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Author: Françoise Cohen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
Cette exposition présente la photographie comme déclencheur de l'oeuvre. Le néologisme de contre-images, formé sur le modèle du contretype, permet d'identifier des démarches où l'oeuvre est marquée de ce contact à la photographie. Les oeuvres sélectionnées (C. Brancusi, D. Buren, J. Coleman ...) se fondent sur le décalage d'une photo prise avant ou après, et à partir de l'oeuvre.
Author: Françoise Cohen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
Cette exposition présente la photographie comme déclencheur de l'oeuvre. Le néologisme de contre-images, formé sur le modèle du contretype, permet d'identifier des démarches où l'oeuvre est marquée de ce contact à la photographie. Les oeuvres sélectionnées (C. Brancusi, D. Buren, J. Coleman ...) se fondent sur le décalage d'une photo prise avant ou après, et à partir de l'oeuvre.
Author: James A. Leith
Publisher: University of Regina Press
ISBN: 9780889771086
Category : Art
Languages : en
Pages : 384
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Book Description
From 18-26 September 1996, the Department of History of the University of Regina hosted a colloquium entitled, Symbols, Myths and Images of the French Revolution, in honour of James A. Leith (Queen's University), a leading historian of revolutionary France for over three decades who began his teaching career in Saskatchewan. The colloquium brought together an international panel of scholars to discuss the visual imagery, propaganda, and cultural dimensions of the French Revolution--a subject which, since Professor Leith began his career, has come to occupy an ever larger place in revolutionary historiography.
Author:
Publisher: BRILL
ISBN: 900429872X
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
Author: Sigmund Mowinckel
Publisher: Wipf and Stock Publishers
ISBN: 1725231050
Category : Religion
Languages : en
Pages : 170
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Book Description
Author:
Publisher: Odile Jacob
ISBN: 2738169996
Category :
Languages : en
Pages : 899
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Book Description
Author: Theodora Antonopoulou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501501569
Category : History
Languages : en
Pages : 382
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Book Description
This volume presents a broad array of contributions on Byzantine literature and culture, in which well-known Byzantinists approach topics of ceremonial, education, historiography, hagiography, homiletics, law, philology, philosophy, prosopography, rhetoric and theology. New editions and analyses of texts and documents are included. The essays combine traditional scholarship with newer approaches, thus reflecting the current dynamics of the field.
Author: Alex Hughes
Publisher: UNM Press
ISBN: 9780826328250
Category : History
Languages : en
Pages : 308
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Book Description
How are photographs understood as narratives? In this book twenty-two original critical essays tackle this overarching question in a series of case studies moving chronologically across the history of photography from the 1840s to the twenty-first century. The contributors explore the intersections of photography with history, memory, autobiography, time, death, mapping, the discourse of Orientalism, digital technology, and representations of race and gender. The essays range in focus from the role of photographic images in the memorialization of the Holocaust, the Argentine "Dirty Warm," and Japanese American internment camps through Man Ray's classic image "Noire et blanche" and Nan Goldin's "The Ballad of Sexual Dependency" to the function of family albums in nineteenth-century England and America.
Author: Stephen Ullmann
Publisher: CUP Archive
ISBN:
Category : French fiction
Languages : en
Pages : 332
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Author: Claus Gunti
Publisher: transcript Verlag
ISBN: 3839439027
Category : Art
Languages : en
Pages : 353
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Book Description
In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«.
Author:
Publisher:
ISBN:
Category : Rites and ceremonies
Languages : en
Pages : 336
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Book Description
