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Author: Theodor W. Adorno
Publisher: Polity
ISBN: 0745632009
Category : Biography & Autobiography
Languages : en
Pages : 145
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Book Description
In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to consider, with me, how such a work and I mean Leverkhns work could more or less be practically realized. Their close collaboration on questions concerning the character of the fictional composers putatively late works (Adorno produced specific sketches which are included as an appendix to the present volume) effectively laid the basis for a further exchange of letters. The ensuing correspondence between the two men documents a rare encounter of creative tension between literary tradition and aesthetic modernism which would be sustained right up until the novelists death in 1955. In the letters, Thomas Mann openly acknowledged his fascinated reading of Adornos Minima Moralia and commented in detail on the Essay on Wagner, which he was as eager to read as the one in the Book of Revelation consumes a book which tastes as sweet as honey. Adorno in turn offered detailed observations upon and frequently enthusiastic commendations of Manns later writings, such as The Holy Sinner, The Betrayed One and The Confessions of Felix Krull. Their correspondence also touches upon issues of great personal significance, notably the sensitive discussion of the problems of returning from exile to postwar Germany. The letters are extensively annotated and offer the reader detailed notes concerning the writings, events and personalities referred or alluded to in the correspondence.
Author: Theodor W. Adorno
Publisher: Polity
ISBN: 0745632009
Category : Biography & Autobiography
Languages : en
Pages : 145
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Book Description
In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to consider, with me, how such a work and I mean Leverkhns work could more or less be practically realized. Their close collaboration on questions concerning the character of the fictional composers putatively late works (Adorno produced specific sketches which are included as an appendix to the present volume) effectively laid the basis for a further exchange of letters. The ensuing correspondence between the two men documents a rare encounter of creative tension between literary tradition and aesthetic modernism which would be sustained right up until the novelists death in 1955. In the letters, Thomas Mann openly acknowledged his fascinated reading of Adornos Minima Moralia and commented in detail on the Essay on Wagner, which he was as eager to read as the one in the Book of Revelation consumes a book which tastes as sweet as honey. Adorno in turn offered detailed observations upon and frequently enthusiastic commendations of Manns later writings, such as The Holy Sinner, The Betrayed One and The Confessions of Felix Krull. Their correspondence also touches upon issues of great personal significance, notably the sensitive discussion of the problems of returning from exile to postwar Germany. The letters are extensively annotated and offer the reader detailed notes concerning the writings, events and personalities referred or alluded to in the correspondence.
Author: Library of Congress. Manuscript Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 424
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Book Description
"This calendar is No. 2 of the Calendars of the Washington Manuscripts. It covers Washington's correspondence with the military and naval officers of every rank of Continental and State troops, the French auxiliaries, foreign ministers and agents, and officers in the British service. It should be used in connection with Calendar No. 1 (The Correspondence of George Washington with the Continental Congress. Washington: 1906), entries from which are occasionally duplicated for convenience of reference"--Prefatory note
Author: Detlev Claussen
Publisher: Harvard University Press
ISBN: 0674029593
Category : Biography & Autobiography
Languages : en
Pages : 466
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Book Description
This book gives us our first clear look at how the man and his moment met to create “critical theory.” An intimate picture of the quintessential twentieth-century transatlantic intellectual, the book is also a window on the cultural ferment of Adorno’s day—and its ongoing importance in our own.
Author: Peter Szendy
Publisher: Fordham Univ Press
ISBN: 0823273970
Category : Music
Languages : en
Pages : 167
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Book Description
The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA’s warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping? All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence-gathering network called “Echelon.” Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft’s representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.
Author: Avihu Zakai
Publisher: State University of New York Press
ISBN: 1438471653
Category : History
Languages : en
Pages : 376
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Book Description
During 1942, the decisive battles of Stalingrad and El Alamein raged and the Nazi genocide was at its lethal peak. The Pen Confronts the Sword examines the shared motives behind four remarkable texts German exiles began writing that year: Thomas Mann's Doctor Faustus (1947); Ernst Cassirer's The Myth of the State (1946); Erich Auerbach's Mimesis: The Representation of Reality in Western Literature (1946); and Max Horkheimer and Theodor Adorno's Dialectic of Enlightenment (1944). Each identified a specific danger in Nazi ideology and mustered new theories, approaches, and sources to combat it. The books aimed to expose the encompassing catastrophes of German culture (Mann), politics (Cassirer), philology (Auerbach), and philosophy and sociology (Horkheimer and Adorno). Their scope, mastery, and sense of urgency constitute a comprehensive Kulturkampf (culture war) against Nazi barbarism. Avihu Zakai cogently analyzes each work, explains the context of its creation, and draws connections between these four landmark books in Western intellectual history.
Author: Gillian Rose
Publisher: Verso Books
ISBN: 1804290122
Category : Philosophy
Languages : en
Pages : 185
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Book Description
Marxist Modernism is a comprehensive yet concise and conversational introduction to the Frankfurt School. It is also a new resource from one of the twentieth century's most important philosophers: Gillian Rose. Her 1979 lectures on the Frankfurt School explore the lives and philosophies of a range of the school's members and affiliates, including Adorno, Lukcs, Brecht, Bloch, Benjamin, and Horkheimer, and outline the way each theorist developed Marx's theory of commodity fetishism into a Marxist theory of culture. Edited by Robert Lucas Scott and James Gordon Finlayson
Author: Paolo A. Bolaños
Publisher: Rowman & Littlefield
ISBN: 1793608032
Category : Philosophy
Languages : en
Pages : 211
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Book Description
Nietzsche and Adorno on Philosophical Praxis, Language, and Reconciliation: Towards an Ethics of Thinking offers a philosophical notion of an “ethics of thinking,” a kind of thinking that is receptive to the non-identical character of the world of human and non-human objects. Paolo A. Bolaños experiments with the ideas of Friedrich Nietzsche and Theodor W. Adorno, who are presented as contemporary proponents of the Frühromantik tradition. Bolaños offers a reconstruction of the respective philosophies of language of Nietzsche and Adorno, as well as a rehearsal of their critique of metaphysics and identity thinking, in order to develop a notion of philosophical praxis that is grounded in the ethical dimension of thinking. Via Nietzsche and Adorno, Bolaños argues that thinking’s performative participation in uncertainty broadens the domain of reason, thereby also broadening our conceptual capacities and our receptivity to new possibilities of thinking. As an ethical praxis, thinking guards itself from the error of solidification, thereby opening philosophy to a reconciliatory, as opposed to domineering, reception of the world.
Author: Steven Helmling
Publisher: Bloomsbury Publishing
ISBN: 1441170243
Category : Philosophy
Languages : en
Pages : 345
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Book Description
Adorno's Poetics of Critique is a critical study of the Marxist culture-critic Theodor W. Adorno, a founding member of the Frankfurt school and widely regarded today as its most brilliant exponent. Steven Helmling is centrally concerned with Adorno's notoriously difficult writing, a feature most commentators acknowledge only to set it aside on the way to an expository account of 'what Adorno is saying'. By contrast, Adorno's complex writing is the central focus of this study, which includes detailed analysis of Adorno's most complex texts, in particular his most famous and complicated work, co-authored with Max Horkheimer, Dialectic of Enlightenment. Helmling argues that Adorno's key motifs - dialectic, concept, negation, immanent critique, constellation - are prescriptions not merely for critical thinking, but also for critical writing. For Adorno the efficacy of critique is conditioned on how the writing of critique is written. Both in theory and in practice, Adorno urges a 'poetics of critique' that is every bit as critical as anything else in his 'critical theory.
Author: Alex Callinicos
Publisher: Routledge
ISBN: 1351370014
Category : Political Science
Languages : en
Pages : 722
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Book Description
In the past two decades, Marxism has enjoyed a revitalization as a research program and a growth in its audience. This renaissance is connected to the revival of anti-capitalist contestation since the Seattle protests in 1999 and the impact of the global economic and financial crisis in 2007–8. It intersects with the emergence of Post-Marxism since the 1980s represented by thinkers such as Jürgen Habermas, Chantal Mouffe, Ranajit Guha and Alain Badiou. This handbook explores the development of Marxism and Post-Marxism, setting them in dialogue against a truly global backdrop. Transcending the disciplinary boundaries between philosophy, economics, politics and history, an international range of expert contributors guide the reader through the main varieties and preoccupations of Marxism and Post-Marxism. Through a series of framing and illustrative essays, readers will explore these traditions, starting from Marx and Engels themselves, through the thinkers of the Second and Third Internationals (Rosa Luxemburg, Lenin and Trotsky, among others), the Tricontinental, and Subaltern and Post-Colonial Studies, to more contemporary figures such as Huey Newton, Fredric Jameson, Judith Butler, Immanuel Wallerstein and Samir Amin. The Routledge Handbook of Marxism and Post-Marxism will be of interest to scholars and researchers of philosophy, cultural studies and theory, sociology, political economics and several areas of political science, including political theory, Marxism, political ideologies and critical theory.
Author: M. Hall
Publisher: Springer
ISBN: 1137449950
Category : History
Languages : en
Pages : 226
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Book Description
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
