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Author: Cosima Wagner
Publisher: HarperCollins
ISBN: 9780002161305
Category : Composers
Languages : en
Pages : 1199
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Book Description
Author: Cosima Wagner
Publisher: HarperCollins
ISBN: 9780002161305
Category : Composers
Languages : en
Pages : 1199
Get Book Here
Book Description
Author: Geoffrey Skelton
Publisher:
ISBN:
Category :
Languages : en
Pages : 1160
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Book Description
Author: Cosima Wagner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 0
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Book Description
Author: Cosima Wagner
Publisher:
ISBN: 9780151126354
Category : Composers
Languages : en
Pages : 0
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Book Description
Author: Nicholas Vazsonyi
Publisher: University Rochester Press
ISBN: 9781580461689
Category : Music
Languages : en
Pages : 260
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Book Description
Richard Wagner's "Die Meistersinger von Nürnberg" has been one of the most performed operas ever since its premier in 1868, as it epitomizes themes of Germanness. This volume examines the representation of German history in the opera and the way it has functioned in history through political appropriation and staging practice. in performance.
Author: Leah Garrett
Publisher: Purdue University Press
ISBN: 1612491529
Category : Religion
Languages : en
Pages : 160
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Book Description
A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhäuser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. In the original medieval myth, a Christian knight lives in sin with the seductive pagan goddess Venus in the Venusberg. He escapes her clutches and makes his way to Rome to seek absolution from the Pope. The Pope does not pardon Tannhäuser and he returns to the Venusberg. During the course of A Knight at the Opera, readers will see how Tannhäuser evolves from a medieval knight, to Heine's German scoundrel in early modern Europe, to Wagner's idealized German male, and finally to Peretz's pious Jewish scholar in the Land of Israel. Venus herself also undergoes major changes from a pagan goddess, to a lusty housewife, to an overbearing Jewish mother. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it, and he even had the Second Zionist Congress open to the music of Tannhäuser's overture. A Knight at the Opera uses Tannhäuser as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo.
Author: Richard Wagner
Publisher: Penguin UK
ISBN: 0241305861
Category : Music
Languages : en
Pages : 448
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Book Description
A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.
Author: Weaver Santaniello
Publisher: Taylor & Francis
ISBN: 1351142585
Category : Philosophy
Languages : en
Pages : 99
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Book Description
This book explores the historical contextualization of Nietzsche's thought, focusing on Nietzsche's controversial Thus Spoke Zarathustra. The fourth part of Nietzsche's Zarathustra consists of Zarathustra's encounter with eight 'higher men' whom Zarathustra meets in succession on his path during the day. The prophet then invites each individual to his cave for the evening festivities, culminating in a blasphemous festival in which his guests worship an ass as God. Revealing each guest's specific characteristics and very distinct roles, Santaniello also attempts to discern 'who' these guests are or represent (historically) through glimpsing the characteristics specific to each representative guest (as portrayed by Nietzsche), and through careful textual analysis, comparison with Nietzsche's other works, historical evidence, and previous scholarly research. This unique exploration of Thus Spoke Zarathustra offers students and researchers alike an invaluable new contribution to Nietzsche studies.
Author: Drew M. Dalton
Publisher: Northwestern University Press
ISBN: 0810146428
Category : Philosophy
Languages : en
Pages : 323
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Book Description
A provocative and entirely new account of ethical reasoning that reconceives the traditional understanding of ethical action negatively In this radical reconsideration of ethical reasoning in contemporary European philosophy, Drew M. Dalton makes the case for an absolutely grounded account of ethical normativity developed from a scientifically informed and purely materialistic metaphysics. Expanding on speculative realist arguments, Dalton argues that the limits placed on the nature of ethical judgments by Kant’s critique can be overcome through a moral evaluation of the laws of nature—specifically, the entropic principle that undergirds the laws of physics, chemistry, and biology. In order to extract a moral meaning from this simple material fact, Dalton scrutinizes the presumptions of classical accounts and traditional understandings of good and evil within the history of Western philosophy and ultimately asserts that ethical normativity can be reestablished absolutely without reverting to dogmatism. By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence.
Author: Joseph D. Kuzma
Publisher: Lexington Books
ISBN: 1498524397
Category : Philosophy
Languages : en
Pages : 169
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Book Description
In The Eroticization of Distance: Nietzsche, Blanchot and the Legacy of Courtly Love, Joseph D. Kuzma explores the significance of courtly erotic themes in Friedrich Nietzsche’s mature philosophy and in Maurice Blanchot’s writings of the 1940s and early 1950s. Rather than offering an account of erotic relationality that prioritizes reconciliation, fulfillment, or release, Nietzsche attempts to formulate a nonteleological eroticism that aims at nothing but the perpetual intensification of desire. Kuzma suggests that it is Blanchot who carries Nietzsche’s courtly erotic tendencies to their most provocative point, by highlighting potentials for intimate relationality that might be established through a shared experience of dispossession and loss. This first monograph to engage specifically with the theme of eroticism in Blanchot’s writings will be of interest not only to students and scholars of Nietzsche, Blanchot, or French philosophy, but also anyone interested in the philosophy of sexuality, the history of love, theories of the emotions, or nineteenth and twentieth-century European thought more generally.
