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Author: Francis M. Naumann
Publisher: Rutgers University Press
ISBN: 9780813531489
Category : Architecture
Languages : en
Pages : 298
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Book Description
Man Ray (1890-1976) has long been considered one of the most versatile and innovative artists of the twentieth century. As a painter, writer, sculptor, photographer, and filmmaker, he is best known for his intimate association with the French Surrealist group in Paris during the 1920s and 1930s, particularly for his highly inventive and unconventional photographic images. These remarkable accomplishments, however, have tended to overshadow the importance of his earlier work--significant not only for comprehending Man Ray's future artistic development, but also for fleshing out our understanding of the visual arts in America during one of the most important and crucial phases of the evolution of modernism. The book, and the exhibition for which this work will serve as the catalog, concentrate on Man Ray's production from 1907 to 1917. Conversion to Modernism will be the first comprehensive, fully illustrated work to examine this artist's seminal years. The show and the catalog begin with Man Ray's high school years in Brooklyn, his studies at the Art Students League and the American Academy in New York, and the time he spent in life drawing classes at the more progressive Ferrer Center From 1913 to 1915, Man Ray lived in a small artists' colony in Grantwood, New Jersey. It was here, studying with Samuel Halpert (a former student of Matisse), that Man Ray began to become the artist we know today. The last section of the show and of the book include recently discovered photographs and other works that are influenced by a knowledge of the emergent Dada movement. Here is Man Ray in recognizable form just before he leaves the country for France in 1921. This exhibit will first be on display at the Montclair Art Museum from January 26 through March 2003. It will then travel to museums in Athens, Georgia, Philadelphia, and Chicago.
Author: Francis M. Naumann
Publisher: Rutgers University Press
ISBN: 9780813531489
Category : Architecture
Languages : en
Pages : 298
Get Book Here
Book Description
Man Ray (1890-1976) has long been considered one of the most versatile and innovative artists of the twentieth century. As a painter, writer, sculptor, photographer, and filmmaker, he is best known for his intimate association with the French Surrealist group in Paris during the 1920s and 1930s, particularly for his highly inventive and unconventional photographic images. These remarkable accomplishments, however, have tended to overshadow the importance of his earlier work--significant not only for comprehending Man Ray's future artistic development, but also for fleshing out our understanding of the visual arts in America during one of the most important and crucial phases of the evolution of modernism. The book, and the exhibition for which this work will serve as the catalog, concentrate on Man Ray's production from 1907 to 1917. Conversion to Modernism will be the first comprehensive, fully illustrated work to examine this artist's seminal years. The show and the catalog begin with Man Ray's high school years in Brooklyn, his studies at the Art Students League and the American Academy in New York, and the time he spent in life drawing classes at the more progressive Ferrer Center From 1913 to 1915, Man Ray lived in a small artists' colony in Grantwood, New Jersey. It was here, studying with Samuel Halpert (a former student of Matisse), that Man Ray began to become the artist we know today. The last section of the show and of the book include recently discovered photographs and other works that are influenced by a knowledge of the emergent Dada movement. Here is Man Ray in recognizable form just before he leaves the country for France in 1921. This exhibit will first be on display at the Montclair Art Museum from January 26 through March 2003. It will then travel to museums in Athens, Georgia, Philadelphia, and Chicago.
Author: Robert D. Richardson
Publisher: HMH
ISBN: 0547526733
Category : Biography & Autobiography
Languages : en
Pages : 638
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Book Description
The definitive biography of the fascinating William James, whose life and writing put an indelible stamp on psychology, philosophy, teaching, and religion—on modernism itself. Often cited as the “father of American psychology,” William James was an intellectual luminary who made significant contributions to at least five fields: psychology, philosophy, religious studies, teaching, and literature. A member of one of the most unusual and notable of American families, James struggled to achieve greatness amid the brilliance of his theologian father; his brother, the novelist Henry James; and his sister, Alice James. After studying medicine, he ultimately realized that his true interests lay in philosophy and psychology, a choice that guided his storied career at Harvard, where he taught some of America’s greatest minds. But it is James’s contributions to intellectual study that reveal the true complexity of man. In this biography that seeks to understand James’s life through his work—including Principles of Psychology, The Varieties of Religious Experience, and Pragmatism—Robert D. Richardson has crafted an exceptionally insightful work that explores the mind of a genius, resulting in “a gripping and often inspiring story of intellectual and spiritual adventure” (Publishers Weekly, starred review). “A magnificent biography.” —The Washington Post
Author: David Lawrence Pike
Publisher: Cornell University Press
ISBN: 9780801431630
Category : Civilization, Medieval, in literature
Languages : en
Pages : 326
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Book Description
Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies. Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics. Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats--Weiss, Seamus Heaney, and Derek Walcott--exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present.
Author: Dennis Washburn
Publisher: BRILL
ISBN: 9047420330
Category : Social Science
Languages : en
Pages : 529
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Book Description
This volume fundamentally improves our understanding of processes like the secularization of society, and the growth of mass ideological movements, by looking upon these transformations to modernity as a species of conversion akin to religious conversion. The geographical areas covered by the contributors—the Ottoman domain, India, China, and Japan—provide striking examples of the dynamic force of conversion as a reaction to the tremendous pressures exerted by colonialism and imperialism and by the types of transformations constitutive of modernity.
Author: Jonathan FLATLEY
Publisher: Harvard University Press
ISBN: 0674036964
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.
Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
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Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Author: Samantha A. Noël
Publisher: Duke University Press
ISBN: 1478012897
Category : Art
Languages : en
Pages : 208
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Book Description
In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.
Author: Effie Rentzou
Publisher: Northwestern University Press
ISBN: 0810145081
Category : Literary Criticism
Languages : en
Pages : 493
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Book Description
How did the avant-garde imagine its interconnected world? And how does this legacy affect our understanding of the global today? The writers and artists of the French avant-garde aspired to reach a global audience that would be wholly transformed by their work. In this study, Effie Rentzou delves deep into their depictions of the interwar world as an international and modern landscape, one marked by a varied cosmopolitanism. The avant-garde’s conceptualization of the world paralleled, rejected, or expanded prevailing notions of the global sphere. The historical avant garde—which encompassed movements like futurism, Dada, and surrealism—was self-consciously international, operating across global networks and developed with the whole world as its horizon and its public. In the heady period between the end of the Belle Époque and the tumult of World War II, both individual artists (including Guillaume Apollinaire, Blaise Cendrars, Francis Picabia, Louis Aragon, Leonora Carrington, and Nicolas Calas) and collective endeavors (such as surrealist magazines and exhibitions) grappled with contemporary anxieties about economic growth, imperialism, and colonialism, as well as various universalist, cosmopolitan, and internationalist visions. By probing these works, Concepts of the World offers an alternative narrative of globalization, one that integrates the avant-garde’s enthusiasm for, as well as resistance to, the process. Rentzou identifies within the avant-garde a powerful political language that expressed the ambivalence of living and creating in an increasingly globalized world—a language that profoundly shaped the way the world has been conceptualized and is experienced today.
Author: Andrea Knutson
Publisher: Oxford University Press, USA
ISBN: 0195370929
Category : Biography & Autobiography
Languages : en
Pages : 201
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Book Description
This study examines how the concept of conversion and specifically the legacy of the doctrine of preparation, as articulated in Puritan Reform theology as transplanted to the Massachusetts Bay colony, remained a vital cultural force shaping developments in American literature and philosophy. It begins by discussing the testimonies of conversion collected by the Puritan minister Thomas Shepard, which reveal an active pursuit of belief by prospective church members occurring at the intersection of experience, perception, doctrine, affections, and intellect. This pursuit of belief, codified in the morphology of conversion, and originally undertaken by the Puritans as a way to conceptualize redemption in a fallen state, established the epistemological contours for what Jonathan Edwards, Ralph Waldo Emerson, and William James would theorize as a conductive imaginary-consciousness imagined as a space organized or that self-organizes around the dynamics and tensions between abstract truth and concrete realities, certainty and uncertainty, and perception and objects perceived. Each writer offers a picture of consciousness as both a receptive and active force responsible for translating the effects of experience and generating original relations with self, community, and God. This study demonstrates that each writer "ministered" to their audiences by articulating a method or habit of mind in order to foster an individual's continual efforts at regeneration, conceived by all the subjects of this study as a matter of converting semantics, that is, a dedicated willingness to seeking out personal and cultural renewal through the continual process of attaching new meaning and value to ordinary contexts.
Author: Fr. Donald Haggerty
Publisher: Ignatius Press
ISBN: 1621642119
Category : Religion
Languages : en
Pages : 270
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Book Description
This book by the acclaimed spiritual writer Fr. Haggerty offers penetrating observations into the phenomenon of Christian conversion. Arranged as a collection of concise, meditative reflections on various topics associated with conversion, it takes up many issues that are not often linked in spirituality to the crucial moment of a soul's return to God in conversion. The repercussions of sin, the proper understanding of mercy, the importance of a more radical response to the will of God, are naturally given attention. But, more unusually, the reflections in this book also treat other issues that ensue in the immediate aftermath of a conversion that can make the difference between a mediocre life with God and a truly holy life. The focus in certain chapters on love for the poor, on simplicity of lifestyle, on devotion to the Eucharist, as special graces that awaken in the immediate period after a conversion, is not commonly noted. The treatment of a "second conversion" in life is likewise a provoking contribution to enhance our desire to cross a decisive threshold of greater depth in our relations with God. The prospect of embracing a deep passion for God in our lives is the thematic undercurrent within the pages of this work.
