Author: Philip Lambert
Publisher: Yale University Press
ISBN: 9780300105346
Category : Music
Languages : en
Pages : 266
Book Description
With this innovative analysis of the music of Charles Ives, Philip Lambert fills a significant gap in the literature on one of America's most important composers. Lambert offers the first large-scale theoretical study of Ives's repertoire, encompassing major works in all genres. He argues that systematic techniques governed Ives's compositional language and thinking about music, even in his unconventional and apparently unstructured pieces. He portrays Ives as a composer of great diversity and complexity who nevertheless held to a single artistic vision. Using modes of analysis for post-tonal music and approaches devised specifically for the study of Ives as well, the author explains the origin, evolution, and culmination of Ives's systematic methods. He discusses important aspects of the composer's early training, the relation between Ives's experimental and his concert music, Ives's fugal and canonic techniques as the basis for his systematic music, his paradigms of procedure and transformation, and pitch relations in Ives's music, particularly the unfinished Universe Symphony. Lambert refutes the popular image of Ives as a highly eccentric composer haphazardly casting about for arbitrarily regulated ways of generating musical material and instead portrays him as a keenly determined and resourceful artist who gradually discovered ever more powerful tools for creating remarkably original music.
The Music of Charles Ives
Author: Philip Lambert
Publisher: Yale University Press
ISBN: 9780300105346
Category : Music
Languages : en
Pages : 266
Book Description
With this innovative analysis of the music of Charles Ives, Philip Lambert fills a significant gap in the literature on one of America's most important composers. Lambert offers the first large-scale theoretical study of Ives's repertoire, encompassing major works in all genres. He argues that systematic techniques governed Ives's compositional language and thinking about music, even in his unconventional and apparently unstructured pieces. He portrays Ives as a composer of great diversity and complexity who nevertheless held to a single artistic vision. Using modes of analysis for post-tonal music and approaches devised specifically for the study of Ives as well, the author explains the origin, evolution, and culmination of Ives's systematic methods. He discusses important aspects of the composer's early training, the relation between Ives's experimental and his concert music, Ives's fugal and canonic techniques as the basis for his systematic music, his paradigms of procedure and transformation, and pitch relations in Ives's music, particularly the unfinished Universe Symphony. Lambert refutes the popular image of Ives as a highly eccentric composer haphazardly casting about for arbitrarily regulated ways of generating musical material and instead portrays him as a keenly determined and resourceful artist who gradually discovered ever more powerful tools for creating remarkably original music.
Publisher: Yale University Press
ISBN: 9780300105346
Category : Music
Languages : en
Pages : 266
Book Description
With this innovative analysis of the music of Charles Ives, Philip Lambert fills a significant gap in the literature on one of America's most important composers. Lambert offers the first large-scale theoretical study of Ives's repertoire, encompassing major works in all genres. He argues that systematic techniques governed Ives's compositional language and thinking about music, even in his unconventional and apparently unstructured pieces. He portrays Ives as a composer of great diversity and complexity who nevertheless held to a single artistic vision. Using modes of analysis for post-tonal music and approaches devised specifically for the study of Ives as well, the author explains the origin, evolution, and culmination of Ives's systematic methods. He discusses important aspects of the composer's early training, the relation between Ives's experimental and his concert music, Ives's fugal and canonic techniques as the basis for his systematic music, his paradigms of procedure and transformation, and pitch relations in Ives's music, particularly the unfinished Universe Symphony. Lambert refutes the popular image of Ives as a highly eccentric composer haphazardly casting about for arbitrarily regulated ways of generating musical material and instead portrays him as a keenly determined and resourceful artist who gradually discovered ever more powerful tools for creating remarkably original music.
The Musical Standard
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 428
Book Description
A Course of Instruction on Canon and Fugue
Author: Salomon Jadassohn
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 204
Book Description
COURSE OF INSTRUCTION ON CANON AND FUGUE
Author: SALOMON. JADASSOHN
Publisher:
ISBN: 9781033175668
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033175668
Category :
Languages : en
Pages : 0
Book Description
Heinrich Schenker
Author:
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
4000-4999, Arts; 5000-5999, Theology; 6000-6999, Philosophy and education
Author: Princeton University. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 630
Book Description
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 630
Book Description
A Course of Instruction on Canon and Fugue
Author: Salomon Jadassohn
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
Book Description
Dictionary Catalog of the Music Collection
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 662
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 662
Book Description
The Study of Fugue
Author: Alfred Mann
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Etude
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 336
Book Description
Includes music.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 336
Book Description
Includes music.