Crafting the Movement

Crafting the Movement PDF Author: Jenny Jansson
Publisher: Cornell University Press
ISBN: 150175002X
Category : Political Science
Languages : en
Pages : 287

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Book Description
Crafting the Movement presents an explanation of why the Swedish working class so unanimously adopted reformism during the interwar period. Jenny Jansson discusses the precarious time for the labor movement after the Russian Revolution in 1917 that sparked a trend towards radicalization among labor organizations and communist organizations throughout Europe and caused an identity crisis in class organizations. She reveals that the leadership of the Trade Union Confederation (LO) was well aware of the identity problems that the left-wing factions had created for the reformist unions. Crafting the Movement explains how this led labor movement leaders towards a re-formulation of the notion of the worker by constructing an organizational identity that downplayed class struggle and embraced discipline, peaceful solutions to labor market problems, and cooperation with the employers. As Jansson shows, study activities arranged by the Workers' Educational Association became the main tool of the Trade Union Confederation's identity policy in the 1920s and 1930s and its successful outcome paved the way for the well-known "Swedish Model." Thanks to generous funding from Uppsala University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other Open Access repositories.

Crafting the Movement

Crafting the Movement PDF Author: Jenny Jansson
Publisher: Cornell University Press
ISBN: 150175002X
Category : Political Science
Languages : en
Pages : 287

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Book Description
Crafting the Movement presents an explanation of why the Swedish working class so unanimously adopted reformism during the interwar period. Jenny Jansson discusses the precarious time for the labor movement after the Russian Revolution in 1917 that sparked a trend towards radicalization among labor organizations and communist organizations throughout Europe and caused an identity crisis in class organizations. She reveals that the leadership of the Trade Union Confederation (LO) was well aware of the identity problems that the left-wing factions had created for the reformist unions. Crafting the Movement explains how this led labor movement leaders towards a re-formulation of the notion of the worker by constructing an organizational identity that downplayed class struggle and embraced discipline, peaceful solutions to labor market problems, and cooperation with the employers. As Jansson shows, study activities arranged by the Workers' Educational Association became the main tool of the Trade Union Confederation's identity policy in the 1920s and 1930s and its successful outcome paved the way for the well-known "Swedish Model." Thanks to generous funding from Uppsala University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other Open Access repositories.

The Arts & Crafts Movement

The Arts & Crafts Movement PDF Author: Rosalind P. Blakesley
Publisher: Phaidon Press
ISBN: 9780714849676
Category : Design
Languages : en
Pages : 272

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Book Description
A comprehensive survey of the popular Arts and Crafts Movement.

The Arts and Crafts Movement in the Pacific Northwest

The Arts and Crafts Movement in the Pacific Northwest PDF Author: Lawrence Kreisman
Publisher: Timber Press (OR)
ISBN: 0881928496
Category : Architecture
Languages : en
Pages : 398

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Book Description
This magnificent compendium is the first comprehensive exploration of the Arts and Crafts legacy in the Pacific Northwest. It traces the movement from its nineteenth-century English beginnings to its flowering in Washington and Oregon through the 1920s and beyond, weaving into a tale of idealism and devotion everything from iconic masterpieces to recent discoveries. You will meet the architects, artists, craftspeople, and entrepreneurs in Seattle, Spokane, Portland, and smaller communities throughout the region in their own words in journal entries, letters, articles, and promotional materials of the period. Included are public and private architecture, furniture, pottery and tile, metalwork, lighting, leaded and stained glass, jewelry, textiles, basketry and the influence of Native American arts, painting and printmaking, photography, graphic arts, and book design. The ideals of the Arts and Crafts movement—a celebration of craftsmanship and the creative process; an appreciation of sound construction, pleasing proportion, grace, and simplicity; and a comfortable rusticity that sees beauty in nature and honors indigenous materials—found fertile ground in Washington and Oregon. The inspired handiwork of anonymous amateurs and significant regional artists alike yielded a remarkable variety of progressive architect-designed residences, bungalows for everyone, and all manner of artistic and practical furnishings and accessories. Beautifully illustrated with nearly 400 photographs and period graphics, including rare images published here for the first time, this groundbreaking volume is an authoritative reference, a provocative story, and an irresistible treasure trove for Arts and Crafts collectors and enthusiasts everywhere.

William Morris and the Arts and Crafts Movement

William Morris and the Arts and Crafts Movement PDF Author: Linda Parry
Publisher:
ISBN: 9781851702756
Category : Arts and crafts movement
Languages : en
Pages : 22

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Book Description


Women art workers and the Arts and Crafts movement

Women art workers and the Arts and Crafts movement PDF Author: Zoë Thomas
Publisher: Manchester University Press
ISBN: 1526140454
Category : History
Languages : en
Pages : 276

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Book Description
This book constitutes the first comprehensive history of the network of women who worked at the heart of the English Arts and Crafts movement from the 1870s to the 1930s. Challenging the long-standing assumption that the Arts and Crafts simply revolved around celebrated male designers like William Morris, it instead offers a new social and cultural account of the movement, which simultaneously reveals the breadth of the imprint of women art workers upon the making of modern society. Thomas provides unprecedented insight into how women navigated authoritative roles as 'art workers' by asserting expertise across a range of interconnected cultures: from the artistic to the professional, intellectual, entrepreneurial and domestic. Through examination of newly discovered institutional archives and private papers, Thomas elucidates the critical importance of the spaces around which women conceptualised alternative creative and professional lifestyles.

Gardens of the Arts and Crafts Movement

Gardens of the Arts and Crafts Movement PDF Author: Judith B. Tankard
Publisher: Timber Press
ISBN: 1604698209
Category : Gardening
Languages : en
Pages : 301

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Book Description
“The ever-alluring Arts and Crafts garden…is profoundly relevant to our 21st-century needs.” —Sam Watters, author of Gardens for a Beautiful America In Gardens of the Arts and Crafts Movement, landscape scholar Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during this iconic movement. Tankard presents a selection of houses and gardens of the era from Great Britain and North America. With almost 300 illustrations and photographs, and an emphasis on the diversity of designers who helped forge the movement, Gardens of the Arts and Crafts Movement is an essential resource for this truly distinct approach to garden design.

The Arts & Crafts Movement

The Arts & Crafts Movement PDF Author: Oscar Lovell Triggs
Publisher: Parkstone International
ISBN: 1783103833
Category : Art
Languages : en
Pages : 200

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Book Description
“Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the “soulless” Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production. The work of artisans and meticulous design thus became the heart of this new ideology, which influenced styles throughout the world, translating the essential ideas of Arts & Crafts into design, architecture and painting.

Arts and Crafts Movement in New Zealand, 1870-1940

Arts and Crafts Movement in New Zealand, 1870-1940 PDF Author: Ann Calhoun
Publisher: Auckland University Press
ISBN: 1869402294
Category : Arts and Crafts Movement
Languages : en
Pages : 240

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Book Description
"Reveals ... the exquisite work and extraordinary skill of a group of New Zealand artists, most of them women, working in a wide variety of art and craft forms ... This flowering of local talent ... originated in the British Arts and Crafts movement and is associated with the growth of art education in this country: its quiet but dedicated character also suggests much about the situation of women in the years before and after 1900"--Jacket.

Architecture and the Arts and Crafts Movement in Boston

Architecture and the Arts and Crafts Movement in Boston PDF Author: Maureen Meister
Publisher: UPNE
ISBN: 9781584653516
Category : Architects
Languages : en
Pages : 232

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Book Description
H. Langford Warren (1857-1917) was an important link in the chain of individuals who contributed to the architectural practice, theories of design, and the teaching of architectural history in the United States at the turn of the twentieth century. Best known in the Boston area, Warren first worked under the renowned architect Henry Hobson Richardson before establishing his own practice. Friends and colleagues during this period included Charles Eliot Norton, the noted art historian, and Harvard's Charles Herbert Moore, a leading Ruskinian painter. Hired by Harvard University in 1893, Warren developed its architectural curriculum. In 1897 he helped found Boston's Society of Arts and Crafts. At the time of his death in 1917, Warren was Dean of the School of Architecture at Harvard and President of the Society of Arts and Crafts. At the turn of the century, Warren's philosophical vision offered a conservative and ethnocentric perspective attractive to many Bostonians and to a significant segment of Americans nationwide. According to this view, English culture was the basis of American culture. Through his work at Harvard and in the Arts and Crafts movement, he articulated and promoted an aesthetic guided by an attachment to the past, and he encouraged his students at Harvard to revive and reinterpret English and Anglo-American models. Another characteristic of Warren's aesthetic was "restraint," a quality generally attributed to the region's Puritan settlers. "Restraint" also meant a rejection of both the lavish ornamentation of the Ecole des Beaux-Arts in Paris and the more original styles such as Art Nouveau that were emerging at the turn of the century. Following the ideals of John Ruskin, William Morris, and later leaders of the English Arts and Crafts movement, Warren and his architect-colleagues promoted a close collaboration with the craftsmen who enhanced their buildings. The resulting building designs represent a significant contribution to the development of American Arts and Crafts architecture, complementing the proto-modern work of designers such as Frank Lloyd Wright. In fact, Arts and Crafts architecture in North America was extremely diverse. Meister examines the greater complexity of this architecture by exploring the eclectic historicism of Warren, a key figure in the movement that was centered in Boston.

The Arts and Crafts Movement

The Arts and Crafts Movement PDF Author: T. J. Cobden-Sanderson
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 30

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Book Description
This book is about the Arts and Crafts Movement in Great Britain. Initially, the movement began in protest to the notion, largely perpetrated by the Royal Society of Art, that art exhibitions could include only paintings, sculpture and architecture. Many artisans argued for a wider definition to include furniture, ornaments, glassware and so on.