Recite and Refuse PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Recite and Refuse PDF full book. Access full book title Recite and Refuse by Nick Admussen. Download full books in PDF and EPUB format.
Author: Nick Admussen
Publisher: University of Hawaii Press
ISBN: 0824856554
Category : Literary Criticism
Languages : en
Pages : 233
Get Book Here
Book Description
Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazines and in the unorthodox, experimental work of the avant-garde. Recite and Refuse makes the answers to our questions about prose legible by translating, surveying, and interpreting prose poems, and by studying the people, politics, and contexts that surround the writing of prose poetry. Author Nick Admussen argues that unlike most genres, Chinese prose poems lack a distinct size or shape. Their similarity to other prose is the result of a distinct process in which a prose form is recited with some kind of meaningful difference—an imitation that refuses to fully resemble its source. This makes prose poetry a protean, ever-changing group of works, channeling the language of science, journalism, Communist Party politics, advertisements, and much more. The poems look vastly different as products, but are made with a similar process. Focusing on the composition process allows Admussen to rewrite the standard history of prose poetry, finding its origins not in 1918 but in the obedient socialist prose poetry of the 1950s. Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to experimental artists such as Ouyang Jianghe and Xi Chuan. The volume features never-before seen English translations that range from the representative to the exceptional, culminating with Ouyang Jianghe’s masterpiece “Hanging Coffin.” Reading across the spectrum enables us to see the way that artists interact with each other, how they compete and cooperate, and how their interactions, as well as their creations, continuously reinvent both poetry and prose.
Author: Nick Admussen
Publisher: University of Hawaii Press
ISBN: 0824856554
Category : Literary Criticism
Languages : en
Pages : 233
Get Book Here
Book Description
Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazines and in the unorthodox, experimental work of the avant-garde. Recite and Refuse makes the answers to our questions about prose legible by translating, surveying, and interpreting prose poems, and by studying the people, politics, and contexts that surround the writing of prose poetry. Author Nick Admussen argues that unlike most genres, Chinese prose poems lack a distinct size or shape. Their similarity to other prose is the result of a distinct process in which a prose form is recited with some kind of meaningful difference—an imitation that refuses to fully resemble its source. This makes prose poetry a protean, ever-changing group of works, channeling the language of science, journalism, Communist Party politics, advertisements, and much more. The poems look vastly different as products, but are made with a similar process. Focusing on the composition process allows Admussen to rewrite the standard history of prose poetry, finding its origins not in 1918 but in the obedient socialist prose poetry of the 1950s. Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to experimental artists such as Ouyang Jianghe and Xi Chuan. The volume features never-before seen English translations that range from the representative to the exceptional, culminating with Ouyang Jianghe’s masterpiece “Hanging Coffin.” Reading across the spectrum enables us to see the way that artists interact with each other, how they compete and cooperate, and how their interactions, as well as their creations, continuously reinvent both poetry and prose.
Author: Paul Manfredi
Publisher:
ISBN: 9781604978629
Category : Literary Collections
Languages : en
Pages : 244
Get Book Here
Book Description
This book is in the Cambria Sinophone World Series (general editor: Victor H. Mair). *Includes rare color images. Chinese poetry, along with many other art forms in China, underwent a highly self-conscious transformation in the first decades of the twentieth century. Poetry, perhaps more than any other art form, did so under the heavy burden of a voluminous literary precedent, a precedent which was in its very format of patterned words inscribed on scrolls--a mark of the Chinese literati tradition. Turning away from this tradition seemed necessary in the context of a political, social, and cultural reform movement (which was designed to strengthen China in the face of increasing international pressure as well as domestic breakdown). At the same time, reforming a poetic tradition which had served as a principal touchstone of aesthetic accomplishment--from its role in Confucian canon as object of contemplation for correct action, to its function as a test of candidate's qualifications to govern through the civil service examination, to its function as national past-time in all manner of social gathering--was a major challenge. The result of such a predicament for poets throughout the twentieth century has been the compulsion to discover a poetic style which resonates with the modern world and yet is rooted in Chinese cultural experience. One way in which poets have been able to accomplish this is by relying on poetry's visuality, be it in the graphic properties of the writing system itself, the visual context of the presentation of the poetic texts, or the acute image details in the poems. The history of approximately one century of modern Chinese poetry production has been addressed broadly in scholarship, but such broad strokes tend to miss important dynamics which fall outside of general narratives. The importance of Chinese visual tradition to modern Chinese poets is a good case in point. Accordingly, this book addresses specific manifestations of the nexus connecting modernity and visuality in Chinese poetry. It begins with a discussion of May Fourth poetics as exemplified in the groundbreaking work of Li Jinfa, China's first "Symbolist" poet. From there the book traces notable developments of visuality in the new form or free verse writing (called Xinshi or "New Poetry") through mid-century modernist experiments in Taiwan (focusing on Ji Xian). From there the book then explores the avant-garde poetry of Luo Qing and Xia Yu before returning to mainland Chinese developments of Misty poets Yan Li and his contemporaries. The work concludes with a wide variety of poet-artists writing and exhibiting in the twenty-first century. Looking across this period of modern Chinese poetry's development, one is able to observe how important the visual-verbal dynamic has been to the innovation of poetic style and method. From the twenty-first century on, such multi-media expressions will likely continue to grow; this is a function of a Chinese aesthetic tradition pairing word and image and will continue to manifest in new and more inventive ways. This is an important book for Asian literary and art history studies and history collections
Author: W. N. Herbert
Publisher: Bloodaxe Books Limited
ISBN: 9781852248956
Category : Poetry
Languages : en
Pages : 359
Get Book Here
Book Description
Comprehensive anthology of contemporary Chinese poetry. Indispensable reading for anyone with an interest in the future not just of China, but of poetry.
Author: C. Lupke
Publisher: Springer
ISBN: 0230610145
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
This book brings together fresh research from experts on contemporary Chinese poetry, built upon one of the most glorious poetic traditions of any civilization in the world yet historically neglected by scholars in English. This comprehensive volume offers readable and provocative treatments of many of the most important Chinese poets of our age.
Author: Maghiel van Crevel
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
Get Book Here
Book Description
Language Shattered is both a history of poetry from the People's Republic of China and a case study of the oeuvre of a leading Chinese poet. After the stifling orthodoxy of the 1950s and early 1960s, the terror of the Cultural Revolution (1966-1976) brought official Chinese literature to a total standstill. At the same time, disillusioned youths were more or less accidentally exposed to a varied body of foreign literature and began writing underground poetry. In the 1980s this poetry scene, now above ground, became one of pluriformity and proliferation in both official and unofficial circuits. The brutal suppression of the 1989 Protest Movement gave it an exile offshoot. The historical overview in Part I of this book is complemented in Part II by a discussion of Duoduo's poetry. Duoduo's career as a poet reflects the vicissitudes of Chinese Experimental poetry - and his beautiful, headstrong poems merit attention in themselves. They show that Chinese poetry is not just of interest as a chronicle of Chinese politics, but as literature in its own right.
Author: Qingping Wang
Publisher:
ISBN: 9781556593307
Category : Poetry
Languages : en
Pages : 0
Get Book Here
Book Description
A poetic and powerful cultural exchange between the world's superpowers.
Author:
Publisher:
ISBN: 9781733194907
Category :
Languages : en
Pages : 286
Get Book Here
Book Description
Author: Tony Barnstone
Publisher: Anchor
ISBN: 0307481476
Category : Poetry
Languages : en
Pages : 512
Get Book Here
Book Description
Unmatched in scope and literary quality, this landmark anthology spans three thousand years, bringing together more than six hundred poems by more than one hundred thirty poets, in translations–many new and exclusive to the book–by an array of distinguished translators. Here is the grand sweep of Chinese poetry, from the Book of Songs–ancient folk songs said to have been collected by Confucius himself–and Laozi’s Dao De Jing to the vividly pictorial verse of Wang Wei, the romanticism of Li Po, the technical brilliance of Tu Fu, and all the way up to the twentieth-century poetry of Mao Zedong and the post—Cultural Revolution verse of the Misty poets. Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition.
Author: Shi Zhi
Publisher: University of Oklahoma Press
ISBN: 0806184566
Category : Poetry
Languages : en
Pages : 206
Get Book Here
Book Description
Shi Zhi has been a major force in Chinese poetry since 1968, when several of his poems were circulated as secret handwritten manuscripts in the midst of China’s Cultural Revolution. He gave voice to the aspirations of dispirited youth, and although once relegated to obscurity, he is today celebrated as one of China’s most important cultural influences, having spawned the modern Chinese poetry revolution of the 1980s. This collection of Shi Zhi’s most significant poems, featuring an afterword by the poet himself, is the first book-length publication of his work in English. Born as Guo Lusheng in 1948, at the height of the Chinese Civil War, Shi Zhi joined the People’s Liberation Army at the age of twenty-three. Discharged early, he entered into a period of severe depression and spent much of the next three decades living in mental hospitals under harsh conditions. Taking the pen name of Shi Zhi, meaning “index finger,” to evoke the image of people pointing at his back, he continued to write poetry through these tumultuous years, chronicling his journey from the heights of fame to the depths of institutionalism and ultimately to a final redemptive return to society in 2005. The voice of this besieged poet, burdened with exile and illness, captured the spirit of his generation and now inspires young readers. By presenting Shi Zhi’s poems in chronological order, Winter Sun allows readers to appreciate the evolution of his poetry from his earliest work to his most recent poems. Masterfully translated by Jonathan Stalling, and with an introduction by leading poetry critic Zhang Qinqua, this landmark collection ensures that Shi Zhi’s poetry—so important to Chinese readers during the most challenging of times—will engage the hearts and minds of new readers the world over for years to come.
Author: Zicheng Hong
Publisher: BRILL
ISBN: 9004157549
Category : Literary Collections
Languages : en
Pages : 657
Get Book Here
Book Description
"A thorough overview and analysis of the literary scene in China during the 1949-1999 period, focusing primarily on fiction, poetry, drama, and prose writing"--Provided by publisher.
