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Author: Olga Smith
Publisher: Leuven University Press
ISBN: 9462703442
Category : Photography
Languages : en
Pages : 233
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Book Description
This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière – to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown.
Author: Olga Smith
Publisher: Leuven University Press
ISBN: 9462703442
Category : Photography
Languages : en
Pages : 233
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Book Description
This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière – to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown.
Author: Agnès de Gouvion Saint-Cyr
Publisher: Rizzoli International Publications
ISBN:
Category : Photographers
Languages : en
Pages : 186
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Book Description
Exhibition catalog with 100 full page illustrations and 200 supporting pictures, covers development of contemporary photography in France. Includes critical texts and brief biographies of the photographers. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Andy Stafford
Publisher: Liverpool University Press
ISBN: 1846310520
Category : Photography
Languages : en
Pages : 257
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Book Description
What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality.
Author: Ari J. Blatt
Publisher: Liverpool University Press
ISBN: 1800855567
Category : Photography
Languages : en
Pages : 256
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Book Description
Since the early 1980s, art photographers from metropolitan France have been training their lenses on ordinary landscapes throughout the country they call home. The Topographic Imaginary is the first book to study this important and flourishing trend. It examines work by artists who meld documentary and creative modes to attune viewers to places that mainstream culture tends to tune out, but which, as Ari J. Blatt argues, are in fact more meaningful than they initially appear. From views of building sites in Paris, peri-urban edgelands, or a tangle of trees in a forest, to those that ponder the play of light and shadow on roadside fields in Normandy or the tacky colors painted on dated village shopfronts, images that signal the emergence of a “topographic turn” in contemporary French photography constitute new ways of seeing and sensing France’s diverse national territory. As Blatt suggests, they also represent a visual laboratory through which to investigate how landscape “scapes” our understanding of French culture. In their efforts to reimagine a more traditional and time-worn idea of France’s shared common space, topographic photographs animate conversations about capital and class; cities and their peripheries; the politics and impact of development; migration and borders; memory, history, and affect; empire and postcolonialism; national identity; and the changing environment. The Topographic Imaginary thus reveals how attending to place in pictures provides valuable insight into the disposition of a nation in flux.
Author:
Publisher: Flammarion
ISBN: 9782080203496
Category : Paris (France)
Languages : en
Pages : 0
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Book Description
This book captures every aspect of Paris and its inhabitants: urban acrobats take to the streets, a sandaled nun crosses the capital on a city bike, extravagant partygoers strike memorable silhouettes during gay pride, children frolic in city fountains on a steamy summer day, and aging friends enjoy an aperitif at Les Deux Magots. The Parisian landscape is illuminated through photographs of the snow-covered Canal Saint-Martin at night, the Ferris wheel at the Place de la Concorde, a balloon launch at the July Column, and a Bastille Day aerial parade of military planes leaving ribbons of blue, white, and red smoke in their wake. Rare glimpses behind the scenes include a table set for intimate dining in the Salon des Ambassadeurs at the presidential Élysée Palace, the empty stage at the Opéra Comique, and a taxidermist at work at the natural history museum. From amateur fashionistas strutting their stuff to tourists posing with masterpieces in the Louvre to miniature dogs in miniature coats, this is an authentic portrait of Paris today.
Author:
Publisher: Yale University Press
ISBN: 0300264275
Category : Photography
Languages : en
Pages : 336
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Book Description
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.
Author: Nan Richardson
Publisher: Umbrage Editions
ISBN: 9781884167485
Category : AJB: Individual photographers
Languages : en
Pages : 290
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Book Description
"Conversations is a landmark series in photography, featuring extensive interviews by major international critics with living masters on aesthetics, craft, and culture. The book traces the heritage of the medium in fascinating, informal discourses on topics ranging from the personal to the political, covering intimate detail and theoretical background alike. Complete with biographies, bibliographies, and self-portraits of each featured artist, it is both a vital record of contemporary photography and an engaging read."--BOOK JACKET.
Author: Peter Turnley
Publisher:
ISBN: 9780615859989
Category : Photography, Artistic
Languages : en
Pages : 144
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Book Description
Author: Juan Mulder
Publisher: Rm
ISBN: 9788417975357
Category : Photography
Languages : en
Pages : 316
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Book Description
Contemporary photography from Lima's renowned Jan Mulder Collection The Lima-based Jan Mulder collection presents its first catalog, featuring 80 works of contemporary photography from 20 different nationalities. Taking Robert Frank's visit to Perú in 1948 as its starting point, this volume presents a chronological survey of the collection.
Author: Charlotte Cotton
Publisher: Thames & Hudson
ISBN: 050077594X
Category : Photography
Languages : en
Pages : 448
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Book Description
A new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton. In the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. The Photograph as Contemporary Art introduces the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged directorial spectacles. Arranged thematically, the book reproduces work from a vast span of photographers, including Andreas Gursky, Barbara Kasten, Catherine Opie, Cindy Sherman, Deana Lawson, Diana Markosian, Elle Pérez, Gregory Halpern, Lieko Shiga, Nan Goldin, Paul Mpagi Sepuya, Pixy Liao, Susan Meiselas, and Zanele Muholi. This fully revised and updated new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Alongside previously featured work, Charlotte Cotton celebrates a new generation of artists who are shaping photography as a culturally significant medium for our current sociopolitical climate. A superb resource, The Photograph as Contemporary Art is a uniquely broad and diverse reflection of the field.
