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Author: Eugene Nulman
Publisher: Routledge
ISBN: 1000407659
Category : Social Science
Languages : en
Pages : 152
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Book Description
Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time... In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism.
Author: Eugene Nulman
Publisher: Routledge
ISBN: 1000407659
Category : Social Science
Languages : en
Pages : 152
Get Book
Book Description
Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time... In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism.
Author: Eugene Nulman
Publisher: Taylor & Francis
ISBN: 1000407675
Category : Social Science
Languages : en
Pages : 149
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Book Description
Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time... In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism.
Author: Robert Alpert
Publisher: Edinburgh University Press
ISBN: 1399521683
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Discusses how the depiction of diseases in movies has changed over the last century and what these changes reveal about American culture Examines disease movies as a genre that has emerged over the last century and includes pandemic and zombie films Reveals the changes to the genre’s narratives over three broad time periods: the beginning of film through the 1980s, the 1990s through the mid-2000s, and the late 2000s and afterward Investigates the evolution of disease movies through three perspectives: historically notable films, remakes, and franchises Analyses disease movies in the context of the development of American, global capitalism and the fragmentation of the social contract Explains the role of disease movie narratives in the American experience of Covid American movies about infectious diseases have reflected and driven dominant cultural narratives during the past century. These movies – both real pandemics and imagined zombie outbreaks – have become wildly popular since the beginning of the 21st century. They have shifted from featuring a contained outbreak to an imagined containment of a known disease to a globalized, uncontainable pandemic of an unknown origin. Movie narratives have changed from identifying and solving social problems to a despair and acceptance of America’s failure to fulfil its historic social contract. Movies reflect and drive developments in American capitalism that increasingly advocates for individuals and their families, rather than communities and the public good. Disease movies today minimize human differences and envisage a utopian new world order to advance the needs of contemporary American capitalism. These movie narratives shaped reactions to the outbreak of Covid and reinforced individual responsibility as the solution to end the pandemic.
Author: Om Prakash Dwivedi
Publisher: Taylor & Francis
ISBN: 1040119522
Category : Fiction
Languages : en
Pages : 136
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Book Description
The book considers how identities have become more fractured since COVID-19, by thinking of COVID-19 in relation to other crises (economic, social, digital, and ecological) and by drawing parallels to literature, cinema, and visual art. COVID-19 was a type of apocalypse, a catastrophic destructive event that produced dystopian measures in its wake and drew uncanny parallels to dystopic works of literature and speculative fiction. Yet the pandemic was apocalyptic in another sense too. The word apocalypse derives from apokalupsis, which means disclosure or uncovering. In this way, COVID-19 also revealed the dystopian processes already at work in the world, including digital forms of surveillance as well as the asymmetries within populations and divides in health outcomes between the Global North and Global South. Indeed, societies that have experienced the horrors of settler colonialism have already survived apocalypses. COVID-19 serves then as a premonition for our climate emergency as well as an echo of other apocalyptic situations, both real and imagined. This book consists of essays from acclaimed theorists and scholars writing amid the pandemic and exposes the asymmetries of our divided world. The volume will be indispensable for scholars and researchers of literature, postcolonial studies, cultural studies, and comparative literature including post-apocalyptic and speculative fiction. The chapters in this book were originally published as a special issue of Journal of Postcolonial Writing and are accompanied by a new afterword.
Author: Anthony Larsson
Publisher: Taylor & Francis
ISBN: 1000636054
Category : Business & Economics
Languages : en
Pages : 315
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Book Description
Are pandemics the end of cities? Or, do they present an opportunity for us to reshape cities in ways making us even more innovative, successful and sustainable? Pandemics such as COVID-19 (and comparable disruptions) have caused intense debates over the future of cities. Through a series of investigative studies, Designing Smart and Resilient Cities for a Post-Pandemic World: Metropandemic Revolution seeks to critically discuss and compare different cases, innovations and approaches as to how cities can utilise nascent and future digital technology and/or new strategies in order to build stronger resilience to better tackle comparable large-scale pandemics and/or disruptions in the future. The authors identify ten separate societal areas where future digital technology can impact resilience. These are discussed in individual chapters. Each chapter concludes with a set of proposed "action points" based on the conclusions of each respective study. These serve as solid policy recommendations of what courses of action to take, to help increase the resilience in smart cities for each designated area. Securing resilience and cohesion between each area will bring about the metropandemic revolution. This book features a foreword by Nobel laureate Peter C. Doherty and an afterword by Professor of Urban Technologies, Carlo Ratti. It provides fresh and unique insights on smart cities and futures studies in a pandemic context, offers profound reflections on contemporary societal functions and the needs to build resilience and combines lessons learned from historical pandemics with possibilities offered by future technology.
Author: Eugene Nulman
Publisher: Routledge
ISBN: 9781032847726
Category : Social Science
Languages : en
Pages : 0
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Book Description
How Popular Culture Destroys our Political Imagination: Capitalism and its Alternatives in Film and Television explores the representations of capitalism, the state, and their alternatives in popular screen media texts. Acknowledging the problems that stem systemically from capitalism and the state, this book investigates an often-overlooked reason for why society struggles to imagine alternative economic and political systems in our neoliberal age: popular culture. The book analyzes over 400 screen media texts in search of critiques and alternative representations of these systems and demonstrates the ways in which film and television shape the way we collectively see the world and imagine our political futures. It suggests that popular culture is the answer to the question of why it is easier to imagine the end of the world than the end of capitalism. Contributing to the areas of sociology, media studies, and utopian studies, this book provides insights into the topic of popular culture and politics in a theoretically informed and entertaining manner. The book will be useful to both students and scholars interested in these topics, as well as activists and organizers seeking to make the world a better place.
Author: Yunsong Chen
Publisher: Routledge
ISBN: 1000412342
Category : Social Science
Languages : en
Pages : 272
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Book Description
Chen, He and Yan present a range of applications of multiple-source big data to core areas of contemporary sociology, demonstrating how a theory-guided approach to macrosociology can help to understand social change in China, especially where traditional approaches are limited by constrained and biased data. In each chapter of the book, the authors highlight an application of theory-guided macrosociology that has the potential to reinvigorate an ambitious, open-minded and bold approach to sociological research. These include social stratification, social networks, medical care, and online behaviours among many others. This research approach focuses on macro-level social process and phenomena by using quantitative models to statistically test for associations and causalities suggested by a clearly hypothesised social theory. By deploying theory-oriented macrosociology where it can best assure macro-level robustness and reliability, big data applications can be more relevant to and guided by social theory. An essential read for sociologists with an interest in quantitative and macro-scale research methods, which also provides fascinating insights into Chinese society as a demonstration of the utility of its methodology.
Author: Mariusz Finkielsztein
Publisher: Routledge
ISBN: 1000418863
Category : Social Science
Languages : en
Pages : 246
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Book Description
Introducing the notion of boredom into the academic context, Boredom and Academic Work proposes a fresh sociological perspective on boredom and academic work alike. It invites a reader to reflect on the essence of boredom and the nature of academic work from the sociological perspective. It constitutes methodological and conceptual guidance for all those interested in their own emotions both at work and outside. It also provides an original, interactional and essential definition of boredom and a novel standpoint for observing academic work, both in its systemic and practical level, and shows how the academic system influences its subjects' well-being, motivation, emotions, and practices. Covering various approaches from the qualitative methodology, linguistics, sociology of work, emotions, and higher education, and telling a story of research and teaching university staff, the book will be of interest to researchers in a broad range of areas and the general academic public as well.
Author: Chris Beasley
Publisher: Routledge
ISBN: 1317961765
Category : Social Science
Languages : en
Pages : 205
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Book Description
Internet Dating deals primarily with the experiences of UK and Australian daters, examining their online accounts to see what kinds of narratives, norms, emotions and ‘chemistry’ shape their dating. Has the emergence and growth of internet dating changed the dating landscape for the better? Most commentators, popular and academic, ask whether online dating is more efficient for individuals than offline dating. We prefer a socio-political perspective. In particular, the book illustrates the extent to which internet dating can advance gender and sexual equality. Drawing on the voices of internet daters themselves, we show that internet dating reveals how social change often arises in the unassuming, everyday and familiar. We also pay attention to often ignored older daters and include consideration of daters in Africa, Scandinavia, South America, Asia and the Middle East. Throughout, we explore the pitfalls and pleasures of men and women daters navigating unconventional directions towards more equitable social relations.
Author: Valérie de Courville Nicol
Publisher: Routledge
ISBN: 1000418758
Category : Social Science
Languages : en
Pages : 296
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Book Description
Showing how Americans have massively turned to a self-help empowerment model to manage chronic feelings of insecurity, Anxiety in Middle-Class America explains why no group has ever been as anxious about anxiety and interested in tackling it as a moral and personal problem. Anxiety is the focus of increasing preoccupation and intervention in middle-class America and the late modern world. It is reportedly the most common mental illness in the United States, affecting almost a quarter of its adult population every year. Views diverge on what this means. This work is for readers who are intrigued by the exponential rise in reported rates of anxiety across the lifespan and by all the talk about anxiety, dissatisfied with non-sociological and symptom-based accounts of mental health, and open-minded enough to consider the self-help phenomenon as more than an oppressive craze driven by capitalist industry, neoliberal ideology, complicit publishers, formulaic writers, and irreflexive consumers. In providing a sociologically informed account of some of the most widespread emotional troubles of late modern life and the unique historical pressures that promote them, this work will be of interest to researchers in a broad range of fields, from sociology, anthropology, and mind/body/society studies, to cultural history, communications, and social philosophy. It will also interest mental health professionals and cultural critics.
