Author: David Berger
Publisher:
ISBN: 9780692557129
Category :
Languages : en
Pages : 128
Book Description
This book is for anyone who writes, plays or listens to jazz. It explains the writing process and the construction of jazz pieces. I've attempted to answer many of the questions that arrangers and composers ask themselves when they are writing. Players who read this book will better understand the arrangements that they play and will get more from their listening which will make them better at interpreting the music they perform. Listeners will get into the creators' heads and appreciate the jazz experience to a greater degree. What The Experts Are Saying: "I love David Berger's new book, Creative Jazz Composing and Arranging. His vivid description of his own musical development from childhood on imparts many valuable insights. The discussion of the musical content is clear and concise, while a respect and passion for the music and the creative process is evident throughout. The big band scores are brilliant pieces of music that are steeped in the rich tradition of jazz, but also convey the unique musical character that is David Berger. It is a joy to be able to get inside the head of one of my favorite jazz writers and bandleaders. Beside the wealth of information, understanding and encouragement contained in these pages, the anecdotes related to Duke Ellington and the musicians who performed in his orchestra are just one more reason to get this book in your hands." - Bill Dobbins - Professor of Jazz Composition and Arranging, Eastman School of Music "Among the musicians I know who pay attention to the broad concepts and fine details of composing and arranging jazz music, no one pays more attention than Dave Berger. He thinks about everything: formal ideas, textural contrasts, emotional expression, instrumental color and variety, motivic development, expectation and surprise, - more things than I can think of to enumerate. And he produces music that achieves an artistically satisfying balance in its elements - all the while maintaining continuity with the spirit that brought him to jazz in the first place. That alone is a remarkable achievement. That he has had the patience and focus to dissect his creative thought processes meticulously, down to the level of the finest details, and lay those thoughts bare so that others might learn from them is even more remarkable. If someone has thought about it, David has described it. I don't know anywhere anyone interested in this could learn more or learn it any more directly." - Chuck Israels - Bassist, Composer, Arranger, Author "When I first started playing with the National Jazz Ensemble in the late 70's, Dave Berger's work as chief composer and arranger made quite an impression on me. I marveled at what seemed to me a magical, mysterious ability to create and arrange music for big band. In his Creative Jazz Composing and Arranging, Berger demystifies this ability for the reader by clearly demonstrating - in a voice that is personal, humorous, as well as instructive - the techniques needed to become a master arranger. Creative Jazz Composing and Arranging is an important addition to the teaching canon and wonderful tool for any artist, whether they are just learning how the magic of this music is made or refining their existing style." - Ted Nash - Saxophonist/Arranger JALCO, BMI Jazz Composers Workshop "A student today has several choices of arranging books. But a book is like a tool; there is a certain one for a particular task. David Berger's book is designed for the intermediate to advanced student who has decided to become a professional jazz arranger along with the realization that a solid understanding of the tradition is essential. Mr. Berger provides an in-depth analysis of his music and thought process. More importantly, his 50-years of professional experience (and candid recounting of his own journey as a young student) provides invaluable and practical wisdom that is not readily found in written form." - Rich DeRosa - University of North Texas
Creative Jazz Composing and Arranging
Author: David Berger
Publisher:
ISBN: 9780692557129
Category :
Languages : en
Pages : 128
Book Description
This book is for anyone who writes, plays or listens to jazz. It explains the writing process and the construction of jazz pieces. I've attempted to answer many of the questions that arrangers and composers ask themselves when they are writing. Players who read this book will better understand the arrangements that they play and will get more from their listening which will make them better at interpreting the music they perform. Listeners will get into the creators' heads and appreciate the jazz experience to a greater degree. What The Experts Are Saying: "I love David Berger's new book, Creative Jazz Composing and Arranging. His vivid description of his own musical development from childhood on imparts many valuable insights. The discussion of the musical content is clear and concise, while a respect and passion for the music and the creative process is evident throughout. The big band scores are brilliant pieces of music that are steeped in the rich tradition of jazz, but also convey the unique musical character that is David Berger. It is a joy to be able to get inside the head of one of my favorite jazz writers and bandleaders. Beside the wealth of information, understanding and encouragement contained in these pages, the anecdotes related to Duke Ellington and the musicians who performed in his orchestra are just one more reason to get this book in your hands." - Bill Dobbins - Professor of Jazz Composition and Arranging, Eastman School of Music "Among the musicians I know who pay attention to the broad concepts and fine details of composing and arranging jazz music, no one pays more attention than Dave Berger. He thinks about everything: formal ideas, textural contrasts, emotional expression, instrumental color and variety, motivic development, expectation and surprise, - more things than I can think of to enumerate. And he produces music that achieves an artistically satisfying balance in its elements - all the while maintaining continuity with the spirit that brought him to jazz in the first place. That alone is a remarkable achievement. That he has had the patience and focus to dissect his creative thought processes meticulously, down to the level of the finest details, and lay those thoughts bare so that others might learn from them is even more remarkable. If someone has thought about it, David has described it. I don't know anywhere anyone interested in this could learn more or learn it any more directly." - Chuck Israels - Bassist, Composer, Arranger, Author "When I first started playing with the National Jazz Ensemble in the late 70's, Dave Berger's work as chief composer and arranger made quite an impression on me. I marveled at what seemed to me a magical, mysterious ability to create and arrange music for big band. In his Creative Jazz Composing and Arranging, Berger demystifies this ability for the reader by clearly demonstrating - in a voice that is personal, humorous, as well as instructive - the techniques needed to become a master arranger. Creative Jazz Composing and Arranging is an important addition to the teaching canon and wonderful tool for any artist, whether they are just learning how the magic of this music is made or refining their existing style." - Ted Nash - Saxophonist/Arranger JALCO, BMI Jazz Composers Workshop "A student today has several choices of arranging books. But a book is like a tool; there is a certain one for a particular task. David Berger's book is designed for the intermediate to advanced student who has decided to become a professional jazz arranger along with the realization that a solid understanding of the tradition is essential. Mr. Berger provides an in-depth analysis of his music and thought process. More importantly, his 50-years of professional experience (and candid recounting of his own journey as a young student) provides invaluable and practical wisdom that is not readily found in written form." - Rich DeRosa - University of North Texas
Publisher:
ISBN: 9780692557129
Category :
Languages : en
Pages : 128
Book Description
This book is for anyone who writes, plays or listens to jazz. It explains the writing process and the construction of jazz pieces. I've attempted to answer many of the questions that arrangers and composers ask themselves when they are writing. Players who read this book will better understand the arrangements that they play and will get more from their listening which will make them better at interpreting the music they perform. Listeners will get into the creators' heads and appreciate the jazz experience to a greater degree. What The Experts Are Saying: "I love David Berger's new book, Creative Jazz Composing and Arranging. His vivid description of his own musical development from childhood on imparts many valuable insights. The discussion of the musical content is clear and concise, while a respect and passion for the music and the creative process is evident throughout. The big band scores are brilliant pieces of music that are steeped in the rich tradition of jazz, but also convey the unique musical character that is David Berger. It is a joy to be able to get inside the head of one of my favorite jazz writers and bandleaders. Beside the wealth of information, understanding and encouragement contained in these pages, the anecdotes related to Duke Ellington and the musicians who performed in his orchestra are just one more reason to get this book in your hands." - Bill Dobbins - Professor of Jazz Composition and Arranging, Eastman School of Music "Among the musicians I know who pay attention to the broad concepts and fine details of composing and arranging jazz music, no one pays more attention than Dave Berger. He thinks about everything: formal ideas, textural contrasts, emotional expression, instrumental color and variety, motivic development, expectation and surprise, - more things than I can think of to enumerate. And he produces music that achieves an artistically satisfying balance in its elements - all the while maintaining continuity with the spirit that brought him to jazz in the first place. That alone is a remarkable achievement. That he has had the patience and focus to dissect his creative thought processes meticulously, down to the level of the finest details, and lay those thoughts bare so that others might learn from them is even more remarkable. If someone has thought about it, David has described it. I don't know anywhere anyone interested in this could learn more or learn it any more directly." - Chuck Israels - Bassist, Composer, Arranger, Author "When I first started playing with the National Jazz Ensemble in the late 70's, Dave Berger's work as chief composer and arranger made quite an impression on me. I marveled at what seemed to me a magical, mysterious ability to create and arrange music for big band. In his Creative Jazz Composing and Arranging, Berger demystifies this ability for the reader by clearly demonstrating - in a voice that is personal, humorous, as well as instructive - the techniques needed to become a master arranger. Creative Jazz Composing and Arranging is an important addition to the teaching canon and wonderful tool for any artist, whether they are just learning how the magic of this music is made or refining their existing style." - Ted Nash - Saxophonist/Arranger JALCO, BMI Jazz Composers Workshop "A student today has several choices of arranging books. But a book is like a tool; there is a certain one for a particular task. David Berger's book is designed for the intermediate to advanced student who has decided to become a professional jazz arranger along with the realization that a solid understanding of the tradition is essential. Mr. Berger provides an in-depth analysis of his music and thought process. More importantly, his 50-years of professional experience (and candid recounting of his own journey as a young student) provides invaluable and practical wisdom that is not readily found in written form." - Rich DeRosa - University of North Texas
Jazz Composition and Arranging in the Digital Age
Author: Richard Sussman
Publisher: OUP USA
ISBN: 0195381009
Category : Music
Languages : en
Pages : 532
Book Description
This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.
Publisher: OUP USA
ISBN: 0195381009
Category : Music
Languages : en
Pages : 532
Book Description
This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.
Instrumental Jazz Arranging
Author: Mike Tomaro
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423452744
Category : Music
Languages : en
Pages : 532
Book Description
(Instructional). Instrumental Jazz Arranging consists of a systematic presentation of the essential techniques and materials of jazz arranging. Authors Mike Tomaro and John Wilson draw upon 50+ years of combined teaching experience to bring you a book that addresses all of the basic needs for beginning arrangers. Topics include counterpoint/linear writing, jazz harmony, compositional techniques, and orchestration. All topics serve to address issues concerned with true arranging in great detail. The book may be used in both individual and classroom instructional situations. The accompanying CDs 170 tracks in all! include many of the examples in the book, plus templates for assignments formatted for Finale .
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423452744
Category : Music
Languages : en
Pages : 532
Book Description
(Instructional). Instrumental Jazz Arranging consists of a systematic presentation of the essential techniques and materials of jazz arranging. Authors Mike Tomaro and John Wilson draw upon 50+ years of combined teaching experience to bring you a book that addresses all of the basic needs for beginning arrangers. Topics include counterpoint/linear writing, jazz harmony, compositional techniques, and orchestration. All topics serve to address issues concerned with true arranging in great detail. The book may be used in both individual and classroom instructional situations. The accompanying CDs 170 tracks in all! include many of the examples in the book, plus templates for assignments formatted for Finale .
Composing and Arranging for the Contemporary Big Band
Author: Bill Dobbins
Publisher: Alfred Music
ISBN: 9783954810192
Category : Arrangement (Music)
Languages : en
Pages : 294
Book Description
Dobbins uses a selection of his own works and arrangements of works by Peter Erskine to discuss principles of writing for big band. Complete scores are presented with running commentary. The CD contains recordings of the music in the book. With an introduction and appendix.
Publisher: Alfred Music
ISBN: 9783954810192
Category : Arrangement (Music)
Languages : en
Pages : 294
Book Description
Dobbins uses a selection of his own works and arrangements of works by Peter Erskine to discuss principles of writing for big band. Complete scores are presented with running commentary. The CD contains recordings of the music in the book. With an introduction and appendix.
High School Jazz
Author: David Berger
Publisher: Createspace Independent Publishing Platform
ISBN: 9781720607557
Category : Band music
Languages : en
Pages : 126
Book Description
"High School Jazz is the culmination of 40 years of teaching jazz. It is designed to give you clear instructions as well as the reasoning behind why I make these suggestions. I currently travel to high schools around the country doing clinics with jazz bands. The band directors are among the best high school jazz band directors in the country, and yet I am able to transform their bands in 15 minutes. In this book I am going to tell you exactly my procedure and how to do it. At first some of these things I say and do may sound strange or even counterintuitive, but I have used them hundreds, maybe even thousands of times, and they work for me." - David Berger I already have an excellent high school band. What can I learn from this book? High School Jazz is designed to serve all high school band directors regardless of experience and expertise. It deals with the most basic issues to the most complex in a deep way. Even the most seasoned teachers will find information that is known only by top professionals and is of great value to their students. I teach a teaching methods course for music education majors at a college. Would this book be appropriate for my students? Absolutely! It would be indispensable. Very often the high school concert band conductor will be responsible for teaching the jazz ensemble. High School Jazz explains how to teach, what to teach, and gives valuable resources.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781720607557
Category : Band music
Languages : en
Pages : 126
Book Description
"High School Jazz is the culmination of 40 years of teaching jazz. It is designed to give you clear instructions as well as the reasoning behind why I make these suggestions. I currently travel to high schools around the country doing clinics with jazz bands. The band directors are among the best high school jazz band directors in the country, and yet I am able to transform their bands in 15 minutes. In this book I am going to tell you exactly my procedure and how to do it. At first some of these things I say and do may sound strange or even counterintuitive, but I have used them hundreds, maybe even thousands of times, and they work for me." - David Berger I already have an excellent high school band. What can I learn from this book? High School Jazz is designed to serve all high school band directors regardless of experience and expertise. It deals with the most basic issues to the most complex in a deep way. Even the most seasoned teachers will find information that is known only by top professionals and is of great value to their students. I teach a teaching methods course for music education majors at a college. Would this book be appropriate for my students? Absolutely! It would be indispensable. Very often the high school concert band conductor will be responsible for teaching the jazz ensemble. High School Jazz explains how to teach, what to teach, and gives valuable resources.
A Cappella Arranging 2.0
Author: Deke Sharon
Publisher: Rowman & Littlefield
ISBN: 1538172674
Category : Music
Languages : en
Pages : 447
Book Description
In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging—including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music. Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where the previous book left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative process An advanced understanding of vocal ranges Counterpoint and polyphony Harmonic concepts and techniques Arranging for the studio Live looping arrangements Instrumental idioms Arranging in different styles, including world styles Medleys and mashups This is the perfect resource for taking your a cappella arrangements to the next level.
Publisher: Rowman & Littlefield
ISBN: 1538172674
Category : Music
Languages : en
Pages : 447
Book Description
In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging—including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music. Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where the previous book left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative process An advanced understanding of vocal ranges Counterpoint and polyphony Harmonic concepts and techniques Arranging for the studio Live looping arrangements Instrumental idioms Arranging in different styles, including world styles Medleys and mashups This is the perfect resource for taking your a cappella arrangements to the next level.
The Professional Arranger Composer
Author: Russell Garcia
Publisher: Alfred Music Publishing
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 176
Book Description
Designed for the musician who wants to become a professional arranger-composer. Includes a section of dance band harmony and voicing.
Publisher: Alfred Music Publishing
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 176
Book Description
Designed for the musician who wants to become a professional arranger-composer. Includes a section of dance band harmony and voicing.
Arranging for Strings
Author: Mimi Rabson
Publisher: Hal Leonard Corporation
ISBN: 1540025527
Category : Music
Languages : en
Pages : 126
Book Description
(Berklee Guide). Learn to use strings in your compositions and arrangements! From romantic chord pads to powerful grooves to gut-wrenching passionate melodies, strings do it all. This book presents time-tested techniques and contemporary developments in writing and arranging for strings. You'll learn strategies for authentic writing in many different styles and find ideas to take your personal sound forward. Discover voicings that work best for each project and explore the intricacies of bowing. Hear articulation approaches from pads to chopping in the online audio examples. See how other composers have used strings to heighten the impact of their music in the written examples. Make your work stand out with the drama and depth that well informed string writing can bring. You will learn: * The tunings, range, and timbres for the violin, viola, cello, and bass, including standard instruments and common variations, including acoustic, electric, and synthesized string instruments and sections * Bowing techniques and possibilities * Characteristic articulations and sounds, such as vibrato, pizzicato, sul tasto, trills, tremolos, and harmonics * Timbral and rhythm effects, such as chop technique, ponticello/feedback, portamento, and falls * String-section arranging techniques, such as melody/countermelody, fills, pads, and comping * Stylistic nuances of genres such as American roots, Celtic, jazz, rock, klezmer, eastern European, Gypsy jazz, and swing * Mic, recording, and live sound techniques for capturing the best string sounds for both acoustic and electric instruments
Publisher: Hal Leonard Corporation
ISBN: 1540025527
Category : Music
Languages : en
Pages : 126
Book Description
(Berklee Guide). Learn to use strings in your compositions and arrangements! From romantic chord pads to powerful grooves to gut-wrenching passionate melodies, strings do it all. This book presents time-tested techniques and contemporary developments in writing and arranging for strings. You'll learn strategies for authentic writing in many different styles and find ideas to take your personal sound forward. Discover voicings that work best for each project and explore the intricacies of bowing. Hear articulation approaches from pads to chopping in the online audio examples. See how other composers have used strings to heighten the impact of their music in the written examples. Make your work stand out with the drama and depth that well informed string writing can bring. You will learn: * The tunings, range, and timbres for the violin, viola, cello, and bass, including standard instruments and common variations, including acoustic, electric, and synthesized string instruments and sections * Bowing techniques and possibilities * Characteristic articulations and sounds, such as vibrato, pizzicato, sul tasto, trills, tremolos, and harmonics * Timbral and rhythm effects, such as chop technique, ponticello/feedback, portamento, and falls * String-section arranging techniques, such as melody/countermelody, fills, pads, and comping * Stylistic nuances of genres such as American roots, Celtic, jazz, rock, klezmer, eastern European, Gypsy jazz, and swing * Mic, recording, and live sound techniques for capturing the best string sounds for both acoustic and electric instruments
Thinking in Jazz
Author: Paul F. Berliner
Publisher: University of Chicago Press
ISBN: 0226044521
Category : Music
Languages : en
Pages : 904
Book Description
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
Publisher: University of Chicago Press
ISBN: 0226044521
Category : Music
Languages : en
Pages : 904
Book Description
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
Inside the Score
Author: Rayburn Wright
Publisher:
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 191
Book Description
Publisher:
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 191
Book Description