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Author: Liam E. Semler
Publisher: Bloomsbury Publishing
ISBN: 1350213659
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
List of Figures and Tables Series Introduction Notes on Contributors Timeline -- Introduction Liam E. Semler (The University of Sydney, Australia) -- 1. -- The Critical Backstory Huw Griffiths (The University of Sydney, Australia) -- 2. -- Performance History Robert Ormsby (Memorial University, Newfoundland and Labrador, Canada) -- 3. -- The State of the Art Graham Holderness (University of Hertfordshire, UK) -- 4. -- New Directions: Putting Tongues in Wounds: The Search for an Honest Body in Coriolanus -- Anna Kamaralli (Independent Scholar) -- 5. -- New Directions: 'As if a man were author of himself': Fantasies of Omnipotence and Autonomy Evelyn Gajowski (University of Nevada, Las Vegas, USA) -- 6. -- New Directions: Hegel's Rome and Shakespeare's Coriolanus ? Grounds for Tragedy Jennifer Ann Bates (Duquesne University, USA) -- 7. -- New Directions: Coriolanus and the Datasphere Hugh Craig (University of Newcastle, Australia) -- 8. -- 'Teach my mind': Approaches and Resources for the Coriolanus Classroom Claire Hansen (James Cook University, Townsville, Australia) -- Notes Bibliography Index.
Author: Liam E. Semler
Publisher: Bloomsbury Publishing
ISBN: 1350213659
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
List of Figures and Tables Series Introduction Notes on Contributors Timeline -- Introduction Liam E. Semler (The University of Sydney, Australia) -- 1. -- The Critical Backstory Huw Griffiths (The University of Sydney, Australia) -- 2. -- Performance History Robert Ormsby (Memorial University, Newfoundland and Labrador, Canada) -- 3. -- The State of the Art Graham Holderness (University of Hertfordshire, UK) -- 4. -- New Directions: Putting Tongues in Wounds: The Search for an Honest Body in Coriolanus -- Anna Kamaralli (Independent Scholar) -- 5. -- New Directions: 'As if a man were author of himself': Fantasies of Omnipotence and Autonomy Evelyn Gajowski (University of Nevada, Las Vegas, USA) -- 6. -- New Directions: Hegel's Rome and Shakespeare's Coriolanus ? Grounds for Tragedy Jennifer Ann Bates (Duquesne University, USA) -- 7. -- New Directions: Coriolanus and the Datasphere Hugh Craig (University of Newcastle, Australia) -- 8. -- 'Teach my mind': Approaches and Resources for the Coriolanus Classroom Claire Hansen (James Cook University, Townsville, Australia) -- Notes Bibliography Index.
Author: Liam E. Semler
Publisher: Bloomsbury Publishing
ISBN: 135011121X
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Coriolanus is the last and most intriguing of Shakespeare's Roman tragedies. Critics, directors and actors have long been bewitched by this gripping character study of a warrior that Rome can neither tolerate nor do without. Caius Martius Coriolanus is a terrifying war machine in battle, a devoted son to a wise and ambitious mother at home, and an inflammatory scorner of the rights and rites of the common people. This Critical Reader opens up the extraordinary range of interpretation the play has elicited over the centuries and offers exciting new directions for scholarship. The volume commences with a Timeline of key events relating to Coriolanus in print and performance and an Introduction by the volume editor. Chapters survey the scholarly reaction to the play over four centuries, the history of Coriolanus on stage and the current research and thinking about the play. The second half of the volume comprises four 'New Directions' essays exploring: the rhetoric and performance of the self, the play's relevance to our contemporary world, an Hegelian approach to the tragedy, and the insights of computer-assisted stylometry. A final chapter critically surveys resources for teaching the play.
Author: Peter Kirwan
Publisher: Bloomsbury Publishing
ISBN: 1350270180
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
One of the earliest domestic tragedies, Arden of Faversham is a powerful Elizabethan drama based on the real-life murder of Thomas Arden. This Critical Reader presents the first collection of essays specifically focused upon Arden of Faversham. It highlights the way in which this important play from the early 1590s stands at several different critical intersections. Focused research chapters propose new directions for exploring the play in the light of ecocriticism, genre studies, critical race studies and narratives of dispossession. It also looks forward to Arden of Faversham's role and status in a less author-centred critical climate. Chapters explore how this anonymous and canonically marginal play has been approached in the past by scholars and theatre-makers and the frameworks that have offered productive insight into its unique features. The volume includes chapters covering a wide range of critical discourses and resources available for its study, as well as offering practical approaches to the play in the classroom.
Author: L. E. Semler
Publisher:
ISBN: 9781350111226
Category : Electronic books
Languages : en
Pages : 312
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Book Description
"Coriolanus is the last and most intriguing of Shakespeare's Roman tragedies. Critics, directors and actors have long been bewitched by this gripping character study of a warrior that Rome can neither tolerate nor do without. Caius Martius Coriolanus is a terrifying war machine in battle, a devoted son to a wise and ambitious mother at home, and an inflammatory scorner of the rights and rites of the common people. This Critical Reader opens up the extraordinary range of interpretation the play has elicited over the centuries and offers exciting new directions for scholarship. The volume commences with a Timeline of key events relating to Coriolanus in print and performance and an Introduction by the volume editor. Chapters survey the scholarly reaction to the play over four centuries, the history of Coriolanus on stage and the current research and thinking about the play. The second half of the volume comprises four 'New Directions' essays exploring: the rhetoric and performance of the self, the play's relevance to our contemporary world, an Hegelian approach to the tragedy, and the insights of computer-assisted stylometry. A final chapter critically surveys resources for teaching the play"--
Author: William Shakespeare
Publisher:
ISBN:
Category : Miniature books
Languages : en
Pages : 172
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Book Description
Author: Isabel Karremann
Publisher: Bloomsbury Publishing
ISBN: 1350282987
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted. With contributions from 14 leading and emergent experts in their fields, the collection forges innovative connections between spatial studies and cultural geography, cognitive studies, memory studies, phenomenology and the history of the emotions, gender and race studies, rhetoric and language, translation studies, theatre history and performance studies. Each chapter offers methodological reflections on intersections such as space/mobility, space/emotion, space/supernatural, space/language, space/race and space/digital, whose critical purchase is demonstrated in close readings of plays like King Lear, The Comedy of Errors, Othello and Shakespeare's history plays. They testify to the importance of space for our understanding of Shakespeare's creative and theatrical practice, and at the same time enlarge our understanding of space as a critical concept in the humanities. It will prove useful to students, scholars, teachers and theatre practitioners of Shakespeare and early modern studies.
Author: Domenico Lovascio
Publisher: Bloomsbury Publishing
ISBN: 1350049913
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: - Essays on the play's critical and performance history - A keynote essay on current research and thinking about the play - A selection of new essays by leading scholars - A survey of resources to direct students' further reading about the play in print and online Antony and Cleopatra is among Shakespeare's most enduringly popular tragedies. A theatrical piece of extraordinary political power, it also features one of his most memorable couples. Both intellectually and emotionally challenging, Antony and Cleopatra also tests the boundaries of theatrical representation. This volume offers a stimulating and accessible guide to the play that takes stock of the past and current situation of scholarship while simultaneously opening up fresh, thought-provoking critical perspectives.
Author: Efterpi Mitsi
Publisher: Bloomsbury Publishing
ISBN: 1350014176
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Troilus and Cressida: A Critical Reader offers an accessible and thought-provoking guide to this complex problem play, surveying its key themes and evolving critical preoccupations. Considering its generic ambiguity and experimentalism, it also provides a uniquely detailed and up-to-date history of the play's stage performance from Dryden's rewriting up to Mark Ravenhill and Elizabeth LeCompte's controversial 2012 production for the Royal Shakespeare Company and the Wooster Group. Moving through to four new critical essays, the guide opens up fresh perspectives on the play's iconoclastic nature and its key themes, ranging from issues of gender and sexuality to Elizabethan politics, from the uses of antiquity to questions of cultural translation, with particular attention paid on Troilus' “Greekness”. The volume finishes with a helpful guide to critical and web-based resources. Discussing the ways in which this challenging and acerbic play can be brought to life in the classroom, it suggests performance-based strategies, designed to engage with the dramaturgical and theatrical dimensions of the text; close-reading exercises with an emphasis on rhetoric, metaphor and the practice of “troping”; and a series of tools designed to situate the play in a range of contexts, including its classical and critical frameworks.
Author: Andrew James Hartley
Publisher: Bloomsbury Publishing
ISBN: 1474220398
Category : Drama
Languages : en
Pages : 296
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Book Description
This volume offers a practical, accessible and thought-provoking guide to this Roman tragedy, surveying its major themes and critical reception. It also provides a detailed and up-to-date history of the play's performance, beginning with its earliest known staging in 1599, including an analysis of the 2013 film Caesar Must Die starring Italian inmates, and an assessment of why the play is now coming back into vogue on stage. Moving through to four new critical essays, it opens up cutting-edge perspectives on the work, and finishes with a guide to pedagogical approaches by the experienced teacher and leading academic Jeremy Lopez. Detailing web-based and production-related resources, and including an annotated bibliography of critical works, the guide will equip teachers and facilitate students' understanding of this challenging play.
Author: Jennifer Kitchen
Publisher: Cambridge University Press
ISBN: 1108892256
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Active approaches to teaching Shakespeare are growing in popularity, seen not only as enjoyable and accessible, but as an egalitarian and progressive teaching practice. A growing body of resources supports this work in classrooms. Yet critiques of these approaches argue they are not rigorous and do little to challenge the conservative status quo around Shakespeare. Meanwhile, Shakespeare scholarship more broadly is increasingly recognising the role of critical pedagogy, particularly feminist and decolonising approaches, and asks how best to teach Shakespeare within twenty-first century understandings of cultural value and social justice. Via vignettes of schools' participation in Coram Shakespeare School Foundation's festival, this Element draws on critical theories of education, play and identity to argue active Shakespeare teaching is a playful co-construction with learners and holds rich potential towards furthering social justice-oriented approaches to teaching the plays.
