Creativity in the Mix: Collaboration and Contingency in Britain's Classical Music Recording Studios PDF Download
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Author:
Publisher:
ISBN: 9781303634833
Category :
Languages : en
Pages : 325
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Book Description
This dissertation explores the collaborative processes through which classical music records are created in the recording studio. These recording sessions depend on the contributions of a wide range of individuals--including musicians, producers, engineers, record label personnel, and studio staff--and each of these individuals has a crucial role in the creation of the recording. I focus particularly on the creative roles of the producer and the engineer, the individuals primarily responsible for translating the performances of the musicians to the recording. These recordists perform their tasks as mediators by deploying both musical and technical expertise, both of which are essential for them to work effectively in the studio. Their musical knowledge allows them to engage in interpretive discussions with musicians and to ensure that the musicians have presented their best efforts in the studio, while their technical expertise enables them to envision how the often fragmentary studio performances can be assembled into a coherent and powerful artistic work on the recording. Taken together, the work of recordists challenges the traditional ontology of the classical music "work" in which a musical composition exists independent of the circumstances of its performance.
Author:
Publisher:
ISBN: 9781303634833
Category :
Languages : en
Pages : 325
Get Book Here
Book Description
This dissertation explores the collaborative processes through which classical music records are created in the recording studio. These recording sessions depend on the contributions of a wide range of individuals--including musicians, producers, engineers, record label personnel, and studio staff--and each of these individuals has a crucial role in the creation of the recording. I focus particularly on the creative roles of the producer and the engineer, the individuals primarily responsible for translating the performances of the musicians to the recording. These recordists perform their tasks as mediators by deploying both musical and technical expertise, both of which are essential for them to work effectively in the studio. Their musical knowledge allows them to engage in interpretive discussions with musicians and to ensure that the musicians have presented their best efforts in the studio, while their technical expertise enables them to envision how the often fragmentary studio performances can be assembled into a coherent and powerful artistic work on the recording. Taken together, the work of recordists challenges the traditional ontology of the classical music "work" in which a musical composition exists independent of the circumstances of its performance.
Author: Paul Thompson
Publisher: Springer
ISBN: 3030016501
Category : Sports & Recreation
Languages : en
Pages : 285
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Book Description
Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Björk, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.
Author: Simon Zagorski-Thomas
Publisher: Routledge
ISBN: 1315467631
Category : Music
Languages : en
Pages : 400
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Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
Author: Peter Tschmuck
Publisher: Springer Science & Business Media
ISBN: 9781402042744
Category : Business & Economics
Languages : en
Pages : 312
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Book Description
This book charts the effects of new communication technologies and the Internet on the creation of music in the early 21st century. It examines how the music industry will be altered by the Internet, music online services and MP3-technology. This is done through an integrated model based on an international history of the industry since the phonograph’s invention in 1877, and thus, the history of the music industry is described in full detail for the first time.
Author: Andrew J. Nelson
Publisher: MIT Press
ISBN: 026202876X
Category : Education
Languages : en
Pages : 250
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Book Description
How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.
Author: Tony Proctor
Publisher: Routledge
ISBN: 1134282834
Category : Business & Economics
Languages : en
Pages : 310
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Book Description
This accessible text provides a lively introduction to the essential skills of creative problem solving. Using extensive case-studies and examples from a range of business situations, it explores various problem-solving theories and techniques, illustrating how these can be used to solve a range of management problems. Thoroughly revised and redesigned, this new edition retains the accessible and imaginative approach to problem-solving skills of the first edition. Contents include: * blocks to creativity and how to overcome them * key techniques including lateral thinking, morphological analysis and synectics * computer-assisted problem solving * increased coverage of group problem-solving techniques and paradigm shift. As creativity is increasingly recognized as a key skill for successful managers, this book will be welcomed as a comprehensive introduction for students and practising managers alike.
Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 1107030269
Category : Music
Languages : en
Pages : 247
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Book Description
The first collection of academic essays focused entirely on the musical, historical, cultural and media impact of the Rolling Stones.
Author: Tapio Lokki
Publisher: MDPI
ISBN: 3038429074
Category : Science
Languages : en
Pages : 621
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Book Description
This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences
Author: Henry Mintzberg
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Synthesizes the empirical literature on organizationalstructuring to answer the question of how organizations structure themselves --how they resolve needed coordination and division of labor. Organizationalstructuring is defined as the sum total of the ways in which an organizationdivides and coordinates its labor into distinct tasks. Further analysis of theresearch literature is neededin order to builda conceptualframework that will fill in the significant gap left by not connecting adescription of structure to its context: how an organization actuallyfunctions. The results of the synthesis are five basic configurations (the SimpleStructure, the Machine Bureaucracy, the Professional Bureaucracy, theDivisionalized Form, and the Adhocracy) that serve as the fundamental elementsof structure in an organization. Five basic parts of the contemporaryorganization (the operating core, the strategic apex, the middle line, thetechnostructure, and the support staff), and five theories of how it functions(i.e., as a system characterized by formal authority, regulated flows, informalcommunication, work constellations, and ad hoc decision processes) aretheorized. Organizations function in complex and varying ways, due to differing flows -including flows of authority, work material, information, and decisionprocesses. These flows depend on the age, size, and environment of theorganization; additionally, technology plays a key role because of itsimportance in structuring the operating core. Finally, design parameters aredescribed - based on the above five basic parts and five theories - that areused as a means of coordination and division of labor in designingorganizational structures, in order to establish stable patterns of behavior.(CJC).
Author: Robert Keith Sawyer
Publisher: Praeger
ISBN:
Category : Medical
Languages : en
Pages : 336
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Book Description
This book is for readers interested in the latest research on creativity in performance. The chapters cover an impressive interdisciplinary scope, and include studies of jazz, African dancing, improvisational theater, situation comedies, children's puppet plays, and Nepalese drumming. Each chapter speaks to broader themes that will be of interest to students and researchers in psychology, anthropology, communication, musicology, and performance studies.
