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Author: Mark Sheerin
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220711
Category : Art
Languages : en
Pages : 424
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Book Description
What is counterculture? – It’s an alternative lifestyle... – The ideas that spread a revolution... – A movement that changes the world... This new collection of essays celebrates the incredible originality of British post-war culture. British Art, film, theatre, dance, literature and music have attracted international recognition, from the Angry Young Men to the Sex Pistols to Grayson Perry. Now gaming, the internet and social media enable creative communities to flourish and either fight for social justice – or just be entertained,. Can we find the creative inspiration to succeed in a post-capitalist future? ‘...a wonderfully scholarly, readable and useful treat on the perils of labelling culture.’ – Helen Lederer, Comedienne 'It is the delinquents, deviants and subversive Counterculturalists that embody the true grittiness of British Culture. Subversive and volatile beings of anarchy, freeing the masses from the commodification of commercialised ‘expression’. Lurking in the margins, Mark Edwards in Counterculture UK - A Celebration, expresses the liberated and reactionary nature of dance to mainstream culture through his euphoric exploration of free expression, movement and identity. A sensitive reflection of the youth within the ‘northern powerhouse’ during socially and politically turbulent times that hyperextends itself to our present day discourses. As dance is digitised through meme and viral media so to does the Counterculturalist, constantly dancing their own revolution and liberating those who dare to be free in expression.' ***** – Kristian Gath, QWERTY Theatre 'This is a good introduction to a diverse range of topics, some of which, of course, will hold more interest than others, but I think overall most are dealt with in a knowledgeable and capable way. The writers know the subjects well enough that they can provide a clear overview as well as zoom in on the specific events or people who drove the movement or changes within the different fields and I like that we get different voices for each chapter. There is nothing new or revolutionary in the book and the examples provided for most of the topics would be well-known (to the point of mainstream...) to most people, but I still rather enjoyed reading the individual essays and seeing it in a context where the impact of certain events are shown on a variety of different stages. The book can be used as a short starter to the different subjects. If you want to delve deeper, there is not much help in the book, but as long as you are aware of that from the outset, I doubt it will disappoint.' **** - JBM 1776 Amazon 100 Reviewer 'I found it interesting when the author questioned the idea of whether "counter culture" declines when it becomes the "culture" and is therefore no longer pushing against anything. I also enjoyed the way the author reminded the reader that the new technology of today's world really helps give space for people to explore their interests/fantasies and share them with others. I wonder where that will take us in the future?' **** – Gemma Raishbrook, Amazon
Author: Mark Sheerin
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220711
Category : Art
Languages : en
Pages : 424
Get Book Here
Book Description
What is counterculture? – It’s an alternative lifestyle... – The ideas that spread a revolution... – A movement that changes the world... This new collection of essays celebrates the incredible originality of British post-war culture. British Art, film, theatre, dance, literature and music have attracted international recognition, from the Angry Young Men to the Sex Pistols to Grayson Perry. Now gaming, the internet and social media enable creative communities to flourish and either fight for social justice – or just be entertained,. Can we find the creative inspiration to succeed in a post-capitalist future? ‘...a wonderfully scholarly, readable and useful treat on the perils of labelling culture.’ – Helen Lederer, Comedienne 'It is the delinquents, deviants and subversive Counterculturalists that embody the true grittiness of British Culture. Subversive and volatile beings of anarchy, freeing the masses from the commodification of commercialised ‘expression’. Lurking in the margins, Mark Edwards in Counterculture UK - A Celebration, expresses the liberated and reactionary nature of dance to mainstream culture through his euphoric exploration of free expression, movement and identity. A sensitive reflection of the youth within the ‘northern powerhouse’ during socially and politically turbulent times that hyperextends itself to our present day discourses. As dance is digitised through meme and viral media so to does the Counterculturalist, constantly dancing their own revolution and liberating those who dare to be free in expression.' ***** – Kristian Gath, QWERTY Theatre 'This is a good introduction to a diverse range of topics, some of which, of course, will hold more interest than others, but I think overall most are dealt with in a knowledgeable and capable way. The writers know the subjects well enough that they can provide a clear overview as well as zoom in on the specific events or people who drove the movement or changes within the different fields and I like that we get different voices for each chapter. There is nothing new or revolutionary in the book and the examples provided for most of the topics would be well-known (to the point of mainstream...) to most people, but I still rather enjoyed reading the individual essays and seeing it in a context where the impact of certain events are shown on a variety of different stages. The book can be used as a short starter to the different subjects. If you want to delve deeper, there is not much help in the book, but as long as you are aware of that from the outset, I doubt it will disappoint.' **** - JBM 1776 Amazon 100 Reviewer 'I found it interesting when the author questioned the idea of whether "counter culture" declines when it becomes the "culture" and is therefore no longer pushing against anything. I also enjoyed the way the author reminded the reader that the new technology of today's world really helps give space for people to explore their interests/fantasies and share them with others. I wonder where that will take us in the future?' **** – Gemma Raishbrook, Amazon
Author: James Clarke
Publisher: Aurora Metro Publications Ltd.
ISBN: 095663298X
Category : Art
Languages : en
Pages : 220
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Book Description
SHORTLISTED FOR PEOPLE'S BOOK PRIZE This is an essential guide to the evolving and dynamic world of digital media. Explains how the media lab as a place (actual or virtual) encourages, nurtures and provides tangible support for creative talents and their projects. While the focus of the book is on filmmaking and gaming, the author also delves into the ‘brave new worlds’ of Virtual Reality and Augmented Reality. Providing an overview of the range of media labs on offer in both academia and festivals, the book is enriched by interviews with contemporary practitioners working in digital media culture around the world. Reviews “... an inspirational and timely new resource, packed with contacts, leading edge initiatives, tips from seasoned media practitioners .... It can’t fail to help you get new creative content made, and seen, around the world.” – Nic Millington, CEO Rural Media “With digital technologies and the blurring of creative boundaries changing the way that content is made and seen, this book proves an invaluable guide for those looking to successfully navigate this constantly evolving landscape.” – Nikki Baughan, Film Industry Journalist About the author James Clarke has written for the magazines 3D Artist, 3DWorld, Moviescope and Empire. His work has also featured in The Guardian, on BBC Radio 3 and for the BFI. As an educator he is a Fellow of the Higher Education Academy and has taught at the University of Gloucestershire, Hereford College of Arts and the University of Warwick. James is currently a Visiting Lecturer at the London Film School. James’s books include the recently published Through Her Lens: The Stories Behind the Photography of Eva Sereny (ACC Books), The Year of the Geek (Aurum Press) and Bodies in Heroic Motion: The Cinema of James Cameron (Columbia University Press). James also writes A Level Film Studies resources for Edusites and has been a consultant to the British Council, writing and producing content on the subject of various literary icons.
Author: Kevin Brownlow
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220703
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry. “The surprise of the essays collected here is their sheer volume in every corner of a business apparently better able to accommodate female talent then than now..” Danny Leigh, Financial Times, July 2016 “ It's a fascinating journey into the untold history of a largely lost era of film..” Greg Jameson, Entertainment Focus, March 2016 "This book shows how women's voices were heard and helped create the golden age of silent cinema, how those voices were almost eradicated by the male-dominated film industry, and perhaps points the way to an all-inclusive future for global cinema..” Paul Duncan, Film Historian “Inspirational and informative, Silent Women will challenge many people's ideas about the beginnings of film history. This fascinating book roams widely across the era and the diverse achievements and voices of women in the film industry. These are the stories of pioneers, trailblazers and collaborators - hugely enjoyable to read and vitally important to publish.” Pamela Hutchinson, Silent London “Every page begs the question - how on earth did these amazing women vanish from history in the first place? I defy anyone interested in cinema history not to find this valuable compendium a must-read. It's also a call to arms for more research into women's contribution and an affirmation of just how rewarding the detective work can be.” Laraine Porter, Co-Artistic Director of British Silent Film Festival “An authoritative and illuminating work, it also lends a pervasive voice to the argument that discrimination and not talent is the barrier to so few women occupying the most prominent roles within the industry." Jason Wood, Author and Visiting Professor at MMU “I was amazed to discover just how crucially they were involved from not just in front of the camera but in producing, directing, editing and much, much more. An essential read.” Neil McGlone. The Criterion Collection
Author: Ellen Cheshire
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220738
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
A comprehensive overview of the director Jane Campion and her work. Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, she has attracted many ‘A’ List Hollywood actors to appear in her films. Who else but Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in The Piano, or for the multi award-winning Kate Winslet to pee down her legs in the middle of the desert in Holy Smoke? Campion is also an outspoken champion in recent debates about the lack of women in senior creative positions within the film industry. This book covers Jane Campion’s remarkable career from her Palme d’Or winning debut short film Peel to her recent return to television with the Top of the Lake series, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand. Reviews “Ellen Cheshire’s rich and thoughtful study accessibly and incisively gets us to the heart of why Jane Campion’s films connect with viewers around the world. This book is hugely enjoyable and insightful.” -- James Clarke, Writer, Media Labs, what you need to know. "I've been fascinated with Jane Campion's career ever since I saw "The Piano" make its debut at the movie theater. Ellen Cheshire did a very good job in detailing the gifted Campion's "brilliant career..." ****-- Diane H, NetGalley "The strength of the book for me is the critical analysis from early short films to box office successes, ranging from the actors involved and the awards gained. I particularly like the appraisal of mood, colour, camera angles and locations which brings the movies alive again for me. A bit like those special box sets and DVDs that carried extra edited bits and alternative scenes/endings." **** -- Richard L, Net Galley About the author Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. For Supernova Books, she has also written In the Scene: Ang Lee, and contributed to Silent Women; pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK; a celebration eds. Rebecca Gillieron and Cheryl Robson.
Author:
Publisher: Simon and Schuster
ISBN: 1510730745
Category : Music
Languages : en
Pages : 339
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Book Description
As the fiftieth anniversary of the Woodstock festival nears, Woodstock 1969 stands out for its singular voice. Photojournalist Jason Lauré followed his unerring instinct for being in the right place at the crucial moment. He and coauthor Ettagale Blauer trace the historic events that preceded the festival and then envelop the reader with photographs of the headliner rock stars that performed during the landmark three-day concert including the Who, Janis Joplin, Grace Slick of Jefferson Airplane, and Santana. Threading his way back and forth from the stage, through a sea of happy audience members, Jason Lauré photographed the communal life that was an essential part of the phenomenon that was Woodstock. Never intrusive, yet working close-up, he managed to capture these innocent moments in the pond and in the woods with the same compassion and intimacy he brought to his coverage of all the crucial events of the era. After Woodstock, he photographed such legends as Jimi Hendrix, Tina Turner, and Jim Morrison of the Doors. Woodstock 1969 gives the reader an appreciation of the lasting impact of the festival, showing the way it changed the lives of all who experienced it. It served as the high point of the counterculture that started in earnest in the Summer of Love, and also as a leading influence in the decades that followed. The book concludes with a look at Woodstock's lasting legacy, from Greenwich Village and the rock scene of the Fillmore East to the establishment of Earth Day and the burgeoning environmental movement.
Author: Ellen Cheshire
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220754
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
Ang Lee came to the fore in the 1990s as one of the ‘second wave’ of Taiwanese directors. After studying at New York University, Lee returned to Taiwan where over the next three consecutive years he directed three comedy-dramas focusing on aspects of the East vs. West culture and its impact on the family – Pushing Hands, The Wedding Banquet, Eat Drink Man Woman. Considering Lee’s background it is surprising that he should be approached to direct the most British of novels, Jane Austen’s Sense And Sensibility. It was a tremendous critical and commercial success. Since then Lee’s projects have been both eclectic and striking – he took on the American suburbs of the 1970s and the war-torn American South of the 1860s in The Ice Storm and Ride With The Devil. But it was his triumphant return to the East with Crouching Tiger, Hidden Dragon which has transformed him into an internationally successful director. He followed this with his somewhat flawed foray into the Marvel Universe with Hulk. His heartbreaking adaptation of Annie Proulx’s short story Brokeback Mountain brought him international critical and commercial success. But forever the genre and language-hopping director, Lee’s next films were much smaller in scale and reach – Lust, Caution (a Chinese erotic espionage thriller) and Taking Woodstock (American comedy-drama). His most recent film was an adaptation of Yann Martel’s The Life of Pi pushed the boundaries of CGI animation and showed how a director with great visual flair could enhance a film with 3D. His continual desire for embracing new technology divided critics and audiences for Billy Lynn’s Long Halftime Walk, an adaptation of Ben Fountain’s 2012 Iraq-war set novel, and The Gemini Man with Will Smith. ABOUT THE AUTHOR Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. She is also one of a team of four writers for the new A Level WJEC Film Text Book published in 2018. For us, she has written In the Scene: Jane Campion and In the Scene: Ang Lee, and contributed to Silent Women: Pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK: a celebration eds. Rebecca Gillieron and Cheryl Robson. With a foreword by Professor James Wicks James Wicks, Ph.D. writes about pop culture. He is the author of two books. Transnational Representations: The State of Taiwan Cinema in the 1960s and 1970s (Hong Kong University Press, 2014), and An Annotated Bibliography of Taiwan Film Studies (Columbia University Press, 2016) with Jim Cheng and Sachie Noguchi. He grew up in Taiwan, completed his dissertation on Chinese Cinema at the University of California, San Diego in 2010, and is currently a Professor of Literature and Film Studies at Point Loma Nazarene University in San Diego, California where he teaches World Cinema and Postcolonialism courses.
Author: Stephen Glynn
Publisher: Routledge
ISBN: 1000224864
Category : Social Science
Languages : en
Pages : 91
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Book Description
This concise yet comprehensive study explores the emblematic journey by four young men from Liverpool from the epicentre of teen-led youth culture to the experimentation of the counterculture and beyond. Beginning with the celebration of Britain’s own ‘youthquake’ in the joyous and genre-shifting A Hard Day’s Night (1964), the author delves into how the Beatles’ film work allows us to chart their subsequent musical maturation and retreat from the tribulations of stardom in Help!, their tentative attempts at improvised filming in the televised Magical Mystery Tour (1967), their acceptance of cartoon representations as leaders of the hippie counterculture in Yellow Submarine (1968), and the final implosion of their musical dynamic in the recording studios of Let It Be (1970). The book analyses how, as they grew with their fanbase, the Beatles’ films alternate stylistically between mimetic representation and allegorical interpretation, and switch narratively between fan-filled and welcoming worlds, to films relaying introspection and isolation. Offering an in-depth case study of the successes and failures of British youth culture in a volatile decade, The Beatles and Film is an engaging text for both scholars and general readers alike.
Author: Nicholas Saunders
Publisher:
ISBN: 9780950162867
Category : England
Languages : en
Pages : 368
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Book Description
Author: Ailsa Grant Ferguson
Publisher: Routledge
ISBN: 1135041857
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Addressing for the first time Shakespeare’s place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new theories on the nature and application of Shakespearean appropriations in the light of postmodern modes of representation. The book considers the nature of the Shakespearean inter-text in subcultural political contexts concerning the politicized aesthetics of a Shakespearean ‘body in pieces,’ the carnivalesque, and notions of Shakespeare as counter-hegemonic weapon or source of empowerment. Representative films use Shakespeare (and his accompanying cultural capital) to challenge notions of capitalist globalization, dominant socio-cultural ideologies, and hegemonic modes of expression. In response to a post-modern culture saturated with logos and semiotic abbreviations, many such films play with the emblematic imagery and references of Shakespeare’s texts. These curious appropriations have much to reveal about the elusive nature of intertextuality in late postmodern culture and the battle for cultural ownership of Shakespeare. As there has yet to be a study that isolates and theorizes modes of Shakespearean production that specifically demonstrate resistance to the social, political, ideological, aesthetic, and cinematic norms of the Western world, this book expands the dialogue around such texts and interprets their patterns of appropriation, adaptation, and representation of Shakespeare.
Author: Mark Edward
Publisher: Springer
ISBN: 3319699989
Category : Performing Arts
Languages : en
Pages : 119
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Book Description
This book is an anthology of Mark Edward’s creative practice-led projects. It transmits and communicates his research through varied artistic means, primarily contemporary dance, immersive art installation, drag performance, and photography. Through the innovative practice of 'mesearch', in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance. Instead of being an attempt to undervalue or challenge the accepted notions of style within academic research, it promotes a freedom of expression which allows greater fluidity between the researcher, the performer, and the writer.
