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Author: Martin McLoone
Publisher: Bloomsbury Publishing
ISBN: 1838716424
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.
Author: Martin McLoone
Publisher: Bloomsbury Publishing
ISBN: 1838716424
Category : Performing Arts
Languages : en
Pages : 361
Get Book Here
Book Description
This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.
Author: James MacKillop
Publisher: Syracuse University Press
ISBN: 9780815605683
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
At a time when national cinemas in France and Japan have been marginalized on world screens, movies from and about Ireland have attracted huge audiences and captured top international prizes (The Crying Game), including an Academy Award (My Left Foot). In Contemporary Irish Cinema, James MacKillop takes a variety of approaches in the treatment of films and film makers. Essayists, like Harlan Kennedy, John Hill, Martin McLoon, and Brian Mcilroy, represent leading journalists and critics; other contributors include young scholars well grounded in current cinematic and literary theory. The authors probe cinema's rewriting of Irish history, from the controversial Michael Collins and In the Name of the Father to playwright Stewart Parker's overlooked miniseries on Ulster sectarianism, Lost Belongings. Jim Loter brings the writings of Martin Heidegger to bear on Cathal Black's dark comedy, Pigs. Attitudes toward the institutional church are revealed in Pamela Dolan's analysis of Playboys.
Author: Michael Patrick Gillespie
Publisher: Syracuse University Press
ISBN: 9780815631934
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
Author: Martin McLoone
Publisher: Bloomsbury Publishing
ISBN: 1838716432
Category : Juvenile Nonfiction
Languages : en
Pages : 264
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Book Description
This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.
Author: Werner Huber
Publisher:
ISBN: 9783700317401
Category : Ireland
Languages : en
Pages : 151
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Book Description
Author: Ruth Barton
Publisher: Routledge
ISBN: 1134468199
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.
Author: James MacKillop
Publisher: Syracuse University Press
ISBN: 9780815627982
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Movies from and about Ireland have attracted huge augiences, capturing top international prizes (The Crying Game) and an Academy Award (My Left Foot). In this text, contributors take a variety of approaches to the treatment of films and film makers. They probe cinema's rewriting of Irish history, from Michael Collins and In the Name of the Father to Lost Beginnings.
Author: Ruth Barton
Publisher:
ISBN: 9781526124449
Category : Motion pictures
Languages : en
Pages : 248
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Book Description
This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city.
Author: Isabelle le Corff
Publisher: Cambridge Scholars Publishing
ISBN: 144380424X
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
Cinemas of Ireland is a collection of fourteen essays which provide numerous approaches to the new Irish cinemascape from both an Irish and a European perspective. Highlighting the works of European scholars in Irish studies, it features a variety of noteworthy critical papers that explore the evolution of contemporary Irish cinema in an era of globalisation. The collection also stresses the rich interdisciplinary nature of Irish film studies, ranging from theoretical studies, gender studies, to political and historical studies. The list of films analysed includes among others Adam and Paul (2004), The Wind that Shakes the Barley (2006), Garage (2007), The Brave One (2007). This collective volume is aimed at all established and emerging scholars who work on Irish cinema and at all the readers who are interested in discovering contemporary Irish cinema in its evolution and in the issues it tackles.
Author: Díóg O'Connell
Publisher: Intellect Books
ISBN: 1841502766
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
With the success of such films as the Oscar winner Once, Irish film has been getting well-deserved international attention recently. New Irish Storytellers examines storytelling techniques and narrative strategies in contemporary Irish film. Revealing defining patterns within recent Irish cinema, this book explores connections between Irish cinematic storytellers and their British and American colleagues. Díóg O’Connell traces the creative output of Irish filmmakers today back to 1993, the year the Irish Film Board was reactivated, reinvigorating film production after a hiatus of seven years. Reflecting on this key and distinctive era in Irish cinema, this book explores how film gave expression to tensions and fissures in the new Ireland.
