaches that encourage scholars and students to pursue new and imaginative directions with the text.
Tyrant: Shakespeare on Politics
Author: Stephen Greenblatt
Publisher: W. W. Norton & Company
ISBN: 0393635767
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
"Brilliant, beautifully organized, exceedingly readable." —Philip Roth World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright’s insight into bad (and often mad) rulers. Examining the psyche—and psychoses—of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.
Publisher: W. W. Norton & Company
ISBN: 0393635767
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
"Brilliant, beautifully organized, exceedingly readable." —Philip Roth World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright’s insight into bad (and often mad) rulers. Examining the psyche—and psychoses—of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.
Appropriating Shakespeare
Author: Brian Vickers
Publisher: Yale University Press
ISBN: 9780300061055
Category : Literary Criticism
Languages : en
Pages : 532
Book Description
During the last two decades, new critical schools of Shakespeare scholarship have emerged, each with its own ideology, each convinced that all other approaches are deficient. This controversial book argues that in attempting to appropriate Shakespeare for their own purposes, these schools omit and misrepresent Shakespeare's text--and thus distort it. Brian Vickers describes the iconoclastic attitudes emerging in French criticism of the 1960s that continue to influence literary theory: that language cannot reliably represent reality; that literature cannot represent life; that since no definitive reading is possible, all interpretation is misinterpretation. Vickers shows that these positions have been refuted, and he brings together work in philosophy, linguistics, and literary theory to rehabilitate language and literature. He then surveys the main conflicting schools in Shakespearean and other current literary criticism--deconstructionism, feminism, new historicism, cultural materialism, and psychoanalytic, Marxist, and Christian interpretations--describing the theoretical basis of each school, both in its own words and in those of its critics. Evaluating the resulting interpretations of Shakespeare, he shows that each is biased and fragmentary in its own way. The epilogue considers two related issues: the attempt of current literary theory to present itself as a coherent system while at the same time wishing to evade accountability; and the way in which different schools "demonize" their rivals, thus adding an intolerant tone to much recent criticism.
Publisher: Yale University Press
ISBN: 9780300061055
Category : Literary Criticism
Languages : en
Pages : 532
Book Description
During the last two decades, new critical schools of Shakespeare scholarship have emerged, each with its own ideology, each convinced that all other approaches are deficient. This controversial book argues that in attempting to appropriate Shakespeare for their own purposes, these schools omit and misrepresent Shakespeare's text--and thus distort it. Brian Vickers describes the iconoclastic attitudes emerging in French criticism of the 1960s that continue to influence literary theory: that language cannot reliably represent reality; that literature cannot represent life; that since no definitive reading is possible, all interpretation is misinterpretation. Vickers shows that these positions have been refuted, and he brings together work in philosophy, linguistics, and literary theory to rehabilitate language and literature. He then surveys the main conflicting schools in Shakespearean and other current literary criticism--deconstructionism, feminism, new historicism, cultural materialism, and psychoanalytic, Marxist, and Christian interpretations--describing the theoretical basis of each school, both in its own words and in those of its critics. Evaluating the resulting interpretations of Shakespeare, he shows that each is biased and fragmentary in its own way. The epilogue considers two related issues: the attempt of current literary theory to present itself as a coherent system while at the same time wishing to evade accountability; and the way in which different schools "demonize" their rivals, thus adding an intolerant tone to much recent criticism.
Shakespeare's Sonnets
Author: William Shakespeare
Publisher: Heinemann
ISBN: 9780435150792
Category : Drama
Languages : en
Pages : 196
Book Description
Features the sonnets of Shakespeare, this is one of a series for A-Level students which contains both complete poems and extracts from longer works. There is a biographical and critical introduction, a commentary, and notes on the poems.
Publisher: Heinemann
ISBN: 9780435150792
Category : Drama
Languages : en
Pages : 196
Book Description
Features the sonnets of Shakespeare, this is one of a series for A-Level students which contains both complete poems and extracts from longer works. There is a biographical and critical introduction, a commentary, and notes on the poems.
Shakespeare's Tragedies and Modern Critical Theory
Author: James Cunningham
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637111
Category : Drama
Languages : en
Pages : 252
Book Description
Individual chapters deal with cultural materialism, new historicism, poststructuralism, and feminist criticism. The theoretical basis of each critical mode is examined and some representative critiques analyzed. Most importantly, in each chapter the various interpretations are tested against Shakespeare's texts, and the strengths and weaknesses of the different readings are assessed.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637111
Category : Drama
Languages : en
Pages : 252
Book Description
Individual chapters deal with cultural materialism, new historicism, poststructuralism, and feminist criticism. The theoretical basis of each critical mode is examined and some representative critiques analyzed. Most importantly, in each chapter the various interpretations are tested against Shakespeare's texts, and the strengths and weaknesses of the different readings are assessed.