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Author: Anne Zazzo
Publisher: Rizzoli Publications
ISBN: 2080201387
Category : Design
Languages : en
Pages : 0
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Book Description
A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a "golden century" for dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship propelled it to the forefront of the fashion industry. The position and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity, from the creations of Jeanne Lanvin and Christian Dior, through to their modern counterparts in Jean-Paul Gaultier or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the place of haute couture in Parisian culture, and its influence in the wider fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities in modern haute couture—its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability. This volume is richly illustrated with images of the most superb pieces created by exceptional designers. Various incarnations of Chanel’s timeless quilted handbag, Fath’s charmingly patterned silk scarves, and Poiret’s elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing.
Author: Anne Zazzo
Publisher: Rizzoli Publications
ISBN: 2080201387
Category : Design
Languages : en
Pages : 0
Get Book Here
Book Description
A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a "golden century" for dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship propelled it to the forefront of the fashion industry. The position and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity, from the creations of Jeanne Lanvin and Christian Dior, through to their modern counterparts in Jean-Paul Gaultier or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the place of haute couture in Parisian culture, and its influence in the wider fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities in modern haute couture—its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability. This volume is richly illustrated with images of the most superb pieces created by exceptional designers. Various incarnations of Chanel’s timeless quilted handbag, Fath’s charmingly patterned silk scarves, and Poiret’s elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing.
Author: Thomas von Nordheim
Publisher: Crowood
ISBN: 1847975887
Category : Design
Languages : en
Pages : 506
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Book Description
Traditional tailoring is a fascinating craft, which has not changed for many centuries, however, the techniques are now known only by a few practising in the best couture ateliers and bespoke tailor's workrooms. Nothing feels quite so luxurious or sophisticated as bespoke clothes, but the tailoring skills they require are often seen to be shrouded in mystery and the clothes therefore only accessible to the rich and famous. This practical book reveals the trade secrets of couture tailoring and brings vintage couture tailoring within the reach of all. With step-by-step photographs and professional tips throughout, it shows how a ladies' jacket is made and thereby introduces a range of fundamental tailoring techniques. These can be used for garments for either gender, as well as other sewing projects: moulding fabric to shape with the iron; employing loose interfacings; hollow shoulder construction; pad stitching canvas; interlining and weighting hems;making tailored and bound buttonholes;.... and many more forgotten techniques.Written by a tailor of international repute, Vintage Couture Tailoring is dedicated to all who appreciate the highest standard of craftsmanship, and who like using their eyes and hands to produce beautiful garments.Vintage couture tailoring is practised by only a few establishments around the world today and this practical book reveals the trade secrets of couture tailoring. An invaluable guide for professionals wishing to further their skills, and for enthusiasts with an interest in traditional tailoring. Shows how to make a ladies' jacket from preparation through to assembly and reveals the exquisite finishing details that are the hallmark of couture tailoring. Superbly illustrated with 417 colour step-by-step photographs.Thomas von Nordheim is a tailor of international repute.
Author: Alexandra Cunningham Cameron
Publisher: Rizzoli Publications
ISBN: 0847868192
Category : Design
Languages : en
Pages : 258
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Book Description
African-American fashion designer Willi Smith, pioneer of streetwear and visionary collaborator, finally gets his due in an exuberant celebration of his life and work. Before Off-White, before Hood By Air, before Supreme, there was WilliWear. Willi Smith created inclusive and liberating fashion: "I don't design clothes for the queen, but the people who wave at her as she goes by," he said. A rising star from the time he left Parsons, Smith went on to found WilliWear with Laurie Mallet in 1976 and became one of the most successful designers of his era by his untimely death in 1987. Smith broke boundaries with his streetwear, or "street couture," and trailblazed the collaborations between artists, performers, and designers commonplace today in projects with SITE Architects, Nam June Paik, Christo and Jeanne-Claude, Spike Lee, Dan Friedman, Bill T. Jones, and Arnie Zane. Essays by leading figures from the worlds of fashion, art, architecture, and cultural studies paired with never before-seen images and ephemera make Willi Smith essential reading for the history of streetwear culture and the evolution of fashion from the 1970s to today.
Author: Caroline Rennolds Milbank
Publisher: Stewart, Tabori, & Chang
ISBN:
Category : Art
Languages : en
Pages : 444
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Book Description
Covers the history of couture and its top designers.
Author:
Publisher: Rizzoli Publications
ISBN: 0847838021
Category : Design
Languages : en
Pages : 242
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Book Description
Dior is one of the most revered names in fashion, the archetype of the Parisian couture house. Famous for launching the “New Look,” Christian Dior’s landmark first collection that marked a sea change in women’s dress after the Second World War, Dior is known today for its exquisite couture line of dramatic dresses. This book comprises a portfolio of portraits of over one hundred incredible gowns from the entire era of Christian Dior haute couture, including dresses designed by Dior himself. All of the images were shot by Patrick Demarchelier, known for his exquisite fashion portraits that grace the pages of Vogue, Elle, Harper’s Bazaar, Glamour, and many other magazines.
Author: Alexandra Palmer
Publisher: UBC Press
ISBN: 9780774808262
Category : Art
Languages : en
Pages : 368
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Book Description
The 1950s were the golden years of haute couture, captured by iconic images of glamorous models wearing dramatic clothes. Yet the real women who wore these clothes adapted them to suit their own tastes, altered them to extend their life, and often could not bear to part with them long after the dresses had outlived their use. This gorgeously illustrated book demonstrates why so many of these designs are still in existence and why we are fascinated by them fifty years later. Couture and Commerce investigates how and why postwar couture fashion was important in its own day. The Paris couture houses survived due to the enthusiasm of the North American fashion press and commercial buyers. Alexandra Palmer traces the European haute couture trade with North America by following actual surviving couture dresses from the design house sketch, through the model used in New York fashion shows and as a template for copies and knock-offs, and finally to the consumer. Couture and Commerce is a remarkable mixture of accessible text, color photographs of the original garments, design house sketches and photographs, retailers’ advertisements, and society page images. Weaving together analysis of the clothes and interviews with those who traded, sold, and wore couture, Alexandra Palmer vividly recreates the 1950s fashion world.
Author: Roberta C. Carr
Publisher: Palmer/Pletsch Publishing
ISBN: 9780935278286
Category : Crafts & Hobbies
Languages : en
Pages : 0
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Book Description
Couture is an attitude--a non-complex way of thinking about sewing. It's about concepts--how to approach a technique, or a way of accomplishing a particular look. In this book, Carr expresses her philosophy--that there is no one way to do anything in couture sewing--and discusses alternative techniques. Illustrations and photos throughout.
Author: Andrew Bolton
Publisher: Metropolitan Museum of Art
ISBN: 0300191855
Category : Art
Languages : en
Pages : 244
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Book Description
Examines the impact of punk on fashion, focusing on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture.
Author: Pamela Golbin
Publisher: Rizzoli Publications
ISBN: 0847849058
Category : Design
Languages : en
Pages : 241
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Book Description
Late legendary couturiers of modern fashion speaking eloquently about life, design, and inspiration. Vionnet, Chanel, Dior, Saint Laurent, McQueen—these names define haute couture, and long after the designers have passed away, their influence on fashion continues to be profound. In an exceptional compilation of the original words of these couturiers, Couture Confessions provides a unique and in-depth look at the lives and work of these fashion icons. In this engaging, beautifully designed book, Pamela Golbin, acclaimed chief curator of twentieth-century fashion and textiles at Paris’s Musée des Arts Décoratifs, has ingeniously constructed conversations in the designers’ own words that highlight their compelling personal stories as well as essential fashion "moments"—from designers Paul Poiret, Cristóbal Balenciaga, Madame Grès, Alexander McQueen, Madeleine Vionnet, and Gabrielle Chanel to Elsa Schiaparelli, Yves Saint Laurent, Jeanne Lanvin, Pierre Balmain, and Christian Dior.Featuring striking illustrations by internationally recognized illustrator Yann Legendre, each "interview" asks the questions every fashion lover has always wanted to ask, making these legends approachable, human, and ever more inspiring.
Author: Michelle Jones
Publisher: MIT Press
ISBN: 0262046571
Category : History
Languages : en
Pages : 319
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Book Description
How design collaboration, networks, and narratives contributed to the establishment of a recognized English couture industry in the 1930s and 1940s. In the 1930s and 1940s, English fashion houses, spurred by economic and wartime crises, put London on the map as a major fashion city. In this book, Michelle Jones examines the creation of a London-based couture industry during these years, exploring how designer collaboration and the construction of specific networks and narratives supported and shaped the English fashion economy. Haute couture—the practice of creative made-to-measure womenswear—was widely regarded as inherently French. Jones shows how an English version emerged during a period of economic turbulence, when a group of designers banded together in a collective effort to shift power within the international fashion system. Jones considers the establishment of this form of English design practice, analyzing the commercial, social, and political factors that shaped the professional identity of the London couturiers. She focuses on collaborative activity that supported this form of elite, craft-based fashion production—from the prewar efforts of the Fashion Group of Great Britain to the wartime establishment of the Incorporated Society of London Fashion Designers, modeled loosely after French fashion’s governing body, the Chambre Syndicale de la Couture Parisienne. It was these collective efforts by couturiers that established and sustained London’s place as an internationally recognized center for creative fashion.
