Author: María Xesús Nogueira
Publisher: Peter Lang
ISBN: 9781433109546
Category : Foreign Language Study
Languages : en
Pages : 258
Book Description
Laura Lojo is Associate Professor of English literature and language at the University of Santiago de Compostela and has a Ph.D. in VirginiaWoolf's writing. Lojo is the author of Introduction to Virginia Woolf's Short Fiction (2003), and is co-editor of Writing Bonds: Irish and Galician Contemporary Women Poets (2009). She has also published book chapters and articles in literary journals on various topics, such as the reception of British modernism in Spanish-speaking countries, Irish women's poetry, women's studies, and comparative literature. --
Creation, Publishing, and Criticism
Author: María Xesús Nogueira
Publisher: Peter Lang
ISBN: 9781433109546
Category : Foreign Language Study
Languages : en
Pages : 258
Book Description
Laura Lojo is Associate Professor of English literature and language at the University of Santiago de Compostela and has a Ph.D. in VirginiaWoolf's writing. Lojo is the author of Introduction to Virginia Woolf's Short Fiction (2003), and is co-editor of Writing Bonds: Irish and Galician Contemporary Women Poets (2009). She has also published book chapters and articles in literary journals on various topics, such as the reception of British modernism in Spanish-speaking countries, Irish women's poetry, women's studies, and comparative literature. --
Publisher: Peter Lang
ISBN: 9781433109546
Category : Foreign Language Study
Languages : en
Pages : 258
Book Description
Laura Lojo is Associate Professor of English literature and language at the University of Santiago de Compostela and has a Ph.D. in VirginiaWoolf's writing. Lojo is the author of Introduction to Virginia Woolf's Short Fiction (2003), and is co-editor of Writing Bonds: Irish and Galician Contemporary Women Poets (2009). She has also published book chapters and articles in literary journals on various topics, such as the reception of British modernism in Spanish-speaking countries, Irish women's poetry, women's studies, and comparative literature. --
Creation Scientists Answer Their Critics
Author: Duane T. Gish
Publisher: Master Books
ISBN:
Category : Creation
Languages : en
Pages : 460
Book Description
Discusses the arguments between creation scientists and evolutionists.
Publisher: Master Books
ISBN:
Category : Creation
Languages : en
Pages : 460
Book Description
Discusses the arguments between creation scientists and evolutionists.
The Future of Life
Author: Edward O. Wilson
Publisher: Vintage
ISBN: 0679768114
Category : Science
Languages : en
Pages : 258
Book Description
Eloquent, practical and wise, this book by one of the world’s most important scientists—and two time Pulitzer Prize winner—should be read and studied by anyone concerned with the fate of the natural world. It "makes one thing clear ... we know what we do, and we have a choice" (The New York Times Book Review). E.O. Wilson assesses the precarious state of our environment, examining the mass extinctions occurring in our time and the natural treasures we are about to lose forever. Yet, rather than eschewing doomsday prophesies, he spells out a specific plan to save our world while there is still time. His vision is a hopeful one, as economically sound as it is environmentally necessary.
Publisher: Vintage
ISBN: 0679768114
Category : Science
Languages : en
Pages : 258
Book Description
Eloquent, practical and wise, this book by one of the world’s most important scientists—and two time Pulitzer Prize winner—should be read and studied by anyone concerned with the fate of the natural world. It "makes one thing clear ... we know what we do, and we have a choice" (The New York Times Book Review). E.O. Wilson assesses the precarious state of our environment, examining the mass extinctions occurring in our time and the natural treasures we are about to lose forever. Yet, rather than eschewing doomsday prophesies, he spells out a specific plan to save our world while there is still time. His vision is a hopeful one, as economically sound as it is environmentally necessary.
From Nature to Creation (The Church and Postmodern Culture)
Author: Norman Wirzba
Publisher: Baker Academic
ISBN: 1493400088
Category : Religion
Languages : en
Pages : 211
Book Description
How does Christianity change the way we view the natural world? In this addition to a critically acclaimed series, renowned theologian Norman Wirzba engages philosophers, environmentalists, and cultural critics to show how the modern concept of nature has been deeply problematic. He explains that understanding the world as creation rather than as nature or the environment makes possible an imagination shaped by practices of responsibility and gratitude, which can help bring healing to our lands and communities. By learning to give thanks for creation as God's gift of life, Christians bear witness to the divine love that is reconciling all things to God. Named a "Best Theology Book of 2015," Englewood Review of Books "Best Example of Theology in Conversation with Urgent Contemporary Concerns" for 2015, Hearts & Minds Bookstore
Publisher: Baker Academic
ISBN: 1493400088
Category : Religion
Languages : en
Pages : 211
Book Description
How does Christianity change the way we view the natural world? In this addition to a critically acclaimed series, renowned theologian Norman Wirzba engages philosophers, environmentalists, and cultural critics to show how the modern concept of nature has been deeply problematic. He explains that understanding the world as creation rather than as nature or the environment makes possible an imagination shaped by practices of responsibility and gratitude, which can help bring healing to our lands and communities. By learning to give thanks for creation as God's gift of life, Christians bear witness to the divine love that is reconciling all things to God. Named a "Best Theology Book of 2015," Englewood Review of Books "Best Example of Theology in Conversation with Urgent Contemporary Concerns" for 2015, Hearts & Minds Bookstore
Gaps and the Creation of Ideas
Author: Judith Seligson
Publisher: Cambridge Scholars Publishing
ISBN: 1527567230
Category : Social Science
Languages : en
Pages : 814
Book Description
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
Publisher: Cambridge Scholars Publishing
ISBN: 1527567230
Category : Social Science
Languages : en
Pages : 814
Book Description
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
Thinking Through Creation
Author: Christopher Watkin
Publisher: P & R Publishing
ISBN: 9781629953014
Category : Religion
Languages : en
Pages : 169
Book Description
Reading Genesis 1 And 2, We Are Tempted to see only problems to solve. Yet these two chapters burst with glorious truths about God, our world, and ourselves. In fact their foundational doctrines are among the richest sources of Insight as we pursue robust, sensitive, and constructive engagement with others about contemporary culture and ideas. With deftness and clarity Christopher Watkin reclaims the Trinity and creation from their cultural despisers and shows how they speak into, question, and reorient some of today's most important debates Book jacket.
Publisher: P & R Publishing
ISBN: 9781629953014
Category : Religion
Languages : en
Pages : 169
Book Description
Reading Genesis 1 And 2, We Are Tempted to see only problems to solve. Yet these two chapters burst with glorious truths about God, our world, and ourselves. In fact their foundational doctrines are among the richest sources of Insight as we pursue robust, sensitive, and constructive engagement with others about contemporary culture and ideas. With deftness and clarity Christopher Watkin reclaims the Trinity and creation from their cultural despisers and shows how they speak into, question, and reorient some of today's most important debates Book jacket.
Creation
Author: John-Paul Stonard
Publisher: Bloomsbury Publishing
ISBN: 1408879662
Category : Art
Languages : en
Pages : 775
Book Description
**SELECTED AS A BEST ART BOOK OF THE YEAR BY THE SUNDAY TIMES** 'Stonard traverses the sweep of human history, moving between cultures and hemispheres ... His book consists of myriad flashes of brilliance and inventiveness' LITERARY REVIEW 'A worthy and richly illustrated successor to Ernst Gombrich's fabled The Story of Art' SUNDAY TIMES 'This bountifully illustrated book is a history of connections ... Lucid and thoughtful' COUNTRY LIFE _____________________________________ A fully illustrated, panoramic world history of art from ancient civilisation to the present day, exploring the remarkable endurance of humankind's creative impulse. Fifty thousand years ago on an island in Indonesia, an early human used red ochre pigment to capture the likeness of a pig on a limestone cave wall. Around the same time in Europe, another human retrieved a lump of charcoal from a fire and sketched four galloping horses. It was like a light turning on in the human mind. Our instinct to produce images in response to nature allowed the earliest Homo sapiens to understand the world around them, and to thrive. Now, art historian John-Paul Stonard has travelled across continents to take us on a panoramic journey through the history of art – from ancient Anatolian standing stones to a Qing Dynasty ink handscroll, from a drawing by a Kiowa artist on America's Great Plains to a post-independence Congolese painting and on to Rachel Whiteread's House. Brilliantly illustrated throughout, with a mixture of black and white and full colour images, Stonard's Creation is an ambitious, thrilling and landmark work that leads us from Benin to Belgium, China to Constantinople, Mexico to Mesopotamia. Journeying from pre-history to the present day, it explores the remarkable endurance of humankind's creative impulse, and asks how – and why – we create.
Publisher: Bloomsbury Publishing
ISBN: 1408879662
Category : Art
Languages : en
Pages : 775
Book Description
**SELECTED AS A BEST ART BOOK OF THE YEAR BY THE SUNDAY TIMES** 'Stonard traverses the sweep of human history, moving between cultures and hemispheres ... His book consists of myriad flashes of brilliance and inventiveness' LITERARY REVIEW 'A worthy and richly illustrated successor to Ernst Gombrich's fabled The Story of Art' SUNDAY TIMES 'This bountifully illustrated book is a history of connections ... Lucid and thoughtful' COUNTRY LIFE _____________________________________ A fully illustrated, panoramic world history of art from ancient civilisation to the present day, exploring the remarkable endurance of humankind's creative impulse. Fifty thousand years ago on an island in Indonesia, an early human used red ochre pigment to capture the likeness of a pig on a limestone cave wall. Around the same time in Europe, another human retrieved a lump of charcoal from a fire and sketched four galloping horses. It was like a light turning on in the human mind. Our instinct to produce images in response to nature allowed the earliest Homo sapiens to understand the world around them, and to thrive. Now, art historian John-Paul Stonard has travelled across continents to take us on a panoramic journey through the history of art – from ancient Anatolian standing stones to a Qing Dynasty ink handscroll, from a drawing by a Kiowa artist on America's Great Plains to a post-independence Congolese painting and on to Rachel Whiteread's House. Brilliantly illustrated throughout, with a mixture of black and white and full colour images, Stonard's Creation is an ambitious, thrilling and landmark work that leads us from Benin to Belgium, China to Constantinople, Mexico to Mesopotamia. Journeying from pre-history to the present day, it explores the remarkable endurance of humankind's creative impulse, and asks how – and why – we create.
Artistic Creation and Ethical Criticism
Author: Ted Nannicelli
Publisher: Oxford University Press
ISBN: 0197507255
Category : Philosophy
Languages : en
Pages : 289
Book Description
Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.
Publisher: Oxford University Press
ISBN: 0197507255
Category : Philosophy
Languages : en
Pages : 289
Book Description
Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.
Retrieving Augustine's Doctrine of Creation
Author: Gavin Ortlund
Publisher: InterVarsity Press
ISBN: 0830853251
Category : Religion
Languages : en
Pages : 265
Book Description
How might premodern exegesis of Genesis inform Christian debates about creation today? Pastor and theologian Gavin Ortlund retrieves Augustine's reading of Genesis 1-3 and considers how his premodern understanding of creation can help Christians today, shedding light on matters such as evolution, animal death, and the historical Adam and Eve.
Publisher: InterVarsity Press
ISBN: 0830853251
Category : Religion
Languages : en
Pages : 265
Book Description
How might premodern exegesis of Genesis inform Christian debates about creation today? Pastor and theologian Gavin Ortlund retrieves Augustine's reading of Genesis 1-3 and considers how his premodern understanding of creation can help Christians today, shedding light on matters such as evolution, animal death, and the historical Adam and Eve.
Shattering the Myths of Darwinism
Author: Richard Milton
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544643076
Category :
Languages : en
Pages : 346
Book Description
Compelling evidence that the most important assumptions on which Darwinism rests are scientifically wrong. The controversial best-seller that sent Oxford University and Nature magazine into a frenzy. Shattering the Myths of Darwinism exposes the gaping holes in an ideology that has reigned unchallenged over the scientific world for a century. Darwinism is considered to be hard fact, the only acceptable explanation for the formation of life on Earth, but with keen insight and objectivity Richard Milton reveals that the theory totters atop a shambles of outdated and circumstantial evidence which in any less controversial field would have been questioned long ago. Sticking to the facts at hand and tackling a vast array of topics, Shattering the Myths of Darwinism offers compelling evidence that the theory of evolution has become an act of faith rather than a functioning science, and that not until the scientific method is applied to it and the right questions are asked will we ever get true answers to the mystery of life on Earth.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544643076
Category :
Languages : en
Pages : 346
Book Description
Compelling evidence that the most important assumptions on which Darwinism rests are scientifically wrong. The controversial best-seller that sent Oxford University and Nature magazine into a frenzy. Shattering the Myths of Darwinism exposes the gaping holes in an ideology that has reigned unchallenged over the scientific world for a century. Darwinism is considered to be hard fact, the only acceptable explanation for the formation of life on Earth, but with keen insight and objectivity Richard Milton reveals that the theory totters atop a shambles of outdated and circumstantial evidence which in any less controversial field would have been questioned long ago. Sticking to the facts at hand and tackling a vast array of topics, Shattering the Myths of Darwinism offers compelling evidence that the theory of evolution has become an act of faith rather than a functioning science, and that not until the scientific method is applied to it and the right questions are asked will we ever get true answers to the mystery of life on Earth.