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Author: I. Gregson
Publisher: Springer
ISBN: 0230379141
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Contemporary Poetry and Postmodernism explores the fraught relationship between the poetry of the mainstream and kinds of modernist poetry that have had to make their way outside it. Mainstream poets like Paul Muldoon, James Fenton and Carol Ann Duffy multiply voices and so draw on resources from the novel - Bakhtin's concept of the dialogic is therefore used to explain their techniques. By contrast, Shklovsky's concept of 'estrangement' is shown to be more useful in accounting for the radical experimentation of poets like Edwin Morgan, Christopher Middleton and Denise Riley. However, the book concludes by suggesting that - partly because of the influence of surrealism in women poets like Selima Hill and Jo Shapcott - the mainstream has recently been infiltrated by modernist and postmodernist estrangement effects.
Author: I. Gregson
Publisher: Springer
ISBN: 0230379141
Category : Literary Criticism
Languages : en
Pages : 269
Get Book
Book Description
Contemporary Poetry and Postmodernism explores the fraught relationship between the poetry of the mainstream and kinds of modernist poetry that have had to make their way outside it. Mainstream poets like Paul Muldoon, James Fenton and Carol Ann Duffy multiply voices and so draw on resources from the novel - Bakhtin's concept of the dialogic is therefore used to explain their techniques. By contrast, Shklovsky's concept of 'estrangement' is shown to be more useful in accounting for the radical experimentation of poets like Edwin Morgan, Christopher Middleton and Denise Riley. However, the book concludes by suggesting that - partly because of the influence of surrealism in women poets like Selima Hill and Jo Shapcott - the mainstream has recently been infiltrated by modernist and postmodernist estrangement effects.
Author: James Longenbach
Publisher: Oxford University Press, USA
ISBN: 0195101782
Category : American poetry
Languages : en
Pages : 222
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Book Description
Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.
Author: Ian Gregson
Publisher: Palgrave Macmillan
ISBN: 9780312159924
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Author: Kevin Walzer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Expansive poetry uses rhyme, meter, and narrative to make a poetic point; unlike much of 20th-century American poetry, which relies heavily on free verse and experimentation for poetic style and impact. Walzer, an associate editor at Cincinnati Poetry Review, believes that Expansive poets and their return to traditional forms have not been given their due in the current literary culture. He attempts to rectify this with a scholarly and detailed discourse on the movement's history and importance as well as some of its poets. Walzer's perspective is favorable but also fair. His critical study is needed if for no other reason than that it offers an informed opinion that opposes prevailing views. It should be noted that this work requires more than a technical appreciation of poetry?it demands an abiding love of its mysticism. --Library Journal.
Author: Paul Hoover
Publisher: W W Norton & Company Incorporated
ISBN: 9780393310900
Category : Poetry
Languages : en
Pages : 701
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Book Description
A survey of major poets and movements of American postmodern poetry includes more than four hundred poems by 103 poets
Author: Jennifer Ashton
Publisher: Cambridge University Press
ISBN: 1139448595
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.
Author: Jason Gladstone
Publisher: University of Iowa Press
ISBN: 160938427X
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Within the past ten years, the field of contemporary American literary studies has changed significantly. Following the turn of the twenty-first century and mounting doubts about the continued explanatory power of the category of “postmodernism,” new organizations have emerged, book series have been launched, journals have been created, and new methodologies, periodizations, and thematics have redefined the field. Postmodern/Postwar—and After aims to be a field-defining book—a sourcebook for the new and emerging critical terrain—that explores the postmodern/postwar period and what comes after. The first section of essays returns to the category of the “post-modern” and argues for the usefulness of key concepts and themes from postmodernism to the study of contemporary literature, or reevaluates postmodernism in light of recent developments in the field and historical and economic changes in the late twentieth and early twenty-first centuries. These essays take the contemporary abandonments of postmodernism as an occasion to assess the current states of postmodernity. After that, the essays move to address the critical shift away from postmodernism as a description of the present, and toward a new sense of postmodernism as just one category among many that scholars can use to describe the recent past. The final section looks forward and explores the question of what comes after the postwar/postmodern. Taken together, these essays from leading and emerging scholars on the state of twenty-first-century literary studies provide a number of frameworks for approaching contemporary literature as influenced by, yet distinct from, postmodernism. The result is an indispensable guide that seeks to represent and understand the major overhauling of postwar American literary studies that is currently underway.
Author: Alan Gilbert
Publisher: Wesleyan
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
What's next for contemporary poetry? How do we write and think about poetry and visual art in the wake of postmodernism? Questions like this are central to poetry and art, especially when taught within an academic context. Another Future is a collection of critical essays on contemporary poetry, art, culture, and politics that investigates the current state of these fields by bringing together writings on the work of a number of poets and visual artists. Reading the social poetically and poetry socially, Gilbert illuminates poetic and artistic practices in the present and creates a new discourse for thinking beyond postmodernism. Both meticulous and comprehensive, Another Future makes an important contribution to the critical discussion of contemporary poetry and cultural aesthetics. Essays cover authors, artists, and topics such as the Barbie Liberation Organization, Anselm Berrigan, Brenda Coultas, documentary aesthetics, Benjamin Friedlander, globalization, Andreas Gursky, Renee Gladman, Kevin Killian, David LaChapelle, Harryette Mullen, Mark Nowak, Keith Piper, pirate radio, "post-black" art, Martha Rosler, Edward Sanders, Andrew Schelling, Allan Sekula, September 11th, Prageeta Sharma, Roberto Tejada, Lorenzo Thomas, Anne Waldman, and the Zapatistas.
Author: Joseph M. Conte
Publisher: Cornell University Press
ISBN: 1501703226
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Drawing on the work of contemporary American poets from Ashbery to Zukofsky, Joseph M. Conte elaborates an innovative typology of postmodern poetic forms. In Conte's view, looking at recent poetry in terms of the complementary methods of seriality and proceduralism offers a rewarding alternative to the familiar analytic dichotomy of "open" and "closed" forms.
Author: James Longenbach
Publisher: Oxford University Press
ISBN: 0195356357
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of postmodern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets--John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur--Longenbach reveals that American poets since mid- century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time-- without asking us to choose between them.
