Contribution à l'étude des chambres à dérivé du détecteur magnétique DM2 PDF Download
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Author: Denis L'Hote
Publisher:
ISBN:
Category :
Languages : fr
Pages : 53
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Book Description
Author: Denis L'Hote
Publisher:
ISBN:
Category :
Languages : fr
Pages : 53
Get Book Here
Book Description
Author: Denis L'Hote (docteur en physique nucléaire.)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 53
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Book Description
Author: Martine Drouet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 108
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Book Description
Author: A.. CORDIER
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Book Description
IDENTIFICATION DES PARTICULES PAR MESURE PRECISE DE LEUR QUANTITE DE MOUVEMENT OBTENUE EN MESURANT LA COURBURE DE LEUR TRAJECTOIRE DANS UN CHAMP MAGNETIQUE. LE DETECTEUR MAGNETIQUE EST CONSTITUE D'UN ELECTROAIMANT ET DE QUATRE CHAMBRES PROPORTIONNELLES MULTIFILS CYLINDRIQUES A LECTURES ANODIQUE ET CATHODIQUE, COAXIALES AUX FAISCEAUX. CARACTERISTIQUES DES CHAMBRES MULTIFILS A DETECTION CATHODIQUE. ESSAIS DE CHAMBRES CYLINDRIQUES PROTOTYPES
Author: Roger Maignien
Publisher:
ISBN:
Category : Laterite
Languages : en
Pages : 168
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Book Description
Background, definition and scope of the problem; Morphological and analytical characteristics of laterites; Global distribution of laterites; Origin of laterites; Classification of laterites.
Author: David Murray Gates
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 176
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Book Description
Author: Lourens G. M. Baas Becking
Publisher:
ISBN:
Category : Growth
Languages : en
Pages : 0
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Book Description
Author: Bridget Escolme
Publisher: Springer Nature
ISBN: 3030571491
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.
