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Author: Peter Stebbing
Publisher: Anthroposophic Press
ISBN:
Category : Architecture
Languages : en
Pages : 228
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Book Description
The purpose of this illustrated volume of first-hand recollections is to increase appreciation in the world for Rudolf Steiner's artistic contributions to modern culture. The authors represented in Conversations about Painting with Rudolf Steiner offer insights into Steiner's intentions as he responded to artists' questions about the deeper, spiritual aspects of painting, color, and role of the arts as a whole in culture and society. Peter Stebbing's inspiration for translating these conversations was an early reading of Hilde Boos-Hamburger's book on Steiner's "new art impulse" (included here). Through the years, Stebbing also came to recognize the importance of other artists who were influenced by Steiner. Margarita Voloschin, for example, describes the inner transformation required of artists who wish to deepen their artistic sensibilities as described by Rudolf Steiner. Henni Geck, though she wrote little on art, is an important figure in this school of artistic renewal through having elicited numerous training sketches from Steiner. Assya Turgenieff was a pioneer artist who worked with stained glass. Her discussion of the artistic approach she used--which incorporated both color and sculpting techniques--can be applied to other visual arts as well. Conversations about Painting with Rudolf Steiner is an extraordinary contribution to a deeper understanding of the "anthroposophic" arts. Richly illustrated, this volume will warrant serious study and frequent rereading and browsing. A great book for the coffee table. CONTENTS: MARIA STRAKOSCH-GIESLER "Indications Given by Rudolf Steiner to a Painter" "A Color Meditation Given by Rudolf Steiner" "The Human Form and Color" "Recollections of Two Lectures by Rudolf Steiner on Painting" "About Maria Strakosch-Giesler" by Peter Stebbing HILDE BOOS-HAMBURGER "Preliminary Remarks" "Experiences in Painting the Cupolas of the First Goetheanum" "The Struggle for the Underlying Principles of a New Spiritualized Painting Impulse" "Some Experiences in Teaching Older Children" "About Hilde Boos-Hamburger" by Roy Wilkinson & Jan Pohl HENNI GECK "The Sketches Given by Rudolf Steiner 1922-1924" "The Motif Sketches of Rudolf Steiner" by Fritz Billing "The Work in Painting at the Goetheanum with Henni Geck" by Clara Bosshardt "On Studying in Henni Geck's Painting School" by Gerard Wagner "About Henni Geck" by Ernst Marti "Recollections of the Teacher" by Walter Roggenkamp "Thoughts on Method" by Bettina Roder "Henni Geck's Quest" by Ingrid Stinzing-Eriksson MARGARITA VOLOSCHIN "Self-portrait" "Memory-Pictures from a Time of Intensive Work" "How Rudolf Steiner Himself Painted in the Small Cupola" by Luise Clason "About Margarita Voloschin" by Rosemarie Wermbter ASSYA TURGENIEFF "Working on 'Light and Dark'" "Recollections of the Beginning of Studies in Light and Dark" "A Drawing Class with Rudolf Steiner" by Daniel J. van Bemmelen "About Assya Turgenieff" by Jakob Streit & Christiane Haid Also includes an afterword and a selected bibliography.
Author: Peter Stebbing
Publisher: Anthroposophic Press
ISBN:
Category : Architecture
Languages : en
Pages : 228
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Book Description
The purpose of this illustrated volume of first-hand recollections is to increase appreciation in the world for Rudolf Steiner's artistic contributions to modern culture. The authors represented in Conversations about Painting with Rudolf Steiner offer insights into Steiner's intentions as he responded to artists' questions about the deeper, spiritual aspects of painting, color, and role of the arts as a whole in culture and society. Peter Stebbing's inspiration for translating these conversations was an early reading of Hilde Boos-Hamburger's book on Steiner's "new art impulse" (included here). Through the years, Stebbing also came to recognize the importance of other artists who were influenced by Steiner. Margarita Voloschin, for example, describes the inner transformation required of artists who wish to deepen their artistic sensibilities as described by Rudolf Steiner. Henni Geck, though she wrote little on art, is an important figure in this school of artistic renewal through having elicited numerous training sketches from Steiner. Assya Turgenieff was a pioneer artist who worked with stained glass. Her discussion of the artistic approach she used--which incorporated both color and sculpting techniques--can be applied to other visual arts as well. Conversations about Painting with Rudolf Steiner is an extraordinary contribution to a deeper understanding of the "anthroposophic" arts. Richly illustrated, this volume will warrant serious study and frequent rereading and browsing. A great book for the coffee table. CONTENTS: MARIA STRAKOSCH-GIESLER "Indications Given by Rudolf Steiner to a Painter" "A Color Meditation Given by Rudolf Steiner" "The Human Form and Color" "Recollections of Two Lectures by Rudolf Steiner on Painting" "About Maria Strakosch-Giesler" by Peter Stebbing HILDE BOOS-HAMBURGER "Preliminary Remarks" "Experiences in Painting the Cupolas of the First Goetheanum" "The Struggle for the Underlying Principles of a New Spiritualized Painting Impulse" "Some Experiences in Teaching Older Children" "About Hilde Boos-Hamburger" by Roy Wilkinson & Jan Pohl HENNI GECK "The Sketches Given by Rudolf Steiner 1922-1924" "The Motif Sketches of Rudolf Steiner" by Fritz Billing "The Work in Painting at the Goetheanum with Henni Geck" by Clara Bosshardt "On Studying in Henni Geck's Painting School" by Gerard Wagner "About Henni Geck" by Ernst Marti "Recollections of the Teacher" by Walter Roggenkamp "Thoughts on Method" by Bettina Roder "Henni Geck's Quest" by Ingrid Stinzing-Eriksson MARGARITA VOLOSCHIN "Self-portrait" "Memory-Pictures from a Time of Intensive Work" "How Rudolf Steiner Himself Painted in the Small Cupola" by Luise Clason "About Margarita Voloschin" by Rosemarie Wermbter ASSYA TURGENIEFF "Working on 'Light and Dark'" "Recollections of the Beginning of Studies in Light and Dark" "A Drawing Class with Rudolf Steiner" by Daniel J. van Bemmelen "About Assya Turgenieff" by Jakob Streit & Christiane Haid Also includes an afterword and a selected bibliography.
Author: Caroline Chanter
Publisher: Rudolf Steiner Press
ISBN: 1855845954
Category : Art
Languages : en
Pages : 666
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Book Description
A Life with Colour is the first complete survey of Gerard Wagner’s biography and his artistic intentions, featuring dozens of illustrations and more than 120 colour plates. The life and work of Gerard Wagner (1906-1999) were closely aligned to the artistic-spiritual stream connected with the Goetheanum in Dornach, Switzerland. He first heard of the Goetheanum – and of its destruction by fire at New Year 1922/23 – whilst still a youth. In 1926, he made his first visit to Dornach, but his intended stay of a week turned into a lifelong sojourn of over 73 years. He found there an active, striving community with which he felt intimately connected. From the start, Gerard Wagner immersed himself in the various artistic impulses that Rudolf Steiner had instigated. This, together with an intensive study of anthroposophy, formed the basis upon which he forged his own approach to painting. The many years he spent in colour experimentation led him to discover objective principles within the language of colour and form that are an inspiration to many today. His paintings, first shown at the Goetheanum in the early 1940s, were exhibited internationally, most notably at the Menshikov Palace, Hermitage Museum, St Petersburg, Russia, in 1997. ‘[Wagner’s] whole being bowed before the mystery of colour in a loving, joyful yet serious way, full of devotion and dignity. His life and work itself became a living metaphor of the creative power of colour.’ – Christian Hitsch ‘ Caroline Chanter has not only accomplished a great and seminal study that illuminates the life and work of Gerard Wagner, but has done a great service also to the Goetheanum and its School of Spiritual Science.’ – Peter Selg ‘[Gerard Wagner was] a soul which on earth was devoted so selflessly and in such purity to the beings that are revealed… in forms and colours. He helped them to utterance and manifestation in this world of ours.’ – Sergei O. Prokofieff
Author: Rudolf Steiner
Publisher: Collected Works of Rudolf Steiner
ISBN: 9781621481898
Category : Anthroposophy
Languages : en
Pages : 0
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Book Description
An Author's Summary, 1888 Four Essays Written between 1890 and 1898 Eight Lectures between 1909 and 1921 (CW 271) "The challenge of saying something about art was personal for Rudolf Steiner. He experienced it as deeply connected with his biography. It is not for nothing that, in the last lecture of this volume, he points to his repeated attempts to develop a new approach and new forms of expression for speaking about art. We find at least three forms of this attempted approach in this book." --Zvi Szir (from the introduction) The subject, practice, and vital importance of art was a thread that ran through Rudolf Steiner's life, from his early work as a scholar of Goethe, through his time as an editor of a literary and arts journal in Berlin in the 1890s, and to his two and a half decades as a spiritual researcher and teacher. Understanding and articulating the significance of art was a perennial challenge for Rudolf Steiner. This volume of Steiner's Collected Works is unique in that it showcases a survey of both early written works and later lectures to anthroposophic audiences, and in doing so presents a picture of a lifetime of intensive effort to convey something essential about the arts. Beginning with his early philosophical work and literary criticism at the end of the nineteenth century and on into his later lectures, this volume follows Steiner's endeavor to reveal in words the mystery obscured by the vague concept of what "art" is. Viewed as a whole, this volume forms one of the most provocative collections of the twentieth century on the subject of art. It offers a unique analysis of the origin, foundation, and method of the creative process. This book is a translation of Kunst und Kunsterkenntnis: Grundlagen einer neuen Ästhetik, 3rd edition, published by Rudolf Steiner Verlag, Dornach, Switzerland, 2010 (GA 271).
Author: Hilde Raske
Publisher: Rudolf Steiner Press
ISBN: 1855846608
Category : Religion
Languages : en
Pages : 290
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Book Description
Rudolf Steiner’s architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings’ paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the ‘complete work of art’ that was the first Goetheanum burned down on New Year’s Eve 1922 – so today we can only get an impression of the lost paintings and windows from Rudolf Steiner’s pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner’s draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.
Author: Rudolf Steiner
Publisher: Collected Works of Rudolf Steiner
ISBN: 9780880106276
Category : Anthroposophy
Languages : en
Pages : 0
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Book Description
Rudolf Steiner understood that the history of art is a field in which the evolution of consciousness is symptomatically and transparently revealed. This informal sequence of thirteen lectures was given during the darkest hours of World War I. It was a moment when the negative consequences of what he called the age of the consciousness soul, which began around 1417, were made most terribly apparent. In these lectures he sought to provide an antidote to pessimism. After describing the movement of consciousness from Greece into Rome, coupled with influences from the Orthodox East, he showed how these influences transformed as the Middle Ages became the Renaissance. The process that begins with Cimabue and Giotto develops, deepens, and becomes more conscious in the great Renaissance masters Leonardo, Michelangelo, and Raphael. Then this movement continues with the Northern masters, D rer and Holbein, as well as the German tradition. One entire lecture is devoted to Rembrandt, followed by one on Dutch and Flemish paintings. Themes are woven together to show how past epochs of consciousness and art live again in our consciousness-soul period. Replete with interesting information and more than 600 color and black-and-white images, these lectures are rich and dense with ideas, enabling us to understand both the art of the Renaissance and the transformation of consciousness it announced. These lectures demonstrate (to paraphrase Shelley) that artists truly are the unacknowledged legislators of the age.
Author: Rudolf Steiner
Publisher: SteinerBooks
ISBN: 0880109998
Category : Art
Languages : en
Pages : 340
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Book Description
14 lectures, Stuttgart, August 21-September 5, 1919 (CW 294) How do Waldorf teachers put their educational ideals into practice in the classroom? How does a teacher connect geography and art and language in a way that enlivens the souls of children? What does a child's respect for the teacher mean for later life? These are only a few practical aspects of this initial course for Waldorf teachers. During an intensive two weeks, Rudolf Steiner gave three simultaneous educational courses to those who would be the first teachers of the original Waldorf school. One course provided the foundational ideas behind Waldorf education (The Foundations of Human Experience); another provided a forum for questions and lively discussions on specific issues in the classroom (Discussions with Teachers). In this course, Steiner takes the middle-path by integrating theory and practice. Here, Steiner spoke of new ways to teach reading, writing, geography, geometry, language, and much more. His approach is tailored to the spiritual and physical needs of the children themselves, not to an arbitrary curriculum based solely on external results. At a time when public education is in a state of crisis, this book describes how children around the world are being guided into adulthood with a fuller sense of themselves and with a creative approach to life and the world around them. German source: Erziehungskunst. Methodisch-Didaktisches (GA 294).
Author: Rudolf Steiner
Publisher: Rudolf Steiner Press
ISBN: 1855843129
Category : Art
Languages : en
Pages : 199
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Book Description
Within the Mystery cultures of ancient history, art, science and religion formed a unity that offered direction and spiritual nourishment to the broader society. Today, art, science and religion can again be reunited. However, as Marie Steiner indicates in her introduction to these lectures, these aspects of our culture need rejuvenation through fresh spiritual understanding and knowledge. Art cannot be renewed through compromise, but only by returning to the spiritual foundations of life. As she says: "The remedy lies in unlocking the wisdom of the Mysteries and presenting it to humanity in a form adapted to contemporary needs." In these wide-ranging lectures, Rudolf Steiner offers spiritual insight for the modern day into a revitalised world of the arts. His themes include: the relation of art to technology, the moral experience of the worlds of colour and music, the legendary Norwegian Dream Song of Olaf Åsteson, and the relationship between the various arts of architecture, sculpture, painting, music, poetry, eurythmy and the human being.
Author: Marie Groddeck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 58
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Book Description
Author: Gerard Wagner
Publisher: Steiner Books
ISBN: 9783905919943
Category : Art and anthroposophy
Languages : en
Pages : 0
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Book Description
"The human being is the most exalted, indeed the true subject of visual art." -- J. W. Goethe, Propylaea "...when we speak of visual art...it is above all a matter of understanding how everything in the visual arts ultimately aims at, proceeds from, and creates out of the human form. -- Rudolf Steiner, Becoming Fully Human, p. 43 "The actual underlying problem in painting in our time can be designated as 'depicting the spirit form of the human being out of the color.'" -- Maria Strakosch-Giesler, Die erlöste Sphinx, 1955 Based on Rudolf Steiner's indications, Gerard Wagner shows a wholly new approach to the human form in art. The Art of Colour and the Human Form presents the seven motif sketches concerned with the "spirit form of the human being," as well as numerous studies that Gerard Wagner painted over a period of thirty years. The intention of this volume is to present an artistic approach to these unique motifs and to indicate their potential "color build-up." The Art of Colour and the Human Form contributes to a more comprehensive understanding of this new direction in art.
Author: Elisabeth Wagner-Koch
Publisher: Rudolf Steiner Press
ISBN: 1855842262
Category : Art
Languages : en
Pages : 130
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Book Description
"What is postulated here is not the dogmatic laying down of a way of working. Rather the aim is to make evident one possible means of access to an experience of the color world ... and guide actual practice to Rudolf Steiner's sketch motifs--to their eminent educational power--for we recognize in them a path that can become of great significance to the developing human soul." (from the introduction) This unique workbook describes the early stages of training for painters, teachers, as well as for beginners. The stages are based on recommendations by Rudolf Steiner for the development of a renewed art of painting for our time. The book draws on Steiner's indications for teaching painting in the first Waldorf school, his lectures on color and art, and sketches he made for painters. Together, they form a self-contained system of exercises for a new, spiritually alive art. (Photo: The authors, Gerard Wagner and Elisabeth Wagner-Koch, in the garden of their house in Dornach, Switzerland.)
