Author: Regina A. Root
Publisher: U of Minnesota Press
ISBN: 0816647933
Category : Social Science
Languages : en
Pages : 256
Book Description
Following Argentina’s revolution in 1810, the dress of young patriots inspired a nation and distanced its politics from the relics of Spanish colonialism. Fashion writing often escaped the notice of authorities, allowing authors to masquerade political ideas under the guise of frivolity and entertainment. In Couture and Consensus, Regina A. Root maps this pivotal and overlooked facet of Argentine cultural history, showing how politics emerged from dress to disrupt authoritarian practices and stimulate creativity in a newly independent nation.Drawing from genres as diverse as fiction, poetry, songs, and fashion magazines, Root offers a sartorial history that produces an original understanding of how Argentina forged its identity during the regime of Juan Manuel de Rosas (1829–1852), a critical historical time. Couture and Consensus closely analyzes military uniforms, women’s dress, and the novels of the era to reveal fashion’s role in advancing an agenda and disseminating political goals, notions Root connects to the contemporary moment.An insightful presentation of the discourse of fashion, Couture and Consensus also paints a riveting portrait of Argentine society in the nineteenth century—its politics, people, and creative forces.
Couture and Consensus
Author: Regina A. Root
Publisher: U of Minnesota Press
ISBN: 0816647933
Category : Social Science
Languages : en
Pages : 256
Book Description
Following Argentina’s revolution in 1810, the dress of young patriots inspired a nation and distanced its politics from the relics of Spanish colonialism. Fashion writing often escaped the notice of authorities, allowing authors to masquerade political ideas under the guise of frivolity and entertainment. In Couture and Consensus, Regina A. Root maps this pivotal and overlooked facet of Argentine cultural history, showing how politics emerged from dress to disrupt authoritarian practices and stimulate creativity in a newly independent nation.Drawing from genres as diverse as fiction, poetry, songs, and fashion magazines, Root offers a sartorial history that produces an original understanding of how Argentina forged its identity during the regime of Juan Manuel de Rosas (1829–1852), a critical historical time. Couture and Consensus closely analyzes military uniforms, women’s dress, and the novels of the era to reveal fashion’s role in advancing an agenda and disseminating political goals, notions Root connects to the contemporary moment.An insightful presentation of the discourse of fashion, Couture and Consensus also paints a riveting portrait of Argentine society in the nineteenth century—its politics, people, and creative forces.
Publisher: U of Minnesota Press
ISBN: 0816647933
Category : Social Science
Languages : en
Pages : 256
Book Description
Following Argentina’s revolution in 1810, the dress of young patriots inspired a nation and distanced its politics from the relics of Spanish colonialism. Fashion writing often escaped the notice of authorities, allowing authors to masquerade political ideas under the guise of frivolity and entertainment. In Couture and Consensus, Regina A. Root maps this pivotal and overlooked facet of Argentine cultural history, showing how politics emerged from dress to disrupt authoritarian practices and stimulate creativity in a newly independent nation.Drawing from genres as diverse as fiction, poetry, songs, and fashion magazines, Root offers a sartorial history that produces an original understanding of how Argentina forged its identity during the regime of Juan Manuel de Rosas (1829–1852), a critical historical time. Couture and Consensus closely analyzes military uniforms, women’s dress, and the novels of the era to reveal fashion’s role in advancing an agenda and disseminating political goals, notions Root connects to the contemporary moment.An insightful presentation of the discourse of fashion, Couture and Consensus also paints a riveting portrait of Argentine society in the nineteenth century—its politics, people, and creative forces.
Sloterdijk Now
Author: Stuart Elden
Publisher: Polity
ISBN: 0745651364
Category : Biography & Autobiography
Languages : en
Pages : 233
Book Description
This book represents the first major engagement with Sloterdijk's thought in the English language, and will provoke new debates across the humanities. The collection ranges across the full breadth of Sloterdijk's work, covering such key topics as cynicism, ressentiment, posthumanism and the role of the public intellectual.
Publisher: Polity
ISBN: 0745651364
Category : Biography & Autobiography
Languages : en
Pages : 233
Book Description
This book represents the first major engagement with Sloterdijk's thought in the English language, and will provoke new debates across the humanities. The collection ranges across the full breadth of Sloterdijk's work, covering such key topics as cynicism, ressentiment, posthumanism and the role of the public intellectual.
Women, the Recited Qur’an, and Islamic Music in Indonesia
Author: Anne Rasmussen
Publisher: Univ of California Press
ISBN: 0520255496
Category : Art
Languages : en
Pages : 336
Book Description
"Rasmussen has written a classic study of the world of Islamic soundscapes, performances and forms of musical piety in that most complex of societies, Indonesia. With great sensitivity, an alert musical response to players, reciters and audiences, a keen practitioner's ear and eye for subtlety as well as for the complexities of 'noise', she changes common assumptions about Muslim music and, not least, gender in changing Islamic ritual cultures. Her own political awareness and her professional as well as personal relations with women Qu'ran reciters contribute to an exciting an original volume that I recommend to any one exploring the riches of Islamic performances and debates in the contemporary world."—Michael Gilsenan, author of Lords of the Lebanese Marches: Violence and Narrative in an Arab Society
Publisher: Univ of California Press
ISBN: 0520255496
Category : Art
Languages : en
Pages : 336
Book Description
"Rasmussen has written a classic study of the world of Islamic soundscapes, performances and forms of musical piety in that most complex of societies, Indonesia. With great sensitivity, an alert musical response to players, reciters and audiences, a keen practitioner's ear and eye for subtlety as well as for the complexities of 'noise', she changes common assumptions about Muslim music and, not least, gender in changing Islamic ritual cultures. Her own political awareness and her professional as well as personal relations with women Qu'ran reciters contribute to an exciting an original volume that I recommend to any one exploring the riches of Islamic performances and debates in the contemporary world."—Michael Gilsenan, author of Lords of the Lebanese Marches: Violence and Narrative in an Arab Society
Fashion
Author: Lars Svendsen
Publisher: Reaktion Books
ISBN: 1861896042
Category : Philosophy
Languages : en
Pages : 196
Book Description
Fashion is at once a familiar yet mysteriously elite world that we all experience, whether we’re buying a new pair of jeans, reading Vogue, or watching the latest episode of Project Runway. Lars Svendsen dives into that world in Fashion, exploring the myths, ideas, and history that make up haute couture, the must-have trends over the centuries, and the very concept of fashion itself. Fashion opens with an exploration of all the possible meanings encompassed by the word “fashion,” as Svendsen probes its elusive place in art, politics, and history. Ultimately, however, he focuses on the most common use of the term: clothing. With his trademark dry wit, he deftly dismantles many of the axioms of the industry and its supporters. For example, he points out that some of the latest fashions shown on runways aren’t actually “fashionable” in any sense of the word, arguing that they’re more akin to modern art works, and he argues against the increasingly prevalent idea that plastic surgery and body modification are part of a new wave of consumerism. Svendsen draws upon the writings of thinkers from Adam Smith to Roland Barthes to analyze fashion as both a historical phenomenon and a philosophy of aesthetics. He also traces the connections between the concepts of fashion and modernity and ultimately considers the importance of evolving fashions to such fields as art, politics, and philosophy. Whether critiquing a relentless media culture that promotes perfect bodies or parsing the never-ending debate over the merits of conformity versus individual style, Lars Svendsen offers an engaging and intriguing analysis of fashion and the motivations behind its constant pursuit of the new.
Publisher: Reaktion Books
ISBN: 1861896042
Category : Philosophy
Languages : en
Pages : 196
Book Description
Fashion is at once a familiar yet mysteriously elite world that we all experience, whether we’re buying a new pair of jeans, reading Vogue, or watching the latest episode of Project Runway. Lars Svendsen dives into that world in Fashion, exploring the myths, ideas, and history that make up haute couture, the must-have trends over the centuries, and the very concept of fashion itself. Fashion opens with an exploration of all the possible meanings encompassed by the word “fashion,” as Svendsen probes its elusive place in art, politics, and history. Ultimately, however, he focuses on the most common use of the term: clothing. With his trademark dry wit, he deftly dismantles many of the axioms of the industry and its supporters. For example, he points out that some of the latest fashions shown on runways aren’t actually “fashionable” in any sense of the word, arguing that they’re more akin to modern art works, and he argues against the increasingly prevalent idea that plastic surgery and body modification are part of a new wave of consumerism. Svendsen draws upon the writings of thinkers from Adam Smith to Roland Barthes to analyze fashion as both a historical phenomenon and a philosophy of aesthetics. He also traces the connections between the concepts of fashion and modernity and ultimately considers the importance of evolving fashions to such fields as art, politics, and philosophy. Whether critiquing a relentless media culture that promotes perfect bodies or parsing the never-ending debate over the merits of conformity versus individual style, Lars Svendsen offers an engaging and intriguing analysis of fashion and the motivations behind its constant pursuit of the new.
Stitched Up
Author: Tansy E. Hopkins
Publisher: Fernwood Publishing
ISBN: 9781552666630
Category : Clothing trade
Languages : en
Pages : 216
Book Description
Costume, Clothes & Fashion.
Publisher: Fernwood Publishing
ISBN: 9781552666630
Category : Clothing trade
Languages : en
Pages : 216
Book Description
Costume, Clothes & Fashion.
Fashion Theory Volume 12 Issue 4
Author: Regina A. Root
Publisher: Bloomsbury Academic
ISBN: 9781847882011
Category : Design
Languages : en
Pages : 0
Book Description
Ecofashion brings together new perspectives for the field of fashion studies, asking a compelling set of research questions related to consumption practices and sustainability at a time of environmental crisis. The volume begins with a discussion of keywords used by theorists and the industry to address ecologically oriented fashion practices, including the rationale behind the usage of "ecofashion." Articles address natural looks that emerged in the 1960s, the rise of "green as the new black" at the beginning of the twenty-first century, recycling and the appeal of "slow fashion," and the science that informs the making of environmentally conscious garments. Other articles show how these concepts are linked to mass-market trends underway in the globalized political economy, offering especially important connections for scholars who seek to bridge fashion theory to issues of concern in environmental and global studies. Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences).
Publisher: Bloomsbury Academic
ISBN: 9781847882011
Category : Design
Languages : en
Pages : 0
Book Description
Ecofashion brings together new perspectives for the field of fashion studies, asking a compelling set of research questions related to consumption practices and sustainability at a time of environmental crisis. The volume begins with a discussion of keywords used by theorists and the industry to address ecologically oriented fashion practices, including the rationale behind the usage of "ecofashion." Articles address natural looks that emerged in the 1960s, the rise of "green as the new black" at the beginning of the twenty-first century, recycling and the appeal of "slow fashion," and the science that informs the making of environmentally conscious garments. Other articles show how these concepts are linked to mass-market trends underway in the globalized political economy, offering especially important connections for scholars who seek to bridge fashion theory to issues of concern in environmental and global studies. Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences).
Auntie Luce’s Talking Paintings
Author: Francie Latour
Publisher: Groundwood Books Ltd
ISBN: 1773060422
Category : Juvenile Fiction
Languages : en
Pages : 24
Book Description
Every winter, a young girl flies to Haiti to visit her Auntie Luce, a painter. The moment she steps off the plane, she feels a wall of heat, and familiar sights soon follow — the boys selling water ice by the pink cathedral, the tap tap buses in the busy streets, the fog and steep winding road to her aunt’s home in the mountains. The girl has always loved Auntie Luce’s paintings — the houses tucked into the hillside, colorful fishing boats by the water, heroes who fought for and won the country’s independence. Through Haiti’s colors, the girl comes to understand this place her family calls home. And when the moment finally comes to have her own portrait painted for the first time, she begins to see herself in a new way, tracing her own history and identity through her aunt’s brush. Includes an author’s note and a glossary.
Publisher: Groundwood Books Ltd
ISBN: 1773060422
Category : Juvenile Fiction
Languages : en
Pages : 24
Book Description
Every winter, a young girl flies to Haiti to visit her Auntie Luce, a painter. The moment she steps off the plane, she feels a wall of heat, and familiar sights soon follow — the boys selling water ice by the pink cathedral, the tap tap buses in the busy streets, the fog and steep winding road to her aunt’s home in the mountains. The girl has always loved Auntie Luce’s paintings — the houses tucked into the hillside, colorful fishing boats by the water, heroes who fought for and won the country’s independence. Through Haiti’s colors, the girl comes to understand this place her family calls home. And when the moment finally comes to have her own portrait painted for the first time, she begins to see herself in a new way, tracing her own history and identity through her aunt’s brush. Includes an author’s note and a glossary.
The Right to Die
Author: Alan Meisel
Publisher: Wolters Kluwer
ISBN: 0735546657
Category : Law
Languages : en
Pages : 2023
Book Description
The Right to Die, Third Edition analyzes the statutory and case law
Publisher: Wolters Kluwer
ISBN: 0735546657
Category : Law
Languages : en
Pages : 2023
Book Description
The Right to Die, Third Edition analyzes the statutory and case law
Dressing Modern Frenchwomen
Author: Mary Lynn Stewart
Publisher: JHU Press
ISBN: 0801888034
Category : Business & Economics
Languages : en
Pages : 324
Book Description
At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.
Publisher: JHU Press
ISBN: 0801888034
Category : Business & Economics
Languages : en
Pages : 324
Book Description
At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.
The Master of Us All
Author: Mary Blume
Publisher: Macmillan
ISBN: 1466836067
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
A sparkling life of the monumental fashion designer Cristóbal Balenciaga When Cristóbal Balenciaga died in 1972, the news hit the front page of The New York Times. One of the most innovative and admired figures in the history of haute couture, Balenciaga was, said Schiaparelli, “the only designer who dares do what he likes.” He was, said Christian Dior,“the master of us all.” But despite his extraordinary impact, Balenciaga was a man hidden from view. Unlike today’s celebrity designers, he saw to it that little was known about him, to the point that some French journalists wondered if he existed at all. Even his most notable and devoted clients—Marlene Dietrich, Barbara Hutton, a clutch of Rothschilds—never met him. But one woman knew Balenciaga very well indeed. The first person he hired when he opened his Paris house (then furnished with only a table and a stool) was Florette Chelot, who became his top vendeuse—as much an adviser as a saleswoman. She witnessed the spectacular success of his first collection, and they worked closely for more than thirty years, until 1968, when Balenciaga abruptly closed his house without telling any of his staff. Youth-oriented fashion was taking over, Paris was in upheaval, and the elder statesman wanted no part of it. In The Master of Us All , Mary Blume tells the remarkable story of the man and his house through the eyes of the woman who knew him best. Intimate and revealing, this is an unprecedented portrait of a designer whose vision transformed an industry but whose story has never been told until now.
Publisher: Macmillan
ISBN: 1466836067
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
A sparkling life of the monumental fashion designer Cristóbal Balenciaga When Cristóbal Balenciaga died in 1972, the news hit the front page of The New York Times. One of the most innovative and admired figures in the history of haute couture, Balenciaga was, said Schiaparelli, “the only designer who dares do what he likes.” He was, said Christian Dior,“the master of us all.” But despite his extraordinary impact, Balenciaga was a man hidden from view. Unlike today’s celebrity designers, he saw to it that little was known about him, to the point that some French journalists wondered if he existed at all. Even his most notable and devoted clients—Marlene Dietrich, Barbara Hutton, a clutch of Rothschilds—never met him. But one woman knew Balenciaga very well indeed. The first person he hired when he opened his Paris house (then furnished with only a table and a stool) was Florette Chelot, who became his top vendeuse—as much an adviser as a saleswoman. She witnessed the spectacular success of his first collection, and they worked closely for more than thirty years, until 1968, when Balenciaga abruptly closed his house without telling any of his staff. Youth-oriented fashion was taking over, Paris was in upheaval, and the elder statesman wanted no part of it. In The Master of Us All , Mary Blume tells the remarkable story of the man and his house through the eyes of the woman who knew him best. Intimate and revealing, this is an unprecedented portrait of a designer whose vision transformed an industry but whose story has never been told until now.