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Author: J. Knowles
Publisher: Routledge
ISBN: 1134384181
Category : Performing Arts
Languages : en
Pages : 506
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Book Description
This is Volume 18 of eighteen in a book series on Musicology. Originally published in 1996, this is a collection of essays in honor or Paul Brainard. Critica Musica-thinking critically about music-is at the heart of Paul Brainard's long career, and of his legacy to his students, colleagues, and friends. As a scholar, performer, and teacher, Professor Brainard has embodied a thorough, meticulous, and reasoned approach to music and scholarship that has set a high standard for all who have come in contact with him.
Author: J. Knowles
Publisher: Routledge
ISBN: 1134384181
Category : Performing Arts
Languages : en
Pages : 506
Get Book Here
Book Description
This is Volume 18 of eighteen in a book series on Musicology. Originally published in 1996, this is a collection of essays in honor or Paul Brainard. Critica Musica-thinking critically about music-is at the heart of Paul Brainard's long career, and of his legacy to his students, colleagues, and friends. As a scholar, performer, and teacher, Professor Brainard has embodied a thorough, meticulous, and reasoned approach to music and scholarship that has set a high standard for all who have come in contact with him.
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 626
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Book Description
Author: George J. Buelow
Publisher: Cambridge University Press
ISBN: 9780521033312
Category : Music
Languages : en
Pages : 524
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Book Description
This collection of essays brings together the current research on Johann Mattheson (1681-1764), an influential musician and chronicler of musical thought in eighteenth-century Germany. The essays explore the cultural climate of Hamburg during Mattheson's lifetime; Mattheson as a composer; Mattheson's relationship to his contemporaries; and Mattheson's influence on developing musical theories and aesthetics.
Author: Stephen Rose
Publisher: Cambridge University Press
ISBN: 1108421075
Category : Music
Languages : en
Pages : 261
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Book Description
Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 308
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Book Description
Includes music.
Author: Alfred Mann
Publisher: Pendragon Press
ISBN: 9780918728937
Category : Music
Languages : en
Pages : 280
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Book Description
For 37 years, Ruth Watanabe served as head of the Sibley Library of the Eastman School of Music, University of Rochester, one of the most outstanding collections of music, books on music, and music recordings of any academic institution in the western world. This volume, published in association with Bärenreiter Verlag, comprises essays devoted to the history, organization, administration, and innovations of the modern music library.
Author: Christoph Wolff
Publisher: W. W. Norton & Company
ISBN: 9780393041064
Category : Music
Languages : en
Pages : 252
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Book Description
The cantatas of Johann Sebastian Bach are among the best known and most frequently performed musical works of the Baroque period. In an illuminating discussion of the musical, literary, aesthetic, and theological aspects of the composers early cantatas, leading Bach scholars place the works in their historical and biographical context. 85 photos.
Author: Giacomo Fronzi
Publisher: Cambridge Scholars Publishing
ISBN: 1443867497
Category : Music
Languages : en
Pages : 260
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Book Description
The musical universe of the 20th and 21st centuries is a force-field in which styles, instruments, personalities and stories can be found that are ascribable to conceptual frameworks that may differ greatly one from another. Such complexity cannot be traced back to single theories or all-encompassing interpretations, but may be tackled, philosophically, starting from certain characteristics. This book identifies nine such characteristics: namely, Extremes, Noise, Silence, Technology, Audience, Listening, Freedom, Disintegration, and New Media. Each of these permits us to open up unforeseen philosophical-cultural paths and interpret, in its multifarious variety, the developments of contemporary music, profoundly interwoven with the history of thought, culture and society.
Author: Tobias Taddeo Hermans
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110580357
Category : Music
Languages : en
Pages : 354
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Book Description
The music reviews of Robert Schumann and Richard Wagner are central documents of 19th-century German musical culture. This book takes a closer look at the way these texts were written and explores the significant contributions Schumann and Wagner made to the discourse of musical appraisal. To that effect, the author raises fundamental questions that have thus far remained unaddressed: What textual features characterize the critical writings? How do Schumann and Wagner understand their roles as critics of music? And in what way do they reach out to the reader? Rather than understanding these critical writings exclusively as a gateway to the compositions and musical aesthetics of Schumann and Wagner, this book analyzes the texts through the lens of pragmatics, narratology and discourse analysis. Using this interdisciplinary perspective, the author proposes to understand Schumann and Wagner within the broader medial and discursive context of German ‘Kritik’. He challenges the dominant narrative that brands Schumann and Wagner as elitist Romantic critics, demonstrating instead that they actively encourage their readers to form their own judgements. This volume is an indispensable resource for scholars of German literature, periodicals and music alike.
Author: Bettina Varwig
Publisher: University of Chicago Press
ISBN: 0226826880
Category : History
Languages : en
Pages : 380
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Book Description
"Music in the Flesh reimagines the lived experiences of music-making subjects (composers, musicians, listeners) in the long European seventeenth century. There are countless historical testimonies of the powerful effects of music upon early-modern bodies, described as moving, ravishing, painful, dangerous, curative, miraculous, and encompassing "the circulation of the humors, purification of the blood, dilation of the vessels and pores. In asking what this all meant at the time, the author considers musical scores and their surrounding texts as "somatic scripts" that afford a range of somatic actions and reactions and can give us a glimpse into the historical embodied experience of organized sound. Starting from the Lutheran hymns and their accompanying intellectual traditions and ritual practices in German-speaking lands, the book moves with ease across repertories and regions, sacred and vernacular musics, domestic and public settings in order to sketch a "physiology of music" that is as historically illuminating as it is relevant for present-day performing practices and that sheds unprecedented light on how subjectivity was embodied through sound in early-modern Europe"--
